French artist and author Jean Giraud is one of the most famous and influential comic strip illustrators and authors of all time. He achieved his greatest fame as Moebius - not so much a pseudonym as an alter ego. With his triple-split personality - Jean Giraud, Moebius, Gir - he succeeded in making his work accessible in popular comic strip series like Blueberry, in metaphysical fantasies like John Difool and, not least, to a broad public, with set designs for films such as The Fifth Element. As a co-founder of the comic magazine Métal Hurlant he shook up the world of bourgeois French comics and American super-heroes in 1975, creating a whole new 'grown up' way of looking at the comic strip art form. How could a man invent all those strange places and stories, collaborate with some of the world's maddest artists and even go so far to seriously prepare himself to be picked up by aliens - and then go live a quiet and secure life back in Paris? Was he ever in danger of losing his mind? Or was it necessary for his art to live a life like that, and out of self-protection to split into in different personalities? In Moebius Redux - A Life in Pictures an exceptional artist tells his life's and work's story. Artists he met and left on his way, join in: Longtime collaborators like Alejandro Jodorowsky and Philippe Druillet, Swiss artist H.R. Giger and Marvel Comics legend Stan Lee, admirers like Jim Lee and Mike Mignola. Their narration not only gives an insight in how they experienced working with Giraud, but also presents the fascinatingly woven network around one of the most important comic book artists ever. Inspired by Giraud's visual power Moebius Redux - Ein Leben in Bildern animates the diversity and dynamic of his work. Extraordinary views on Paris, Los Angeles and the Mexican desert build a visual link between his life and his artistic universe, accompanied by the electronic soundtrack composed by "Kraftwerk" legend Karl Bartos.

1978年，印刷厂食堂炊事员周永顺终于平反昭雪，带着一家人搬回了被没收多年的周家院子。他一心想把祖辈经营的周家羊肉面馆重新开张；可因为当时政策所限，只能偷偷摸摸“非法经营”；多年后，经历种种坎坷，周家面馆终于又开业大吉。他的大儿子是返城知青，不择手段从弟弟手中抢走了爸爸的退休指标，当上正式工；可面对马家姐妹两人的感情攻势，进退两难。他和妹妹是青梅竹马，可去下乡插队之后，姐姐对他又有救命之恩，两人渐生情愫；随后是三个人几十年的恩恩怨怨。老周的二儿子是工厂宣传科的临时工，能写能画，一心想要考美院；可由于当年他没有按照规定上山下乡，只能与高考失之交臂。他在两个女孩之间徘徊犹豫，一个是性格张扬的高中同学李晓叶，一个温柔贤惠的工厂同事张玉芝；三十年间，三人几番离合，啼笑皆非。三儿子即将高中毕业，深深爱上了分配到学校的实习音乐老师宋晓霞，之后，两人展开了一段长达二十年的爱情故事，浪漫凄婉；最终，两个有情人结为眷属。

《我们的生活比蜜甜》将引领我们再度经历并感受文革、上山下乡、恢复高考、改革开放等充满酸甜苦辣的历史阶段，拨开现代社会的喧嚣与浮躁，寻回那个特殊年代里人与人之间最为纯粹真挚的情感。

一贫如洗的流浪汉查理终日忍受着饥饿的困扰，他试图找一份工作，却比登天还难——失业的人太多了。这一天，当他再一次从招工的队伍中悻悻而归时，却偶遇了一只受伤的小狗斯凯普。心地善良的流浪汉从此与斯凯普相依为命，“合伙”偷来午餐车里的香肠解决了肚子问题。他们又来到一个舞厅，邂逅了歌女埃德娜，却因付不起钱而被人扔出了场子。当查理垂头丧气地回到破烂不堪的小屋时，斯凯普突然发现了什么——它拼命刨坑，竟挖出了一个装满钱的钱夹，于是一切都改变了……

一贫如洗的流浪汉查理终日忍受着饥饿的困扰，他试图找一份工作，却比登天还难——失业的人太多了。这一天，当他再一次从招工的队伍中悻悻而归时，却偶遇了一只受伤的小狗斯凯普。心地善良的流浪汉从此与斯凯普相依为命，“合伙”偷来午餐车里的香肠解决了肚子问题。他们又来到一个舞厅，邂逅了歌女埃德娜，却因付不起钱而被人扔出了场子。当查理垂头丧气地回到破烂不堪的小屋时，斯凯普突然发现了什么——它拼命刨坑，竟挖出了一个装满钱的钱夹，于是一切都改变了……

影片讲述了一对双胞胎姐妹的故事。姐妹二人有着截然相反的性格和爱好。姐姐专注于学习，成绩优异，但是不善言谈。妹妹重视个性发展，目标是成为选美冠军。一次偶然的巧合让姐妹二人互换身份。两人将如何应对这个巨大的挑战？姐妹两个由最开始的互相仇视到后来惺惺相惜，是共同的遭遇和磨难让二人更加珍惜彼此，也让她们更好地学会宽容和体谅。

影片讲述了一对双胞胎姐妹的故事。姐妹二人有着截然相反的性格和爱好。姐姐专注于学习，成绩优异，但是不善言谈。妹妹重视个性发展，目标是成为选美冠军。一次偶然的巧合让姐妹二人互换身份。两人将如何应对这个巨大的挑战？姐妹两个由最开始的互相仇视到后来惺惺相惜，是共同的遭遇和磨难让二人更加珍惜彼此，也让她们更好地学会宽容和体谅。

蒂诺是只猫，它有两个栖身之所。白天，它陪伴警察让娜的独生女儿左伊。夜里，它与大盗尼克一起在巴黎的屋顶上飞檐走壁。让娜忙的不可开交，她一边要抓多起珠宝失窃案的来去无踪的盗贼，一边又要监视被头号公敌维克多·柯斯达所觊觎的巨型内罗毕巨人雕像。柯斯达还是杀死一个警察的凶手，这个警察正是让娜的丈夫，左伊的爸爸。悲剧发生以后，左伊便再不发一言。柯斯达和他的同伙被左伊发现的那个夜里，事态极速发展。一场追捕持续到了清晨，所有的人物在此过程中交错，或者互相帮助，或者互相搏斗，一直来到巴黎圣母院的屋顶上。

蒂诺是只猫，它有两个栖身之所。白天，它陪伴警察让娜的独生女儿左伊。夜里，它与大盗尼克一起在巴黎的屋顶上飞檐走壁。让娜忙的不可开交，她一边要抓多起珠宝失窃案的来去无踪的盗贼，一边又要监视被头号公敌维克多·柯斯达所觊觎的巨型内罗毕巨人雕像。柯斯达还是杀死一个警察的凶手，这个警察正是让娜的丈夫，左伊的爸爸。悲剧发生以后，左伊便再不发一言。柯斯达和他的同伙被左伊发现的那个夜里，事态极速发展。一场追捕持续到了清晨，所有的人物在此过程中交错，或者互相帮助，或者互相搏斗，一直来到巴黎圣母院的屋顶上。