Smuggler Carnaghan (Spencer Tracy) is let out of prison by government agent Kellar (John Hodiak) on condition that he help John Royer (James Stewart) sneak the entire vitally-needed rubber crop out of Japanese-held Malaya during World War II. They slip into the country and contact Carnaghan's associate, the Dutchman (Sydney Greenstreet), who conveniently recruits a gang of cutthroats for them from customers in his saloon, including Romano (Gilbert Roland). 　　Using money and intimidation, they succeed in purchasing all the available rubber, but eventually the Japanese commander, Colonel Tomura (Richard Loo), gets wind of the scheme. On the last trip to transport the remainder of the cargo to a waiting freighter, Carnaghan smells an ambush, but Royer disregards his warning and is killed by the waiting soldiers. The cynical Carnaghan then turns patriotic and completes the mission.

Smuggler Carnaghan (Spencer Tracy) is let out of prison by government agent Kellar (John Hodiak) on condition that he help John Royer (James Stewart) sneak the entire vitally-needed rubber crop out of Japanese-held Malaya during World War II. They slip into the country and contact Carnaghan's associate, the Dutchman (Sydney Greenstreet), who conveniently recruits a gang of cutthroats for them from customers in his saloon, including Romano (Gilbert Roland). 　　Using money and intimidation, they succeed in purchasing all the available rubber, but eventually the Japanese commander, Colonel Tomura (Richard Loo), gets wind of the scheme. On the last trip to transport the remainder of the cargo to a waiting freighter, Carnaghan smells an ambush, but Royer disregards his warning and is killed by the waiting soldiers. The cynical Carnaghan then turns patriotic and completes the mission.

Each year, a father films his daughter on her birthday, asking her the same questions. In just 29 minutes, we watch her grow from a toddler to a young woman with all the beautiful and awkward stages in between. Each phase is fleetingly captured but leaves an indelible mark. Her answers to her father’s questions are just a backdrop for a deeper story of parental love and, ultimately, independence.

Each year, a father films his daughter on her birthday, asking her the same questions. In just 29 minutes, we watch her grow from a toddler to a young woman with all the beautiful and awkward stages in between. Each phase is fleetingly captured but leaves an indelible mark. Her answers to her father’s questions are just a backdrop for a deeper story of parental love and, ultimately, independence.

Three seemingly separate stories taking place in Tel Aviv, this film examines people from very different backgrounds beginning what seems to be an ordinary day, although by the end of a few weeks, their lives will have intersected with surprising results. Reuben and Michal, a couple in their forties, decided years ago not to have any children. Michal unexpectedly gets pregnant. Anna, a young single mother, and her ten-year-old son are thrown out of their rented apartment. Kagan, a solitary and introverted radio technician in his thirties, is recording a radio program about his father, the founder of the punk movement in Israel.

Three seemingly separate stories taking place in Tel Aviv, this film examines people from very different backgrounds beginning what seems to be an ordinary day, although by the end of a few weeks, their lives will have intersected with surprising results. Reuben and Michal, a couple in their forties, decided years ago not to have any children. Michal unexpectedly gets pregnant. Anna, a young single mother, and her ten-year-old son are thrown out of their rented apartment. Kagan, a solitary and introverted radio technician in his thirties, is recording a radio program about his father, the founder of the punk movement in Israel.

十六岁平平无奇的杜小扬不知道怎么去应对青春期的开始。这时，一个大男孩陈成煜闯进了她的世界，他成熟自信，张扬地点亮了杜小扬的世界。然而，她的父母对她失望正在筹划着二胎，同学们发现了她和陈成煜的关系，认定她是肮脏的第三者。在重重压力折磨压抑之下，杜小扬逐渐走向了一个无可挽回的结局。

Death Rides a Horse (aka Da uomo a uomo, or As Man to Man) is a 1967 spaghetti western directed by Giulio Petroni, written by Luciano Vincenzoni, and starring Lee Van Cleef and John Phillip Law. Bill Meceita, a boy whose family was murdered in front of him by a gang, sets out 15 years later to exact revenge. On his journey, he finds himself continually sparring and occasionally cooperating with Ryan, a gunfighter on his own quest for vengeance, who knows more than he says about Bill's tragedy.

Death Rides a Horse (aka Da uomo a uomo, or As Man to Man) is a 1967 spaghetti western directed by Giulio Petroni, written by Luciano Vincenzoni, and starring Lee Van Cleef and John Phillip Law. Bill Meceita, a boy whose family was murdered in front of him by a gang, sets out 15 years later to exact revenge. On his journey, he finds himself continually sparring and occasionally cooperating with Ryan, a gunfighter on his own quest for vengeance, who knows more than he says about Bill's tragedy.

三尊苏醒，孙悟空助天神度过危机。西行小队离散后，沙悟净下阴界救师父；八戒在黑水镇因过失而害死人；白狼小羽在恐怖森林收服一虎，又在古城被石兵围困，三藏等人归来解围，却又遇上暗影天王，悟空归队助战。三藏化解亡魂怨恨，西队亦告别故人，继续上路。