少女小培与爸爸过着相依为命但各自孤单的日子，而妈妈的死亡阴影深深影响着她。在经历生活一个又一个小变故之时，她一次又一次去到与记忆、现实交错的异度空间，但无法知晓到底是梦境，还是鬼魅时空。 　　第13届香港浸会大学电影电视与数码媒体艺术（制作）硕士毕业作品

谁能想到，扶老奶奶过马路能换来 10 亿财富？林雨本是个连生日约会都骑电瓶车的普通小伙，手机余额只剩 250 元，却在途中果断救助被三轮车压住的拾荒老人。拒绝老人 10 元报酬后，他意外觉醒系统，收获 10 亿华夏币大奖。带着给女友准备的迪奥项链，他在维多利亚餐厅上演 “余额打脸服务员” 名场面，却没料到，等待他的不是女友的惊喜，而是她与其他男人的亲密画面，暴富第一天就遭遇情感暴击。

Valerie, a beautiful young girl, watches over her cousin's place while he is away for six months. Not one to take advantage of her new "digs", she spends her first night there reading, playing records and. calling her girlfriend Sophie over for some hot lesbian sex! Later that night, members of a crazed sex cult break in and mistakenly kidnap Sophie. It seems Valerie's cousin, a member of this cult, has some incriminating photos and the leader wants to ruin his life. Realizing the mistake, the cult leader sends over a sultry French maid to seduce and kidnap Valerie (only AFTER some steamy sex, of course). Once the kidnapping plot is uncovered, Valerie and Sophie's horny friend Fred head over to the cult's mansion stronghold to put a stop to all this madness!

Valerie, a beautiful young girl, watches over her cousin's place while he is away for six months. Not one to take advantage of her new "digs", she spends her first night there reading, playing records and. calling her girlfriend Sophie over for some hot lesbian sex! Later that night, members of a crazed sex cult break in and mistakenly kidnap Sophie. It seems Valerie's cousin, a member of this cult, has some incriminating photos and the leader wants to ruin his life. Realizing the mistake, the cult leader sends over a sultry French maid to seduce and kidnap Valerie (only AFTER some steamy sex, of course). Once the kidnapping plot is uncovered, Valerie and Sophie's horny friend Fred head over to the cult's mansion stronghold to put a stop to all this madness!

修仙世界，田步庭因各种舔狗行为，被家族惩治，被亲人唾弃。只因他偶然间绑定舔狗系统，只要给女修送礼就能得到奖励。田步庭虽不想做舔狗，可无奈系统给的实在是太多了。为此他不惜被万人鄙视，也要绑定激活系统。从此，没人记得舔狗田步庭，只有传说中的九州第一深情。十年修仙无人知，一朝舔狗天下闻。且看他如何，以舔成圣！

埃斯特拉是一位来自智利农村的年轻女子，她离开家人，踏上前往圣地亚哥的旅程，为一个富裕的家庭做女佣。

埃斯特拉是一位来自智利农村的年轻女子，她离开家人，踏上前往圣地亚哥的旅程，为一个富裕的家庭做女佣。

A figure in the grass with a gun, a name called out in the distance, a woodcutter and a man who has lost a dog are woven together by Lisandro Alonso in a meditation on the past we inherit and the future we construct. 　　As part of a project for the Centre de Cultura Contemporània de Barcelona, Albert Serra and Lisandro Alonso agree to exchange filmed letters where both engage with characters and conceits from their previous works. Serra revisits Honour of the Knights (Quixotic) (LFF 2006), moving the cast and crew of the original film to the arid landscape of La Mancha, the original setting for Don Quixote's adventures and misadventures. Between takes, Serra's cast and crew watch, bicker, argue, eat and wait for Albert. There are echoes of Truffaut's Day for Night in the appealing simplicity of Serra's approach. The Lord Worked Wonders in Me, however, is more than just a film about filmmaking. Lyrical absurdism, an uncompromising cinematic vision and the attention to composition evidenced in his earlier features all combine to provide a commentary on a 21st-century quest with earlier antecedents.

A figure in the grass with a gun, a name called out in the distance, a woodcutter and a man who has lost a dog are woven together by Lisandro Alonso in a meditation on the past we inherit and the future we construct. 　　As part of a project for the Centre de Cultura Contemporània de Barcelona, Albert Serra and Lisandro Alonso agree to exchange filmed letters where both engage with characters and conceits from their previous works. Serra revisits Honour of the Knights (Quixotic) (LFF 2006), moving the cast and crew of the original film to the arid landscape of La Mancha, the original setting for Don Quixote's adventures and misadventures. Between takes, Serra's cast and crew watch, bicker, argue, eat and wait for Albert. There are echoes of Truffaut's Day for Night in the appealing simplicity of Serra's approach. The Lord Worked Wonders in Me, however, is more than just a film about filmmaking. Lyrical absurdism, an uncompromising cinematic vision and the attention to composition evidenced in his earlier features all combine to provide a commentary on a 21st-century quest with earlier antecedents.

人类进入核能源时代不到70年，却产生了大约30万吨具有致命放射性的废料。地上存储设备只是短暂性的应对方案。如今，在地下深达5千米的地方，芬兰人正在为掩埋他们国家的核废料建造巨型掩埋场。这个名为Onkalo（芬兰语，意思为“隐藏之所”）的核废料存储处，是一个长达3英里的地下道。2100年，这个地下道将被封，至少10万年不允许被触碰。 　　在这一部充满诗意、唯美的纪录片中，丹麦导演迈克尔·麦迪逊（Michael Madsen）与北欧顶尖核能源专家交谈，并跟随负责岩石爆破的人下到黑暗的隧道中。如此令人费解和恐惧的话题，麦迪逊丢弃摆理论的方式，采用哲学的思维方式讲述这个故事。以现在的生活方式，我们会在未来什么时候得到报应？我们怎么警醒遥远未来的后代我们曾埋藏在地下的核废料？核废料可不是金字塔和法老，它们永远也不能被发现。