Matteo and Riccardo are a couple and they are about to celebrate their sixth month of relationship. The romantic time is interrupted by a tragic news: Matteo discovers he has become HIV positive. After that news everything changes: Matteo, oppressed and disoriented, closes in on himself, meanwhile Riccardo, overwhelmed by fear and uncertainty, refuses to know his serological status. Matteo’s uncle, Enzo, will help the couple to face their fears and they will help in turn Enzo to accept the ghosts of his past.

Matteo and Riccardo are a couple and they are about to celebrate their sixth month of relationship. The romantic time is interrupted by a tragic news: Matteo discovers he has become HIV positive. After that news everything changes: Matteo, oppressed and disoriented, closes in on himself, meanwhile Riccardo, overwhelmed by fear and uncertainty, refuses to know his serological status. Matteo’s uncle, Enzo, will help the couple to face their fears and they will help in turn Enzo to accept the ghosts of his past.

乔·赖特将执导改编自同名音乐剧的歌舞片[西拉诺](Cyrano，暂译)，米高梅影业已拿下本片北美发行权。原音乐剧男主角彼得·丁拉基将回归饰演西拉诺，即大…

文学大师西哈诺·德·贝杰拉克（彼特·丁拉基 饰）过于自我意识，不敢向心仪对象萝珊（海莉·贝内特 饰）表白，反透过情书来帮助年轻的克里斯蒂安（小凯文·哈里森 饰）追求萝珊。 　　本片改编自艾莉卡·史密德（Erica Schmidt）的2018年同名音乐剧。该音乐剧则改编自1897年埃德蒙·罗斯丹戏剧《大鼻子情圣》

在一个精神病院，萨德侯爵排了一出关于让·保罗·马拉弥留之际的戏剧，而演员均是院里的病人。

在一个精神病院，萨德侯爵排了一出关于让·保罗·马拉弥留之际的戏剧，而演员均是院里的病人。

"Milano odia: la polizia non può sparare" aka. "Almost Human" of 1973 is a brutal and brilliant Poliziottesco, one of the most uncompromising films of its genre, coming along with an ingenious score by none other than Ennio Morricone. Apart from the brilliant score, the brutal, uncompromising violence, the raw atmosphere and gripping story it is furthermore two of the greatest stars in Italian 70s cinema that make "Milano Odia" an absolute must-see for lovers of cult cinema. 　　imbd comment

"Milano odia: la polizia non può sparare" aka. "Almost Human" of 1973 is a brutal and brilliant Poliziottesco, one of the most uncompromising films of its genre, coming along with an ingenious score by none other than Ennio Morricone. Apart from the brilliant score, the brutal, uncompromising violence, the raw atmosphere and gripping story it is furthermore two of the greatest stars in Italian 70s cinema that make "Milano Odia" an absolute must-see for lovers of cult cinema. 　　imbd comment