讲述1918年冬，400名新入伍的乌克兰士官生必须坚守基辅，阻挡苏联红军的大规模入侵

陕西省某偏远的一个小村庄，富二代孙鹏驾车撞死了一个傻子，孙鹏的父亲孙富贵为了替儿子掩盖罪行，多次用钱财封堵目击者之口，却不料同为目击者的乡村教师吴学习，也是孙鹏的岳父，一直在为死去的傻子争取最后一点尊严，处处阻挠孙鹏父子不人道的做法，而随着这起事件不断被越来越多的人知道，孙鹏父子和吴学习的矛盾也越来越大，吴学习也深深陷入到情感和良知的两难选择之地。

Andras Kovacs, a leading light of the new Hungarian cinema, brought his "docudrama" technique to his 1966 film Cold Days. The story deals with the systematic slaughter of Bosnians by Hungarian fascists during World War II. Kovacs is not quite a revisionist historian, but he does cast doubt on the "official" interpretations of this horrible human-rights violation. Nor is the audience allowed to slip into complacency: it comes as a shock to discover that many of the characters whom we're rooting for turn out to be the villains! Both written and directed by Kovacs, Cold Days was originally released as Hideg Napok.

Set in the Second Phase Offensive of the Korean War, "The Battle at Lake Changjin" tells an epic historical tale of the battle of Lake Changjin (also known as Chosin Reservoir).

淘淘是只异常怕冷的小白兔，大雪过后，天气转晴，可是太阳公公在外面吆喝了老半天，它仍不肯离开温暖的被窝，妈妈要它和外面的小伙伴一起去玩，它也摇摇头。灵机一动，妈妈骗它说外婆有一件不怕冷的大衣，穿上它头上会直冒汗，淘淘一骨碌爬下床。 小伙伴听说淘淘要去外婆家里拿不怕冷的大衣，纷纷笑了起来，淘淘不做理会执意前行。一路上，淘淘在惊诧于其它动物不怕冷的同时，慢慢地找到了属于自己的不怕冷的秘诀。

A huge hit when it was released, the movie is set in 1953, when after the death of Stalin, Beria pronounced an amnesty which put out of work camps an enormous amount of inmates, causing an increase in criminality. 　　At a small village by a lake, live two political exiles spending there few years after camp sentence as "enemy of the people". They don't benefit from the amnesty. The older one works and is integrated in the small community, the younger, a former WWII officer survives doing nothing and is kept on the side. Yet the daughter of a mute woman enjoys to have some talk with him. 　　The police officer tells the main administrative clerck about the recent removal of Beria, the massive amnesties and a group of six wanted men wandering near the place after a murder. 　　The bandits are in fact hiding in a barn, and the next day they attack and take control of the villagers. Not presents at the moment, the two political prisoners can choose: leave the place, but they decide instead to take action against the bandits. Paradox: the so-called "enemies of the people" are in fact the ones who rescue the people, from the real criminals. 　　Historically, the movie is fantastic, because produced in 1987, it was the first mainstream feature dealing directly with a critic of political prisoners and exiles. Khrushchov's destalinization ended the stalinian Terror but didn't allow a level of artistic freedom of expression making possible a movie like this one. 　　History of politics aside, the action and tension are good. Some have labelled it a "russian western" , as few outsiders fight a bunch of nasty and violent bad guys and save the town's good people. 　　The filming location is in central Karelia, not far from Petrozavodsk, north-western Russia. A very beautiful nature. 　　Valeri Priyomykhov received a state prize for his portrayal of the main character.

The film begins with a series of events on a crowded outdoor market street. Women on stages perform “private” rituals: shaving legs and armpits, fixing their hair, etc. A woman tries to disrupt their “work.” She struggles to set herself apart from them, to resist the forces of habit, but gradually becomes more involved than she is willing to admit. Although she sets in motion a chain reaction of rebellion, she isn’t able to keep the momentum going. She stops before carrying it to the logical conclusion, and ends up on the stage herself. 　　“Building on proverbs, metaphor, and the principles of a radical feminist imagination, Su Friedrich creates a world in which women’s private rituals become public spectacles. Filmed in super-8 on the streets of New York’s Lower East Side, Cool Hands, Warm Heart works through questions of danger, attraction, violence, and ultimately the transformative power of bonding between women. Friedrich is able to draw on her training in avant-garde cinema as well as her background as a street photographer. In this work, she combines the two sets of concerns into an unusually original vision, re-imagining public space as a sort of Cool World inhabited by women of daring.” 　　—B. Ruby Rich 　　Festival Screenings and Awards: 　　SPECIAL MERIT AWARD, Athens Film Festival; New York Gay and Lesbian Film Festival; Frameline Film Festival; International Women’s Film Festival, Copenhagen; Feminist Film Conference, New York