A mortuary in Taiwan stores the bodies of deceased children whose parents, for whatever reason, have disappeared. Their remains are kept at the top of a freezer, sometimes for years, until the funeral home organizes a ceremony. Houses and horses made of paper are burned to accompany the children on their solitary journey to the afterlife. 　　This intriguing film successfully evokes the transitional world that these abandoned children have inhabited for far too long. We see a young child scampering around aimlessly in the funeral home, and the staff chatting casually in the dressing room. These everyday scenes are interspersed with more enigmatic imagery—sometimes in negative—of young people dancing in front of a blazing fire, and another wandering child, who now seems less aimless. 　　In this way, the short film depicts a transitional ritual that is necessary to bring peace to lost souls. An elegantly realized, sorrowful yet hopeful tribute.

宋骄阳在订婚宴撞破未婚夫与闺蜜私情，遭家族驱逐后含恨离世，意外重生回到三年前。这一次，她摒弃恋爱脑，一心搞事业，凭借前世记忆创办 “骄阳资本”。 面对渣男的假意挽回和闺蜜的暗中使绊，她精准预判商业陷阱，反手曝光两人阴谋，让其身败名裂。职场中，她结识亦师亦友的林深，两人联手破解融资困局、拿下关键项目，每 2 分钟一个冲突爆点。

电影根据真实事件而创作。女主角徐林已经离婚，没有工作，在一个帮助癌症儿童“小家”帮忙接送人。她的儿子已经出院进入维持期，医药费仍然高昂。为了治病，她去借钱、找工作、卖房，但另一个噩耗又悄无声息地走近……

Scorching Sun is set in the 1930s, when Korea was still under Japanese occupation. Chun-ho (Hah Myung-joong) and his wife Sun-ie (Cho Yong-won) wander from place to place before settling in a mining village. But the village is taken over by the Japanese and Chun-ho loses his job. Believing a bar hostess named Hyang-sim (Lee Hye-young) when she offers to introduce him to "an uncle who does big business with a Japanese man in Seoul," Chun-ho bullies his wife into procuring the necessary funds. Sun-ie goes to borrow money from Mr. Lee's mistress, who is a loan shark, but runs into Mr. Lee instead. When he tries to rape her, she resists strenuously until he offers her money, at which point she allows him to have his way with her, as bitter tears run down her face. With the money in hand, Chun-ho accompanies Hyang-sim to Seoul to meet her uncle. Meanwhile, the body of a woman who was raped by Mr. Lee after she failed to pay back the money she owed floats down the river. Enraged, the villagers storm Mr. Kim's house, where he lives with his mistress, and the bar owned by Hyang-sim, who was planted there by Mr. Kim himself. Chun-ho returns home and packs up his things in order to leave the village with Hyang-sim, but the villagers set upon him. While Sun-ie fights to fend them off, Chun-ho flees through desperate effort. He wanders all over the country in search of Hyang-sim, and eventually runs into Hyang-sim's uncle. But her so-called "uncle" turns out to be her husband, a tuberculosis patient who cannot even speak properly; Hyang-sim had become a bar hostess to support her sick husband and child. Unable to say one word to Hyang-sim, Chun-ho returns to Sun-ie, whom he finds laid up in bed. He takes her to the hospital, and learns that her life is in danger because the baby inside her belly has been dead for a long time. Sun-ie refuses to undergo surgery, and Chun-ho departs with his prostrate wife on his back.

电影根据真实事件而创作。女主角徐林已经离婚，没有工作，在一个帮助癌症儿童“小家”帮忙接送人。她的儿子已经出院进入维持期，医药费仍然高昂。为了治…

清水凑（上村祐翔 配音）曾经是一名水球运动员，但由于一场意外的发生，导致他在初中三年级的时候决定放弃水球这项深爱的运动，升上高中后，凑在阴差阳错之下结识了名叫冈荣太郎（西山宏太朗 配音）的男生。荣太郎是凑曾经的校友，因此十分了解凑身上所发生的那些悲惨的故事，亦十分向往能够和凑就读同一所高中。 　　城岛让（木村昴 配音）是水球社的社长，在他的苦心劝说之下，凑终于同意了加入水球社。曾经是游泳能手的网滨秀吾（齐藤壮马 配音）、个性十分容易冲动，大大咧咧的江尻武一（古川慎 配音）、温文尔雅性格平和的猪俣巴巴亚罗丰（畠中祐 配音），在学校里，凑很快就交上了朋友，也重新拾起了对于水球运动的热情。

清水凑（上村祐翔 配音）曾经是一名水球运动员，但由于一场意外的发生，导致他在初中三年级的时候决定放弃水球这项深爱的运动，升上高中后，凑在阴差阳错之下结识了名叫冈荣太郎（西山宏太朗 配音）的男生。荣太郎是凑曾经的校友，因此十分了解凑身上所发生的那些悲惨的故事，亦十分向往能够和凑就读同一所高中。 　　城岛让（木村昴 配音）是水球社的社长，在他的苦心劝说之下，凑终于同意了加入水球社。曾经是游泳能手的网滨秀吾（齐藤壮马 配音）、个性十分容易冲动，大大咧咧的江尻武一（古川慎 配音）、温文尔雅性格平和的猪俣巴巴亚罗丰（畠中祐 配音），在学校里，凑很快就交上了朋友，也重新拾起了对于水球运动的热情。

《一板之隔》（1952年）以后，朱石麟改编话剧《风雨牛车水》，继续刻画五十年代香港一屋多户的板间房生活。因为物质匮乏，几家人同屋共住好比群雄割据，一天到晚为了贮水、做饭、晾衫、交电费等小事闹得鸡犬不宁；当中有人连亲人也出卖，有人偷却偷得有尊严。对白的刻薄与针锋相对连连制造喜剧效果，人物处境又流露生活逼人的辛酸。朱石麟将狭小的空间与纷扰的人事处理得层次分明，烦琐小事此起彼落又环环相扣。最后一场小火令众人互相扶持，人性的自私自利，到底盖不过人情味。