三秒半太短，但足够你死于非命。10月26号，10:43。小鸟因啄掉了雪人的鼻子而被雪埋葬；11月7号，14:06。电线上的小鸟触电身亡；11月19号，09:57。飞机因小鸟失事；12月9号，18:08。机器吞噬了小鸟；12月22号，16:30。赛场上的指令枪打死了小鸟；1月2号，11:24。过山车碾压死了小鸟；1月18号，19:07。打网球的男人不巧打死了小鸟；2月1号，23:59。小鸟撞死在钟楼上。 　　这部不足一分钟的动画短片，居然囊括了八段更加简短的故事片断。戛然而止的开放式结局，没有结论更无说教。然而精确到分秒的时间，却让生活中细微短暂的瞬间，被无限夸张和放大，好似时间可以永远停止在那里。导演埃兰·希勒尔毕业于以色列国家艺术学院——比撒列艺术学院。学院融合中东和欧洲民族风格的艺术氛围，深深地影响了埃兰，在他的作品中皆有体现。

三秒半太短，但足够你死于非命。10月26号，10:43。小鸟因啄掉了雪人的鼻子而被雪埋葬；11月7号，14:06。电线上的小鸟触电身亡；11月19号，09:57。飞机因小鸟失事；12月9号，18:08。机器吞噬了小鸟；12月22号，16:30。赛场上的指令枪打死了小鸟；1月2号，11:24。过山车碾压死了小鸟；1月18号，19:07。打网球的男人不巧打死了小鸟；2月1号，23:59。小鸟撞死在钟楼上。 　　这部不足一分钟的动画短片，居然囊括了八段更加简短的故事片断。戛然而止的开放式结局，没有结论更无说教。然而精确到分秒的时间，却让生活中细微短暂的瞬间，被无限夸张和放大，好似时间可以永远停止在那里。导演埃兰·希勒尔毕业于以色列国家艺术学院——比撒列艺术学院。学院融合中东和欧洲民族风格的艺术氛围，深深地影响了埃兰，在他的作品中皆有体现。

童羽心拥有一条让人爱上她一小时的神奇项链。她和唐宇桐的意外接吻导致项链转移。失去魔法的童羽心被打回原型，急于扑倒唐宇桐拿回项链。一场关于爱情与音乐的浪漫教学就此展开，一段错位的初恋往事也浮出水面。

根据绯声小说《花瓶女性重生后爆红了》改编。 　　童羽心（康汐 饰）拥有一条能让人爱上她一小时的神奇项链。她和唐宇桐（谷蓝帝 饰）的意外接吻导致项链转移。失去魔法的童羽心被打回原型，急于扑倒唐宇桐拿回项链。一场关于爱情与音乐的浪漫教学就此展开，一段错位的初恋往事也浮出水面。

李辰，一个普通的公司职员，在经历了职场欺凌后不幸遭遇车祸，却意外重生回到大学时代。这一次，他发现自己获得了一种奇特的能力——与人对视时，能够短暂控制对方，并收获对方身上的技能点。凭借这种能力，李辰开始了他不平凡的第二人生...

Critic Leonard Maltin describes "Three On A Match" as a "hard hitting example of forbidden Hollywood". That it is, no happy endings here, as this depression era film follows the rise and fall of childhood friends who get caught up in the seamy underworld of booze, drugs and gambling, ultimately trading places along the way. 　　The three friends are Mary Keaton Bernard (Joan Blondell), Vivian Revere Kirkwood (Ann Dvorak) and Ruth Wescott (Bette Davis), shown growing up between 1919 and 1932 as a montage of newspaper headlines place the story in a historical context. Blondell's character is a reform school standout, whose life experience puts her in a position to counsel a depressed and "fed up with everything" Vivian. Viv takes up with small time hood Mike Loftus (Lyle Talbot) after disappearing with her young son from a cruise ship. Loftus ingratiates himself with mobster Harve (Humphrey Bogart in a minor role) and his boss Ace (Edward Arnold) by going into debt for two grand. The desperate creep attempts to blackmail the boy's father, wealthy lawyer Robert Kirkwood (Warren William), but that plan heads south as the cops quickly close in. Vivian's resolution is one of the more depressing finales to a tale that realistically depicts a pair of unfortunate souls whose lives spiral completely out of control. 　　The film does have it's share of light moments; one of the newspaper clippings describes the new fashion trend in beachwear, a "brief" sun suit, ably modeled by Bette Davis. In stark contrast, Mr. Kirkwood's attire of choice is a business suit and tie while sitting under a beach umbrella, hard to work up a good tan that way. Davis' screen time is limited but effective, with a sit up and take notice scene where she's shown wearing just a slip early in the film, rather daring for the era and showing more skin than one might expect. 　　Warner Brothers/First National masterfully portrayed the down and out, seamy underside of life during the 1930's, '40's and '50's, tackling all manner of subjects in their movies. "Three On A Match" tells it's tale without a wasted moment, sometimes relying on scenes that only last a few seconds to move the story along. It's hard edged and no nonsense, all the more provocative for it's mature subject matter and realistic portrayals; highly recommended.

Critic Leonard Maltin describes "Three On A Match" as a "hard hitting example of forbidden Hollywood". That it is, no happy endings here, as this depression era film follows the rise and fall of childhood friends who get caught up in the seamy underworld of booze, drugs and gambling, ultimately trading places along the way. 　　The three friends are Mary Keaton Bernard (Joan Blondell), Vivian Revere Kirkwood (Ann Dvorak) and Ruth Wescott (Bette Davis), shown growing up between 1919 and 1932 as a montage of newspaper headlines place the story in a historical context. Blondell's character is a reform school standout, whose life experience puts her in a position to counsel a depressed and "fed up with everything" Vivian. Viv takes up with small time hood Mike Loftus (Lyle Talbot) after disappearing with her young son from a cruise ship. Loftus ingratiates himself with mobster Harve (Humphrey Bogart in a minor role) and his boss Ace (Edward Arnold) by going into debt for two grand. The desperate creep attempts to blackmail the boy's father, wealthy lawyer Robert Kirkwood (Warren William), but that plan heads south as the cops quickly close in. Vivian's resolution is one of the more depressing finales to a tale that realistically depicts a pair of unfortunate souls whose lives spiral completely out of control. 　　The film does have it's share of light moments; one of the newspaper clippings describes the new fashion trend in beachwear, a "brief" sun suit, ably modeled by Bette Davis. In stark contrast, Mr. Kirkwood's attire of choice is a business suit and tie while sitting under a beach umbrella, hard to work up a good tan that way. Davis' screen time is limited but effective, with a sit up and take notice scene where she's shown wearing just a slip early in the film, rather daring for the era and showing more skin than one might expect. 　　Warner Brothers/First National masterfully portrayed the down and out, seamy underside of life during the 1930's, '40's and '50's, tackling all manner of subjects in their movies. "Three On A Match" tells it's tale without a wasted moment, sometimes relying on scenes that only last a few seconds to move the story along. It's hard edged and no nonsense, all the more provocative for it's mature subject matter and realistic portrayals; highly recommended.