在这个音乐流派中，亚裔常被视为圈外人，然而四位年轻的美国亚裔说唱歌手却以自己的方式追求成功。

在这个音乐流派中，亚裔常被视为圈外人，然而四位年轻的美国亚裔说唱歌手却以自己的方式追求成功。

Marlon Riggs' essay film TONGUES UNTIED gives voice to communities of black gay men, presenting their cultures and perspectives on the world as they confront racism, homophobia and marginalization. It broke new artistic ground by mixing poetry (by Essex Hemphill and other artists), music, performance and Riggs' autobiographical revelations. The film was embraced by black gay audiences for its authentic representation of style, and culture, as well its fierce response to oppression. It opened up opportunities for dialogue among and across communities. TONGUES UNTIED has been lauded by critics for its vision and its bold aesthetic advances, and vilified by anti-gay forces who used it to condemn government funding of the arts. It was even denounced from the floor of Congress. "Black men loving Black men is the revolutionary act" is the rallying cry at the film's end and after more than twenty years, TONGUES UNTIED remains a celebrated vehicle for eloquent self-expression and liberation.

Marlon Riggs' essay film TONGUES UNTIED gives voice to communities of black gay men, presenting their cultures and perspectives on the world as they confront racism, homophobia and marginalization. It broke new artistic ground by mixing poetry (by Essex Hemphill and other artists), music, performance and Riggs' autobiographical revelations. The film was embraced by black gay audiences for its authentic representation of style, and culture, as well its fierce response to oppression. It opened up opportunities for dialogue among and across communities. TONGUES UNTIED has been lauded by critics for its vision and its bold aesthetic advances, and vilified by anti-gay forces who used it to condemn government funding of the arts. It was even denounced from the floor of Congress. "Black men loving Black men is the revolutionary act" is the rallying cry at the film's end and after more than twenty years, TONGUES UNTIED remains a celebrated vehicle for eloquent self-expression and liberation.

When a "Chinese Buddhist" encounters a "Christian Missionary" in the multicultural America, what's gonna happen? 　　Coming home on a Saturday morning after grocery shopping, Lu found himself awkwardly locked out of his apartment with a missionary. At Home is a narrative short of a Chinese person's experience of multiculturalism in America, a melting pot with nothing melted. 　　独在异乡为异客。一个周六的早上，买完菜回到家的陆发现自己被房东美眉反锁在了门外，而等待他的是一个基督教传教士。《异客》讲述的是一个中国留学生在美国这个所谓大熔炉里对于多元文化主义的感受。

2021年，波兰与白俄罗斯接壤的边境地带成为一片三公里宽的禁区，无数难民在此陷入残酷的生存困境。他们沦为政治博弈的棋子——白俄罗斯宣称保证难民自由通往欧盟的通道，但波兰当局实施强行驱逐政策，迫使难民折返边境线。而当难民重返白俄罗斯境内时，又会被驱赶回波兰方向——在这片荒无人烟、遍布险恶沼泽的地带，形成了一场恐怖的僵局。 　　Maciek与家人生活在波兰一侧的边境地区。他收留了精疲力竭的27岁叙利亚难民Alhyder。当Alhyder体力恢复后，却面临严峻抉择：该何去何从？如何在保障自身与Maciek安全的前提下寻找出路？ 　　这部细腻而敏锐的纪录片中，紧张氛围贯穿始终。镜头以克制冷静的视角，精准捕捉波兰家庭成员沉默面容下翻涌的复杂情绪，以及受助者满怀感激却无从言说的眼神。尽管现实困境如同密布的阴云，希望的曙光仍遥不可及。然而在这片阴霾中，人性的温暖与互助的微光始终贯穿其中。

2021年，波兰与白俄罗斯接壤的边境地带成为一片三公里宽的禁区，无数难民在此陷入残酷的生存困境。他们沦为政治博弈的棋子——白俄罗斯宣称保证难民自由通往欧盟的通道，但波兰当局实施强行驱逐政策，迫使难民折返边境线。而当难民重返白俄罗斯境内时，又会被驱赶回波兰方向——在这片荒无人烟、遍布险恶沼泽的地带，形成了一场恐怖的僵局。 　　Maciek与家人生活在波兰一侧的边境地区。他收留了精疲力竭的27岁叙利亚难民Alhyder。当Alhyder体力恢复后，却面临严峻抉择：该何去何从？如何在保障自身与Maciek安全的前提下寻找出路？ 　　这部细腻而敏锐的纪录片中，紧张氛围贯穿始终。镜头以克制冷静的视角，精准捕捉波兰家庭成员沉默面容下翻涌的复杂情绪，以及受助者满怀感激却无从言说的眼神。尽管现实困境如同密布的阴云，希望的曙光仍遥不可及。然而在这片阴霾中，人性的温暖与互助的微光始终贯穿其中。

6集剧《车库饶舌小子 Grime Kids》灵感来自DJ Target的书，由Theresa Ikoko执笔。《车库饶舌小子》讲述一群90年代后期崛起的主角，他们用车库饶舌传达自己的声音。

十九世纪末，来自克利夫兰的小伙子威廉-布雷克，应聘到西部的一家工厂做会计，熟料班没有上成，还稀里糊涂地杀了当地头号人物迪金生先生的儿子，身负重伤…

十九世纪末，来自克利夫兰的小伙子威廉·布雷克，应聘到西部的一家工厂做会计，熟料班没有上成，还稀里糊涂地杀了当地头号人物迪金生先生的儿子，身负重伤的他因此成为了悬赏追拿的逃犯。在逃亡的过程中，他遇到了一个小时候被掠到英国的印第安人Nobody。Nobody误认为这个被通缉的逃犯是他心目中的偶像——诗人威廉·布雷克，于是两个人开始了一起逃亡。Nobody说着一些迷离难懂的话，教布雷克学会西部的规则，教他如何用他的枪说话。他杀人，他试着生存，但血一直的流，漫长旅程的除了死亡似乎没有终点...........