《离魂界》是一部恐怖微短剧。男主“任兴”为第一视角，在被诅咒的废弃校园中醒来，与身份各异、各怀鬼胎的幸存者一起，面对不断轮回的死亡游戏。通过分支选项、QTE、探索解谜与道具组合，打造沉浸式恐怖氛围。男主需在信任与背叛之间抉择，揭开“离魂界”背后的血腥真相，寻找逃离轮回的唯一生路。游戏融合中式恐怖元素与心理惊悚，带来前所未有的互动影游体验。

《乔》继承了美国主流之外的独立艺术电影主要特征，和此前戛纳参赛作品《污泥》艺术风格一脉相承，讲述尼古拉斯－凯奇扮演的伐木场负责人乔，偶然机会雇佣了一位绝望寻找工作的少年，并建立起友谊。面对男孩的暴力酒鬼父亲和遭到欺负的妹妹，乔不顾自己早已犯有前科，用生命和独特的生存法则为他们伸张正义 。

在密西西比的一个小镇上，15岁的加里·琼斯成长于一个破碎的家庭，他的父亲是个毫无责任感的酒鬼。一天，男孩结识了一名有犯罪前科的男子，此后两人的生活都逐渐向好转变，这名有过前科的男子最终成为了精神榜样。

曹顺虽然是摸金校尉的后人，但他的父亲生前从未传授给他任何摸金校尉分金定位的本领。他在村中不学无术，靠他的油嘴滑舌以行骗为生。一日倭寇入村，点名要摸金校尉的后人曹顺帮他寻找神秘宝藏，如若不从就以屠村作威胁。曹顺不得不硬着头皮伪装成资深摸金校尉，带众倭寇寻找宝藏，一路上他用自己擅长的骗术将倭寇玩弄于股掌之间，并设计伏击他们，不料他们却误入到一座真正的墓穴中，遇到真正的机关阵法、幽灵军队、镇墓巨兽等一系列意料之外的麻烦……

前澳门司警梁镜晖（林家栋饰）在旁人的眼里是个偏执的怪人，每天不苟言笑。经常购买各种不同的香料，躲在自己的小屋里查寻着什么。还时常独坐在固定的茶楼里喃喃自语。

讲述一名警察的唯一亲人——妹妹被人重伤，生死不明，而其本人也被人用“心理催眠法”而患上精神分裂症，离开了警队，后来在同是警察的女朋友帮助下，终…

This would definitely not have been my kind of movie, but my husband saw it on TV and said it was really good. So, on his recommendation, I bought a copy, since I didn't know if it would ever be on TV again. I had never heard of anybody in it except Armand Assante. At first I had a hard time getting into the story, because the first part of the movie is a jumble of images-- and it doesn't make much sense. It is only later in the movie that it all comes together. The scene-cutting- if that's what it's called, is a bit jarring-- it sometimes looks as if a few frames have been cut out of each scene, and the scenes are jerky--but I guess that was done to add to the unusualness (if that's a word). The story veers here and there, and just about the time you have it all figured out, everything turns upside down and you have to readjust your thinking as to who is the bad guy and who is not. Or bad woman. The acting is very good-- I kept thinking how much Norman Reedus looks like Leo Decaprio. The ending was a real twist, totally unexpected, which I liked. A good show.

三位电影制作者的跨代约束，他们寻求替代他们固有的权力结构的可能性。每个女人都像伸出援助之手一样，把目光延伸到她不在的主题上。韦弗（为芭芭拉）成长于玛雅德伦和芭芭拉汉默的废弃电影项目。1975年，在一个摩托车旅行锤的最远点被击中，来到危地马拉，在1950年代的海地，德伦思考了失败、遭遇和开始。 　　vever是海地伏都教中用来调用一个LOA或上帝的象征性绘画。 　　A cross-generational binding of three filmmakers seeking alternative possibilities to the power structures they are inherently part of. Each woman extends her gaze like an offered hand to a subject she is outside of. Vever (for Barbara) grew out of the abandoned film projects of Maya Deren and Barbara Hammer. Shot at the furthest point of a motorcycle trip Hammer took to Guatemala in 1975, and laced through with Deren’s reflections on failure, encounter, and initiation in 1950s Haiti. 　　A vever is a symbolic drawing used in Haitian Voodoo to invoke a Loa, or god.

该剧改编自满碧乔的同名小说，讲述了三国时期“江东小霸王”孙策与“江左周郎”周瑜一起白手起家，最终不仅重振江东，初创吴国基业，还收获了美好的爱情，悬案也最终得到昭雪的故事。