林被女友Josephine抛弃，在最失落之际，偶遇化妆小姐戚瑶君，并感到戚对自己暗生情愫，但失败的他始终对爱情一直保持距离。后邀戚入秘书公司工作，戚以化妆之道经营投资事业，居然亦能头头是道。二人日久生情，森再也忍不住内心真情，与戚共坠爱河。两人外出公干期间，林误会了戚对自己的爱，以为纯粹金钱挂帅；戚亦因无法接受一段有条件的婚姻，便伤心地拒绝了林。 　　 二人分手后，各自神伤，林终于明白到爱情真缔，亦放弃一贯不妥协的性格，到戚的化妆公司作最后努力。

林俊杰（张学友 饰）出生于富贵之家又长得一表人才，从小到大，身边追求者数不胜数，但个性认真专一的俊杰明白，这其中的大多数均虎视眈眈地冲着自己的财产而来。在被女友无情抛弃后，俊杰的心跌入了谷底。 　　一次偶然中，俊杰结识了名叫戚瑶君（张曼玉 饰）的化妆小姐，瑶君的开朗和乐观拨动了俊杰的心弦，却也触动了他的伤口。对爱情彻底失望的俊杰决定将这段感情埋在心底，同样亦对俊杰动了情的瑶君亦因自己与俊杰的地位悬殊而纠结万分。经俊杰的邀请，瑶君来到了他的公司工作，本就心心相惜的两人日久生情终于走到了一起，可他们的故事却并没有就此结束。

汉城一家小建筑公司的老板秉泰和他的妻子英珍住进了新房子。夫妇俩说对于他们过去的老房子，两人各有一半的支配权。 　　刚出差回来的秉泰把他那一半租给了他的挚友大峰。大峰死去老婆二十多年，一直是一个人带着两个儿子过。现在，两个儿子在他的精心抚养下都已长大成人。大儿子长斗在电视台当喜剧导演，小儿子长寿在大学当助教。 　　英珍已经把她那一半租给了自己的妹妹京珍一家。京珍是寡妇，她有三个女儿：大女儿世珍是营养昨，聪明、漂亮而又多愁善感，且已离了婚；二女儿世英是个性格刚毅倔强、可爱善良的工程师；三女儿世娜是个纯情、上进的大学生。秉泰和世珍彼此都还没有来得及打招呼，就分别把房子租给了这样两家人。两家人中的每一个成员都有自己对事物的看法、观点，也都有各自的经历和生活习惯，这就引发了一些列趣味横生，精彩浪漫的一串串故事。

由浩瀚娱乐、瀚怡影视、三尚传媒联合出品，聚焦都市职场女性面对的生育危机，该剧讲述了身份背景不同的三位女性，面对生育压力，面对事业、面对家庭，分…

艾迪（里夏尔·安科尼纳 Richard Anconina 饰）、多弗（樊尚·埃尔巴兹 Vincent Elbaz 饰）和伊万（Bruno Solo 饰）是感情十分要好的三位好友，三人共同经营着一家服装加工厂，因为质量上乘良心经营，所以厂里的订单源源不绝生意十分的兴隆，哪知道，在试图打入连锁店内部的过程中，艾迪一行人遭到了采购部经理的欺骗，最终导致工厂赔的血本无归，只能宣告破产。 　　自此之后，一蹶不振的艾迪靠着帮人送货维生。某日，在他驾驶着表格的豪华轿车出街时，偶遇了名叫苏珊娜（阿蜜拉·卡萨 Amira Casar 饰）的女孩，美丽的苏珊娜让艾迪一下子坠入了情网之中，而苏珊娜看到艾迪所驾驶的豪车误以为他是富家公子，一段感情就在这样的误会之中开始了。

艾迪（里夏尔·安科尼纳 Richard Anconina 饰）、多弗（樊尚·埃尔巴兹 Vincent Elbaz 饰）和伊万（Bruno Solo 饰）是感情十分要好的三位好友，三人共同经营着一家服装加工厂，因为质量上乘良心经营，所以厂里的订单源源不绝生意十分的兴隆，哪知道，在试图打入连锁店内部的过程中，艾迪一行人遭到了采购部经理的欺骗，最终导致工厂赔的血本无归，只能宣告破产。 　　自此之后，一蹶不振的艾迪靠着帮人送货维生。某日，在他驾驶着表格的豪华轿车出街时，偶遇了名叫苏珊娜（阿蜜拉·卡萨 Amira Casar 饰）的女孩，美丽的苏珊娜让艾迪一下子坠入了情网之中，而苏珊娜看到艾迪所驾驶的豪车误以为他是富家公子，一段感情就在这样的误会之中开始了。

该系列影片主要讲述一伙年轻的犹太人在法国做生意的故事，到了第三集，故事背景转入中国温州与上海，故事的主人公转干起卖鞋生意，并有一些中国的生意合作伙伴。

该系列影片主要讲述一伙年轻的犹太人在法国做生意的故事，到了第三集，故事背景转入中国温州与上海，故事的主人公转干起卖鞋生意，并有一些中国的生意合作伙伴。

In this sequel to the huge hit "La vérité si je mens", we're back to the little Jewish community of the Sentier, a Parisian district specialised in textiles. While the first movie focussed on the sentimental and comedic adventures of Eddie (a goy trying to pass for a Jew though totally ignorant of Jewish traditions), the sequel is more about Eddie's friends, a colorful bunch of fast-talking, hot-tempered entrepreneurs who love nothing more than fast cars, fast women, glittering watches and flashy clothes. For the millions of people who saw the first episode, there's little new here : the same (or almost) characters return to their well-oiled roles and punchlines. Still, it's a better sequel than most. First, it has a story that is appropriate to our times: the little Davids of the Sentier are fighting a giant Goliath - a big supermarket chain, and their final vengeance is fun and inventive. Second, there's more room for detail and character definition. Particularly, José Garcia as Serge, the mythomaniac, pathetic loser of the team, is given a lot of screen time and makes a memorable impression (and, like Ben Stiller, he has a lot of hard time "Meeting the parents" !). Third, it's fast-paced and quite funny. In some way, it's hard to describe such a movie to non-French people as the community presented here cannot be found elsewhere. It is also close to impossible to translate, too, as most of the fun is in the "typical" slang (like the title itself). Here's a comparison that comes to mind : take the comedic moments of Italo-American gangster sagas (like Goodfellas or the Sopranos), keep the colorful language but replace handguns by yarmulkes !

In this sequel to the huge hit "La vérité si je mens", we're back to the little Jewish community of the Sentier, a Parisian district specialised in textiles. While the first movie focussed on the sentimental and comedic adventures of Eddie (a goy trying to pass for a Jew though totally ignorant of Jewish traditions), the sequel is more about Eddie's friends, a colorful bunch of fast-talking, hot-tempered entrepreneurs who love nothing more than fast cars, fast women, glittering watches and flashy clothes. For the millions of people who saw the first episode, there's little new here : the same (or almost) characters return to their well-oiled roles and punchlines. Still, it's a better sequel than most. First, it has a story that is appropriate to our times: the little Davids of the Sentier are fighting a giant Goliath - a big supermarket chain, and their final vengeance is fun and inventive. Second, there's more room for detail and character definition. Particularly, José Garcia as Serge, the mythomaniac, pathetic loser of the team, is given a lot of screen time and makes a memorable impression (and, like Ben Stiller, he has a lot of hard time "Meeting the parents" !). Third, it's fast-paced and quite funny. In some way, it's hard to describe such a movie to non-French people as the community presented here cannot be found elsewhere. It is also close to impossible to translate, too, as most of the fun is in the "typical" slang (like the title itself). Here's a comparison that comes to mind : take the comedic moments of Italo-American gangster sagas (like Goodfellas or the Sopranos), keep the colorful language but replace handguns by yarmulkes !