For Maryam Tafakory, a film can have many lives and doesn’t need to be bound to a single medium or one mode of projection. A film can be fluid and take up many forms, based on its time and place of presentation. For Kassel Dokfest and the BALi Kino, Maryam Tafakory develops another iterating of her film MAST-DEL (17 Min., 2023), in which, in a performative reading, she tells us a story about forbidden bodies and desires inside and outside post-revolution Iranian cinema: 　　Two women lie together in bed. As the wind bashes against the window, one recalls a past date to the movie theatre. The narrated scene cannot be conveyed through images. Layers of found and original footage are superimposed to fill in some of the cracks, the deletions, the limits of representation – a love song that would never pass through the censors. 　　源自：https://www.kasselerdokfest.de/en/screenings/s-eb97712f-e126-3548-8b58-966d2c34f5b3

For Maryam Tafakory, a film can have many lives and doesn’t need to be bound to a single medium or one mode of projection. A film can be fluid and take up many forms, based on its time and place of presentation. For Kassel Dokfest and the BALi Kino, Maryam Tafakory develops another iterating of her film MAST-DEL (17 Min., 2023), in which, in a performative reading, she tells us a story about forbidden bodies and desires inside and outside post-revolution Iranian cinema: 　　Two women lie together in bed. As the wind bashes against the window, one recalls a past date to the movie theatre. The narrated scene cannot be conveyed through images. Layers of found and original footage are superimposed to fill in some of the cracks, the deletions, the limits of representation – a love song that would never pass through the censors. 　　源自：https://www.kasselerdokfest.de/en/screenings/s-eb97712f-e126-3548-8b58-966d2c34f5b3

Family whereabouts of a wealthy catalan family in the wine industry.

Family whereabouts of a wealthy catalan family in the wine industry.

故事发生在伦敦的汉普斯特富人区，艾米丽（黛安·基顿 Diane Keaton 饰）刚刚失去了她的丈夫。一次偶然中，艾米丽透过望远镜，发现有一个名叫唐纳德（布莱丹·格里森 Brendan Gleeson 饰）的流浪汉住在远处荒野中的一座棚屋里。渐渐的，艾米丽对这个男人产生了怜惜和兴趣。 　　艾米丽面临着很严峻的债务问题，当她向好友菲奥娜（莱丝利·曼维尔 Lesley Manville 饰）求助时，意外的得知，菲奥娜和她的丈夫，正在打着唐纳德所居住的那片高价土地的主意。于是，艾米丽决定挺身而出，帮助唐纳德捍卫他赖以生存的土地。经历了种种波折之后，两人总算找到了当年为唐纳德安装家具的邻居菲利普先生（詹姆斯·诺顿 James Norton 饰）为唐纳德作证。

故事发生在伦敦的汉普斯特富人区，艾米丽（黛安·基顿 Diane Keaton 饰）刚刚失去了她的丈夫。一次偶然中，艾米丽透过望远镜，发现有一个名叫唐纳德（布莱丹·格里森 Brendan Gleeson 饰）的流浪汉住在远处荒野中的一座棚屋里。渐渐的，艾米丽对这个男人产生了怜惜和兴趣。 　　艾米丽面临着很严峻的债务问题，当她向好友菲奥娜（莱丝利·曼维尔 Lesley Manville 饰）求助时，意外的得知，菲奥娜和她的丈夫，正在打着唐纳德所居住的那片高价土地的主意。于是，艾米丽决定挺身而出，帮助唐纳德捍卫他赖以生存的土地。经历了种种波折之后，两人总算找到了当年为唐纳德安装家具的邻居菲利普先生（詹姆斯·诺顿 James Norton 饰）为唐纳德作证。

Former Amsterdam police detective Floris Wolfs has been transferred to the police department of the south-Dutch country town Maastricht. His metropolitan experience nicely complements the local expertise of his new country colleagues, who know the folks. Slowly he fits in, while solving countless crimes together with his female partner Eva van Dongen.

在一个魔幻的世界里，强大而发达的精灵一族诺瑞恩人正遭受着资源枯竭的困扰。为了拯救国中子民，国王派出使者寻找新的土地。他们来到富饶的吉哈莫拉，受到当地原著民洛克尼人的欢迎。然而随着时间的推移，两个民族间的矛盾逐渐凸现。在战争狂人——国王的妹妹西德莎的率领下，诺瑞恩军队对善良的洛克尼人展开大屠杀。饱受蒙蔽的诺瑞恩国王剥夺了西德莎的皇族身份，然西德莎却阴谋毒害国王一家，最终这个作恶多端的女人被流放边疆。 　　15年后，洛克尼战争孤儿迪亚哥偶然邂逅了诺瑞恩国王的女儿克拉，两个年轻人对彼此都产生好感，却因国仇家恨难以走到一起。另一方面，在黑暗中蛰伏已久的西德莎谋划重返光明世界……

《海德尔》改编自莎士比亚的《哈姆雷特》。 　　一名年轻人（海德尔） 获悉他父亲失踪的消息后，从学校返回克什米尔。自卫部队以窝藏激进分子的罪名，逮捕了他的父亲。海德尔发现了他的妈妈与自己的叔叔有暧昧关系，不久，海德尔得知是他的叔叔主导了父亲的谋杀案，于是为死去的父亲展开了复仇之旅……

小女孩埃德尔（Cristiana Lionello 饰）的耳朵有着先天的畸形，看起来尖尖的，外貌上的与众不同让她封闭起了自己的内心，不愿意和任何人交流，平日里去学校对于她来说就好像去上刑一样。 　　唯一能够让埃德尔感到快乐的地方，是马术学校，在那里，一匹名叫卡戎的马每天都在等待着埃德尔的到来。卡戎曾经属于埃德尔的父亲，可是这个男人在一场马术比赛之中不幸丧生，自此之后，埃德尔便和母亲相依为命。因为耳朵的缘故，埃德尔和母亲之间的关系并不好，母亲一直希望埃德尔能够接受整容手术，她认为，只要女儿变得和其他孩子一样，她就能够重新获得快乐，但现实真的如此吗？