Muratti was a German brand of cigarettes. Fischinger transforms bunches of standing cigarettes into things that resemble human beings. At first they walk daintily around packages of Muratti tins. Gradually as the film progresses their motions become more graceful, as they do "slides" and other motions and formations associated with dance. The apotheosis of the film is remarkable: Dozens and dozens of cigarettes, arranged in Busby Berkeley-like fashion, repeatedly bow to the horizon, where a giant sun labeled "Muratti" rises in response to to their worshiping activity.

A Parisian museum director believes his wife has lost interest in him and so places a poisoned cigarette in the box on his desk - thus allowing chance to decide the moment of his death.

A Parisian museum director believes his wife has lost interest in him and so places a poisoned cigarette in the box on his desk - thus allowing chance to decide the moment of his death.

Two children go behind the scenes of a small circus.

Two children go behind the scenes of a small circus.

"Taratata is a tribute to the parades that used to be held on Saint-Jean-Baptiste Day, Quebec's national holiday. These parades were an occasion to honour traditional values or demonstrate progress by way of allegorical floats. Presented each year on June 24 in cities and towns all over Quebec, they gave local musicians and brass bands a chance to display their talents. Children adored the pageant with its splendid uniforms. The day would end with a great fireworks display. I wanted to evoke this popular celebration once again, emphasizing what was charming, ridiculous or pretentious." 　　F.B.

Cigarette Girl (2023), which has garnered significant attention due to the couple Kamila Andini and Ifa Isfansyah, delves into the life of a female protagonist entwined with the 1960s Indonesian cigarette industry.

Cigarette Girl (2023), which has garnered significant attention due to the couple Kamila Andini and Ifa Isfansyah, delves into the life of a female protagonist entwined with the 1960s Indonesian cigarette industry.

20世纪60年代，一名才华横溢的女匠人在印尼丁香烟产业中挑战传统，并展开了她的爱情和自我发现之旅。

本作以死后、聚集了人类的灵魂的不可思议的酒吧“奎因德基姆”为舞台，每同时死亡的两名死者都会根据记忆进行筛选，再作为客人送至不同的酒吧（灵魂裁定处）。而在其中 15F 的”奎因德基姆“酒吧，迎接他们的是拥有一头白发的酒保德基姆和在此处作为助手的黑发女。因为死亡的冲击会导致客人暂时性遗忘自己已死的事实，而德基姆要做的则是：诱导客人们在不知情的情况下参加游戏，使用技巧使客人们的本性暴露出来，并对其进行裁定，是“天堂（即因为有心愿未了等情况送至转生）”或者“地狱（由于人性丑陋而导致虚无，沉于黑暗）”。红脸为地狱,白脸为天堂。游戏的最后，德基姆会说出自己是“裁定者”，在客人裁定结束后也引发了对人性以及生命的思考……随着故事的展开，德基姆以及其他裁定者的身份也渐渐明朗，而一直作为助手存在的黑发女究竟与酒吧有何关系，在背后接近他们的计划又会如何展开……