清晨，静谧的森林里，神像往常一样打开电视， 新的一天里，人们的思念和愿望在屏幕上娓娓道来…

Barbara Hammer’s Audience (1981) is a fascinating deep cut from the director’s prodigious filmography. Relatively raw in its design, this 16mm diary of audience reactions at retrospectives of Hammer’s work in San Francisco, London, Toronto, and Montreal in the early 1980s bears none of the distinctive visual flourishes and essayistic form one usually finds in her filmmaking.

清晨，静谧的森林里，神像往常一样打开电视， 新的一天里，人们的思念和愿望在屏幕上娓娓道来…

Barbara Hammer’s Audience (1981) is a fascinating deep cut from the director’s prodigious filmography. Relatively raw in its design, this 16mm diary of audience reactions at retrospectives of Hammer’s work in San Francisco, London, Toronto, and Montreal in the early 1980s bears none of the distinctive visual flourishes and essayistic form one usually finds in her filmmaking.

宋太祖赵匡胤死后，弟赵光义继承帝位。贺后以丈夫死因不明，乃使长子德昭上殿质问，赵光义怒欲斩侄，德昭撞柱而死。贺后乃携次子德芳上殿，历数光义之过，光义理屈谢罪，赐贺尚方宝剑，封为太后，人养老宫，且加封德芳为八贤王。

在这个村庄里，只有一条规则：喜剧演员必须忍受村民的辱骂，不得发怒。如果他们发脾气或被激怒，就会被淘汰（受罚）。谁能化解村里翻腾的怨恨，将其化作欢笑，最终逃脱？

在这个村庄里，只有一条规则：喜剧演员必须忍受村民的辱骂，不得发怒。如果他们发脾气或被激怒，就会被淘汰（受罚）。谁能化解村里翻腾的怨恨，将其化作欢笑，最终逃脱？

宋太祖赵匡胤死后，弟赵光义继承帝位。贺后以丈夫死因不明，乃使长子德昭上殿质问，赵光义怒欲斩侄，德昭撞柱而死。贺后乃携次子德芳上殿，历数光义之过，光义理屈谢罪，赐贺尚方宝剑，封为太后，人养老宫，且加封德芳为八贤王。

What does it mean, to go to the movies? 　　Why have people been going for over one hundred years? 　　I set out to celebrate movie theaters and their manifold magic. 　　So I walked in the footsteps of young Paul Dédalus, as if in a filmgoer’s coming-of-age story. 　　Memories, fiction, discoveries come together in an irrepressible torrent of pictures.

What does it mean, to go to the movies? 　　Why have people been going for over one hundred years? 　　I set out to celebrate movie theaters and their manifold magic. 　　So I walked in the footsteps of young Paul Dédalus, as if in a filmgoer’s coming-of-age story. 　　Memories, fiction, discoveries come together in an irrepressible torrent of pictures.