艾迪（里夏尔·安科尼纳 Richard Anconina 饰）、多弗（樊尚·埃尔巴兹 Vincent Elbaz 饰）和伊万（Bruno Solo 饰）是感情十分要好的三位好友，三人共同经营着一家服装加工厂，因为质量上乘良心经营，所以厂里的订单源源不绝生意十分的兴隆，哪知道，在试图打入连锁店内部的过程中，艾迪一行人遭到了采购部经理的欺骗，最终导致工厂赔的血本无归，只能宣告破产。 　　自此之后，一蹶不振的艾迪靠着帮人送货维生。某日，在他驾驶着表格的豪华轿车出街时，偶遇了名叫苏珊娜（阿蜜拉·卡萨 Amira Casar 饰）的女孩，美丽的苏珊娜让艾迪一下子坠入了情网之中，而苏珊娜看到艾迪所驾驶的豪车误以为他是富家公子，一段感情就在这样的误会之中开始了。

艾迪（里夏尔·安科尼纳 Richard Anconina 饰）、多弗（樊尚·埃尔巴兹 Vincent Elbaz 饰）和伊万（Bruno Solo 饰）是感情十分要好的三位好友，三人共同经营着一家服装加工厂，因为质量上乘良心经营，所以厂里的订单源源不绝生意十分的兴隆，哪知道，在试图打入连锁店内部的过程中，艾迪一行人遭到了采购部经理的欺骗，最终导致工厂赔的血本无归，只能宣告破产。 　　自此之后，一蹶不振的艾迪靠着帮人送货维生。某日，在他驾驶着表格的豪华轿车出街时，偶遇了名叫苏珊娜（阿蜜拉·卡萨 Amira Casar 饰）的女孩，美丽的苏珊娜让艾迪一下子坠入了情网之中，而苏珊娜看到艾迪所驾驶的豪车误以为他是富家公子，一段感情就在这样的误会之中开始了。

该系列影片主要讲述一伙年轻的犹太人在法国做生意的故事，到了第三集，故事背景转入中国温州与上海，故事的主人公转干起卖鞋生意，并有一些中国的生意合作伙伴。

该系列影片主要讲述一伙年轻的犹太人在法国做生意的故事，到了第三集，故事背景转入中国温州与上海，故事的主人公转干起卖鞋生意，并有一些中国的生意合作伙伴。

In this sequel to the huge hit "La vérité si je mens", we're back to the little Jewish community of the Sentier, a Parisian district specialised in textiles. While the first movie focussed on the sentimental and comedic adventures of Eddie (a goy trying to pass for a Jew though totally ignorant of Jewish traditions), the sequel is more about Eddie's friends, a colorful bunch of fast-talking, hot-tempered entrepreneurs who love nothing more than fast cars, fast women, glittering watches and flashy clothes. For the millions of people who saw the first episode, there's little new here : the same (or almost) characters return to their well-oiled roles and punchlines. Still, it's a better sequel than most. First, it has a story that is appropriate to our times: the little Davids of the Sentier are fighting a giant Goliath - a big supermarket chain, and their final vengeance is fun and inventive. Second, there's more room for detail and character definition. Particularly, José Garcia as Serge, the mythomaniac, pathetic loser of the team, is given a lot of screen time and makes a memorable impression (and, like Ben Stiller, he has a lot of hard time "Meeting the parents" !). Third, it's fast-paced and quite funny. In some way, it's hard to describe such a movie to non-French people as the community presented here cannot be found elsewhere. It is also close to impossible to translate, too, as most of the fun is in the "typical" slang (like the title itself). Here's a comparison that comes to mind : take the comedic moments of Italo-American gangster sagas (like Goodfellas or the Sopranos), keep the colorful language but replace handguns by yarmulkes !

In this sequel to the huge hit "La vérité si je mens", we're back to the little Jewish community of the Sentier, a Parisian district specialised in textiles. While the first movie focussed on the sentimental and comedic adventures of Eddie (a goy trying to pass for a Jew though totally ignorant of Jewish traditions), the sequel is more about Eddie's friends, a colorful bunch of fast-talking, hot-tempered entrepreneurs who love nothing more than fast cars, fast women, glittering watches and flashy clothes. For the millions of people who saw the first episode, there's little new here : the same (or almost) characters return to their well-oiled roles and punchlines. Still, it's a better sequel than most. First, it has a story that is appropriate to our times: the little Davids of the Sentier are fighting a giant Goliath - a big supermarket chain, and their final vengeance is fun and inventive. Second, there's more room for detail and character definition. Particularly, José Garcia as Serge, the mythomaniac, pathetic loser of the team, is given a lot of screen time and makes a memorable impression (and, like Ben Stiller, he has a lot of hard time "Meeting the parents" !). Third, it's fast-paced and quite funny. In some way, it's hard to describe such a movie to non-French people as the community presented here cannot be found elsewhere. It is also close to impossible to translate, too, as most of the fun is in the "typical" slang (like the title itself). Here's a comparison that comes to mind : take the comedic moments of Italo-American gangster sagas (like Goodfellas or the Sopranos), keep the colorful language but replace handguns by yarmulkes !

Caetano Gotardo, whose contribution to the omnibus film Neverquiet (Film of Wonders) was screened in 2011 at IFFR, stays close to home in his second feature. He writes, directs, edits and also plays the leading role. The story is set in the Brazilian artists’ milieu. 　　Joao has extensive conversations with friends, strangers and himself. For instance with his best friend Irene, who cannot let go of memories of her ex; and the boy he meets in the metro, with whom he wants to have sex. Beside life and love, the creative process is a recurring theme in the conversations, in the best traditions of filmmakers like Éric Rohmer or Hong Sang-soo. Piece by piece, the encounters, conversations and monologues have a great influence on Joao, who literally wrestles with his attitude to life. A puzzle unfolds within which time, narrative, character and perspective are all jumbled up in an intriguing way.

身高超过两米、体重将近五百磅的沃特（The Big Show 饰）自幼生长在圣托马斯孤儿院里，业已35岁的他至今仍在孤儿院内生活，小男孩汉瑞是他最好的朋友。某天，一场事故烧毁了孤儿院的厨房，按照相关法律这里面临着被关闭的命运。为了让好友和其他孩子不至于无家可归，沃特决定承担起筹措资金修缮厨房的重任。与此同时，格斗教练埃迪·沙利文也正被欠款所困扰。偶然机缘让他结识体形庞大的沃特，他决心将其训练成格斗高手，然后前往新奥尔良参加业余专业混合格斗冠军赛，并赢得奖金。为了共同的目的，这两个男人以及孤儿院的女员工玛丽一同朝着新奥尔良进发…… 本片主演The Big Show是世界摔角娱乐联盟（World Wrestling Entertaiment，简称WWE）的重量级摔角明星。