本片从数学与人的关系出发，介绍数学作为最基础学科对于人类文明进程的意义。通过现实生活中数学的体现，如计时、建筑、音乐、天气预报等，介绍数学的应用。同时，通过对数学家的访谈，了解这些“被数学选中的人”是如何看待数学、看待科学演进的。（转自CCTV节目官网）

本片从数学与人的关系出发，介绍数学作为最基础学科对于人类文明进程的意义。通过现实生活中数学的体现，如计时、建筑、音乐、天气预报等，介绍数学的应用。同时，通过对数学家的访谈，了解这些“被数学选中的人”是如何看待数学、看待科学演进的。

暂无剧情简介

由莎士比亞所寫的劇作《馬克白》，從古自今在表演時，都流傳著絕對的禁忌。一旦在劇院非正式演出時道出馬克白之名，女巫的邪惡詛咒會被釋放，演員們將一生注定扮演這個悲劇角色直到永遠。一個劇團就即將在小鎮劇場上演《馬克白》，不料有仍不信邪觸碰了禁忌，劇場開始發生一連串怪事。

由莎士比亞所寫的劇作《馬克白》，從古自今在表演時，都流傳著絕對的禁忌。一旦在劇院非正式演出時道出馬克白之名，女巫的邪惡詛咒會被釋放，演員們將一生注定扮演這個悲劇角色直到永遠。一個劇團就即將在小鎮劇場上演《馬克白》，不料有仍不信邪觸碰了禁忌，劇場開始發生一連串怪事。

ゲイバーのマスター（堺勝朗）とママ（久須美欽一）の中年ゲイカップルの元に、１５年前に別れたきりのマスターの子供が訪ねてくる。 　　疑似的な三人家族の物語が優しく紡がれ、ハッピーエンドで終わる秀作。ママ役の久須美欽一が、心から母親になりきっている演技が凄い！

ゲイバーのマスター（堺勝朗）とママ（久須美欽一）の中年ゲイカップルの元に、１５年前に別れたきりのマスターの子供が訪ねてくる。 　　疑似的な三人家族の物語が優しく紡がれ、ハッピーエンドで終わる秀作。ママ役の久須美欽一が、心から母親になりきっている演技が凄い！

讲述了沈尧光接父母双亡的苏念念回家，沈南熙强烈排斥，言语刻薄却会暗中护她，如制止张妈欺负、辞退扔其画作的张妈。沈南熙知父亲与苏念念父母车祸真相后，质问父亲时撞得苏念念烫伤，处理伤口时尽显温柔，苏念念一句 “姐姐害羞了” 缓和关系。最终沈南熙让苏念念 “在沈家好好待着”，两人从敌对走向接纳，展现外冷内热与善良坚韧的特质。

著名导演Abolfazl Jalili讲述了一个在伊朗非法生活的年轻阿富汗难民的富有同情心的故事。14岁的Kaim来到阿富汗-伊朗边境的Delbaran边境点，在那里他在一家卡车司机经常光顾的咖啡店找到了工作。在这里，他感到宾至如归，尽管背景中可以听到战争的声音，暴力的土匪在路上徘徊。当我们看着Kaim日复一日地从一项任务跑到另一项任务时，我们很快意识到我们看到的是一个被欺骗的男孩。

A poignant yet understated film which focuses on the everyday hardships of an isolated Iranian community on the border with Afghanistan, Delbaran centres on the story of a 14-year Afghan refugee working in a truck stop in the 'town' which gives its name to the film. The film is unusual in having very little dialogue and offers nothing by way of explanation of the wider context of war and cross-border migration which forms the backdrop to the events that are portrayed. The characters in the film are all too aware of the conflict and the sounds of automatic weapons are always within earshot, but they are so much an accepted part of their lives that they feel no need to comment on them. And that is one of the strengths of the film that makes it so compelling a portrait of life in this remote community. At one level, very little seems to go on in the film which has the feel of a documentary without a voiceover. In fact, a lot happens off camera, as revealed by indirect images and sounds, but the main emphasis of the film is the extraordinary yet humdrum nature of life in a marginalized community. The film has a distinctive look and feel, with an emphasis on images, movement and sound, and, although one would be hard pressed to identify a conventional narrative structure or message, there are aspects that resonate in the mind long after watching it. A recurring image is of three or even four men riding a single motorbike back and forth along a dusty mountain road. An especially poignant moment in a film in which the hardships of life mean that the characters hardly ever show great emotion, is when the central character of the 14-year old boy, Kaim, is offered medical help for an ear infection: his smile lights up the screen at this small act of human kindness. Highly recommended.