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    靈与肉 - 电影

    2023美国
    导演:Tiffany Lupien
    靈与肉
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    靈与肉 - 电影

    2023美国
    导演:Tiffany Lupien
    靈与肉
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    5-5-5 - 电影

    2013
    导演:Gustavo Alex Giannini
    演员:Antonio Birabent Belén Chavanne Nancy Anka
    Gabriel, a professor of philosophy and logic of night school, which runs through marital problems, and that when he meet a new young student who suddenly disappear after she closer to the prophetic drawings of Benjamin Solari Parravicini, will be immersed in trying to understand the meaning of these drawings, embarking with his cousin Tony, a story of suspense, intrigue and drama.
    5-5-5
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    5月5日 - 电视剧

    2025中国大陆
    刑警大队队长齐宝根因1988年金额巨大的抢劫杀人案,为守护真相与正义,不惜长期蛰伏,半生只做一件事,与把嫌疑人沈卫东开展了一场长达二十   年的“猫鼠游戏”的信念追逐。
    5月5日
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    5月5日 - 电视剧

    2025中国大陆
    刑警大队队长齐宝根因1988年金额巨大的抢劫杀人案,为守护真相与正义,不惜长期蛰伏,半生只做一件事,与把嫌疑人沈卫东开展了一场长达二十   年的“猫鼠游戏”的信念追逐。
    5月5日
    搜索《5月5日》
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    5 - 电影

    1990俄罗斯动画·短片·音乐
    导演:Ivan Maksimov
    http://www.youtube.com/watch?v=hUcvhGJFexc   7 min
    5
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    5 - 电影

    1990俄罗斯动画·短片·音乐
    导演:Ivan Maksimov
    http://www.youtube.com/watch?v=hUcvhGJFexc   7 min
    5
    搜索《5》
    影视

    5 - 电影

    2008Drama·Documentary
    导演:Jonathan Perel
    演员:Margarita Molfino
    The attempt to accompany the creative process (with the inevitable difficulties and silences) of five women-dancers-choreographers, in their experience of creating a work of dance theater.
    5
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    พี่นาค 5 - 电影

    2026泰国喜剧·动作·恐怖
    导演:Achira Nokthet
    演员:洪天逸 Tar Atiwat Saengtien
    暂无剧情简介
    พี่นาค 5
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    5 - 电影

    1962奥地利短片
    导演:库尔特·克伦
    Film's title roughly translates as "window lookers, garbage, etc." Kren juxtaposes blocks of images in montage sections cut to different rhythms and speeds. The "window lookers" - old people who rest elbows on pillows at windows - view the activities on the streets below: this action begins and ends the film and is repeated within the work many times. There are also sections depicting debris and broken glass, pedestrians, and positive and negative images of the moon. Splice marks, especially during the window scenes, are apparent, punctuating the silent work and reminding us of the film. While we may make associations among the image clusters, there is no narrative per se, and the rapid cutting purposefully undercuts any emotional expressiveness the material might contain.
    5
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