英国BBC电视台1999年粘土卡通片，整部影片笑料不断，戏谑了《烈火战车》、《淘金记》等经典影片的桥段。整个影片一如戈氏在阿特曼时期的泥塑卡通风格，卡通人物造型拙朴而不失趣味，的确是美日公式卡通之外的另类清新之选。 活泼可爱圣诞鹿，见到爱人口吃吃，节食健身练体能，斗志毅力一百分！ 叮当、叮当，一年一度的圣诞节又来了，拥有灵敏鼻子的洛比去到圣诞老人远在北极的家乡，准备加入“人气驯鹿组”。但是洛比受到其他鹿的排挤，使他误认为自己体能不足，没资格成为他们的一份子，于是带着失望、沮丧的心情离去，幸好给他遇上一班支持和鼓励他的朋友，使他重新振作，努力锻炼体格，并以胜出一年一度的驯鹿竞赛为目标，获得同仁和心上人的认同。

英国BBC电视台1999年粘土卡通片，整部影片笑料不断，戏谑了《烈火战车》、《淘金记》等经典影片的桥段。整个影片一如戈氏在阿特曼时期的泥塑卡通风格，卡…

1910年，“飞行器”是那个时代风行一时的事物。然而正因为它刚刚诞生，一切还处于起步阶段。英国每日邮报主编劳德·罗恩斯（罗伯特·莫利 Robert Morley饰）策划组织了一场从伦敦飞往巴黎的竞赛。而这次竞赛的目的，就是为了彰显英国种族的优越。如果一切都按照预期发展，不出所料的，他的女婿理查德·梅斯（詹姆斯·福克斯 James Fox饰）将赢得比赛。竞赛的新闻一经发出，就得到了来自世界各地飞行器爱好者的踊跃报名。然而这场本该是冒险者的比赛，却成为了一场争夺帕特里夏·罗恩斯利（莎拉·米尔斯 Sarah Miles饰）感情的竞赛。　　本片荣获1966年第38届奥斯卡金像奖最佳原创剧本提名，1966年第23届金球奖电影类-音乐喜剧类最佳影片提名及音乐喜剧类最佳男主角提名。影片描写了不同国家的飞行员的个性：死板的德国人、阴险的法国人、傲慢的意大利人还有倒霉的日本人，而英国人和美国人则被刻画成互相帮助的好人。片中很多经典的桥段，被以后很多的喜剧片所争相效仿，向本片致敬。

1910年，“飞行器”是那个时代风行一时的事物。然而正因为它刚刚诞生，一切还处于起步阶段。英国每日邮报主编劳德·罗恩斯（罗伯特·莫利 Robert Morley饰）策划组织了一场从伦敦飞往巴黎的竞赛。而这次竞赛的目的，就是为了彰显英国种族的优越。如果一切都按照预期发展，不出所料的，他的女婿理查德·梅斯（詹姆斯·福克斯 James Fox饰）将赢得比赛。竞赛的新闻一经发出，就得到了来自世界各地飞行器爱好者的踊跃报名。然而这场本该是冒险者的比赛，却成为了一场争夺帕特里夏·罗恩斯利（莎拉·米尔斯 Sarah Miles饰）感情的竞赛。　　本片荣获1966年第38届奥斯卡金像奖最佳原创剧本提名，1966年第23届金球奖电影类-音乐喜剧类最佳影片提名及音乐喜剧类最佳男主角提名。影片描写了不同国家的飞行员的个性：死板的德国人、阴险的法国人、傲慢的意大利人还有倒霉的日本人，而英国人和美国人则被刻画成互相帮助的好人。片中很多经典的桥段，被以后很多的喜剧片所争相效仿，向本片致敬。

Comedy fuses with science fiction in this quirky film about the chaos that ensues when an “elk” (in fact, a tall individual who wears a coat, does not speak, and has an elk’s head and antlers) emerges from the forest near a small town. Accepted by a family who interacts with him as if nothing is unusual, they initially shelter their guest from their neighbors. But not for long!

该剧改编自爱丁堡艺穗节备受赞誉的单人剧，讲述事业不顺的喜剧演员唐尼·邓恩（理查德·加德 Richard Gadd 饰）与女跟踪者玛莎（杰西卡·古宁 Jessica Gunning 饰）之间扭曲的关系，二人的生活因此面临分崩离析的危险。

该剧改编自爱丁堡艺穗节备受赞誉的单人剧，讲述事业不顺的喜剧演员唐尼·邓恩（理查德·加德 Richard Gadd 饰）与女跟踪者玛莎（杰西卡·古宁 Jessica Gunning 饰）之间扭曲的关系，二人的生活因此面临分崩离析的危险。

The Finnish film 'White Reindeer' is marketed in the USA and Britain as a horror movie, but that's not precisely accurate. This is a stark, moody film but not a scary one. It purports to be an authentic Lapp folktale about a woman named Pirita who turns into a white reindeer in order to feed upon men. 　　This story has elements of both the vampire and the werewolf legend, as well as the succubus. Apart from reindeer being native to Lapland, I can't imagine why the reindeer was chosen as the species for this folktale's version of the shape-changer legend. Bats and wolves are predators, and therefore scary. The reindeer is a domesticated herbivore that serves humans ... not very spooky, is it? In one sequence, the were-reindeer woman sprouts fangs. Actual reindeer don't have fangs, so why should these be part of her transformation? Female reindeer have antlers, so why doesn't Pirita sprout antlers? 　　Speaking of superstitions and myths: early in this film, a black cat scurries across the path of an approaching sledge, but the director gives this so little emphasis that it appears to have no significance. In Cornwall, it's considered *good* luck to have a black cat cross one's path, and this same thing is considered *bad* luck in America. Do Lapps have any superstitions concerning black cats? 　　Mirjami Kuosmanen, the actress who plays the central role in this film, is quite pretty ... but her performance as a native of northern Lapland is weakened by the fact that she is clearly wearing makeup. Due to the low production budget, we never actually see Pirita changing into the reindeer ... but the director cleverly gets round this by having his leading lady lunge towards the camera, then cutting to a shot of a reindeer in the same position. Still, I was hoping we would see a shot of a woman's shadow changing shape ... or a series of human footprints in the snow abruptly becoming hoof-marks. 　　The Lapp landscape in this movie is starkly beautiful and awesome but never frightening. The photography is excellent. There are two impressive dissolve shots involving flames, and a splendid montage sequence. I was extremely impressed by a night sequence over a bonfire. During the Midnight Sun sequences, there are two shots featuring a weird colonnade of white pillars: these appear to be artefacts of the Lapp culture, but we never learn what they are. A sequence in which a carved vertrebra dances magically across a shaman's drum has an eerie pagan power that made me think of Nijinsky's staging of 'The Rites of Spring'. 　　My one complaint about this film -- a minor grievance -- is that we never learn the time period in which the main action occurs. These Laplanders possess milled coins, a rifle, and loomed curtains. One sequence takes place at a prayer service that is clearly Christian, featuring a minister in geneva bands. Are we watching scenes in the twentieth century, or some earlier time? I'll rate this moody, compelling (but not frightening) film 8 out of 10. Oh, my deer!

After an unexpected tragedy, Suzanne struggles to put her life back together during a sad, strange Christmastime in suburban Virginia.

它们出现在冰河时期，生活在天寒地冻、雪窖冰天之中，每年它们都会进行大规模的迁徙，几个世纪以来，它们与萨米人一起走进这史诗般的旅程！萨米人是遥远北欧的驯鹿牧民，他们是这块土地上最后的驯鹿民族之一！这种古老而又严苛的生活方式在21世纪依然存在，但比起他们的祖先，现代萨米人有更多的选择！ 　　Wildlife film. Elle and Inga, 17-year-old cousins from the north of Norway, are far from ordinary teenagers. They are reindeer herders, equally at home helping reindeer swim fjords or ice fishing as playing with the internet and mobile phones. We follow the girls and their families as they accompany the reindeer herds on the annual migration across the acrtic tundra, gaining a unique insight into the lives of the girls and the reindeer on which they depend in this bleak and beautiful world.