The world premiere of this feature film by Tony Palmer was at the Rainbow Theater on July 5, 1974, in London. The original version cost over 120.000 USD *) to produce, but Cohen was not satisfied. He spent six months in England editing and rearranging the film to show the deeper elements in music, the conditions that produced it, and his interaction with the audiences. It contains songs from albums as well as concerts, including those of Berlin, Vienna, Copenhagen, and Israel in March and April 1972. It is a documentary rather than an art film. Color, 90 min. (Ira Nadel: Life in Art, p. 111; Dorman & Rawlins: Prophet of the Heart, p. 279) 　　According to information received in 2010 from Tony Palmer the production cost of the original film (his version) was around £30.000.

A man's life, loves and losses are shown through the exchanges he has with the passengers in his car.

艾伊（娜姆拉荣·塔尼娅瑞丝 Tanyares Ramnarong 饰）刚刚结束了一段失败的婚姻，以丈夫的背叛出轨为终结。离婚之后，艾伊独自一人在曼谷打拼，在一家公司里从事着会计师的工作。离婚的时候，艾伊带走了女儿梅，可是单亲妈妈的日子实在是太辛苦了，无力照顾梅的艾伊只得将孩子丢给父母照看，而她和梅之间的亲情也因此渐渐产生了疏离。 　　某日，艾伊在网络游戏里寻求消遣，偶遇了名叫朗（普里扬特·贾坎特 Preeyakarn Jaikanta 饰）的网友，因为两人三番五次的遇见，就此熟络了起来。艾伊并没有告诉朗自己是女性，朗也一直以为网络那一头的艾伊是男人，随着时间的推移，两人披着虚拟的外皮，竟然碰撞出了浪漫的火花。

华唐以西瓜头的身份活跃在网络上，他利用网络知识，协助陌生的网友进行网上投注，走上了人肉搜索之路。渐渐地，他不满足于只活跃在网络上，也开始在现实生活中跟踪别人。他的跟踪行为被一个女孩子发现，于是华唐开始监视她，在过程中发现这个女孩子欠债，最后华唐帮助女孩子偿还了欠款，也决定从此放弃人肉搜索的生活。

在战后的澳大利亚，电影《电影通》的男男女女们努力为这部即将公映的电影制作每周的新闻短片。

艾伊（娜姆拉荣·塔尼娅瑞丝 Tanyares Ramnarong 饰）刚刚结束了一段失败的婚姻，以丈夫的背叛出轨为终结。离婚之后，艾伊独自一人在曼谷打拼，在一家公司里从事着会计师的工作。离婚的时候，艾伊带走了女儿梅，可是单亲妈妈的日子实在是太辛苦了，无力照顾梅的艾伊只得将孩子丢给父母照看，而她和梅之间的亲情也因此渐渐产生了疏离。 　　某日，艾伊在网络游戏里寻求消遣，偶遇了名叫朗（普里扬特·贾坎特 Preeyakarn Jaikanta 饰）的网友，因为两人三番五次的遇见，就此熟络了起来。艾伊并没有告诉朗自己是女性，朗也一直以为网络那一头的艾伊是男人，随着时间的推移，两人披着虚拟的外皮，竟然碰撞出了浪漫的火花。

DESEO looked very promising. A movie about the political situation by the end of WWII and also a forbidden love story between a married communist woman and a NAZI sympathizing in a very convoluted Spain; but the movie is unable to get the point almost completely. This is really a pity, because movies about WWII are generally no more than war scenes and NAZIS portrait as psychopaths but rarely mentions the reasons why many countries were allied or passive with Germany (even USA before Pearl Harbor). 　　In 1945; a woman belonging to a communist family fallen from grace, find a job in the house of a very seductive Argentinean magnate who is secretive helping important members of the NAZI regime escape to Argentina under protection of General Peron (and also General Franco) governments. The woman has several reasons to hate the fascism; her husband is in prison for political reasons, his father was killed in front of his family by the FALANGE (Franco's army), his mother is paraplegic because of that and they lost everything their had and living in absolutely misery. For all these reasons, the temptation of an elegant world, fancy clothes and good sex seems quite logical, even when she had to betray her own ideas and husband. 　　The story looks very good, but the development is poor and flipping from the light social history to the soap opera model. The beginning showing misery and desperation and the seductive tycoon, are well conceived albeit slow moving. But after that, things never really get convincing. The political situation is described using a few dialogs. The obsessive love story loose credibility every second. Sex scenes are as hot as candle six feet away. Moments like the notice of Hitler's dead are so bad acted that they should be left in the cutting room. 　　The cast composed of very important and well-known Spanish and Argentinean actor's fails almost completely. Leonardo Sbaraglia starts very seductive, but when things get dramatic he is unable to deliver. Leonor Watling has a one facial expression character; even when she looks very nice and unprotected, is hard to believe somebody could get so obsessed about her. Cecilia Roth is a caricature, absolutely miscast. Norma Leandro unnecessary as Sbaraglia mother and head of the organization. Sarda, Cava and Alterio are the only ones able to get some credibility in their small parts. 　　It is really sad, because with all the misses, there are a few intelligent details. The story never tries to create a heroine out of Watling role. The fears and persecution of communist under Franco regime are very well described and touching, as is the misery those peoples were condemned. 　　In sum, if you do not know history or if you are looking for something trying to show history realistic, take a look otherwise do not loose your time, read a book about the subject.

浪漫和原始的接触，如当帅逃犯从疯人院想念女孩的更衣室里，使这所有真正情电影。

浪漫和原始的接触，如当帅逃犯从疯人院想念女孩的更衣室里，使这所有真正情电影。

香港某远航集团董事长唐启诚一个具有爱国之心的巨商，卷入了一场股市之争，而这场股市之争的背后，却涉及到某货柜码头是继续落在外国人手中，还是由中国掌管这个十分严峻的问题，一方面唐启诚以超人的胆识和气魄，精明过人，力挫群雄，调动了方方面面的力量，使码头牢牢掌握在中国人的手中，体现了华人的意愿；另一方面，唐启诚又陷人了家庭问题的苦恼之中，中西方文化在他内心撞击，矛盾重重。他想尽孝按中国传统文化传子传孙，听凭父亲临终前突然宣布把遗产留给6岁私生子唐东魁，引起唐氏家族轩然大波，妻子仇秀玲悲痛欲绝，没想到丈夫瞒着她金屋藏娇；二女儿丽安，小女儿娣娜与父亲翻脸成仇，雇佣杀手去杀唐东魁；大女婿虞大祖从唐东魁外婆手里抢走了装着遗产和遗嘱的铁匣子，可打开它时空空如也，遗产和遗嘱在哪里？唐东魁和他母亲梅茵又在哪里？正当唐启诚心急如焚之际，一个17岁的新加坡男孩来找他认父，吵成一锅粥的家里又起波涛，两个突然间冒出来的儿子引出一环扣一环的惊心动魄的码头之争，其中还夹杂着恩恩怨怨人间情感，唐启诚万万没料到自己早已钻入别人设好的陷井之中，他又受西文化耳染目濡，想往心灵自由，一直深深爱着他的女秘书梅茵，因是仇人冯道山的女儿，他面对股市之争和码头之战及来自6个女人的情爱、怨恨、怒火、难以自圆其说……最终，他的爱国之心得到了实现，又面临新的选择。