故事讲述晋国诸侯献公育有三子申生，重耳与夷吾。申生好医术，对继承爵位之事并不着急，而夷吾（黄子扬 饰）不及重耳（黎明 饰）贤能，不惜出毒招重耳，以求得到世子之位，重耳为免兄弟间起干戈，毅然出国游历。重耳应邀出席诸侯大会，途中邂逅秦国怀嬴公主（罗慧娟 饰），情丝互结，可惜生逢乱世，未能成眷属。 　　献公驾崩后，奸妃骊姬（刘桂芳 饰）专政，力举其子奚齐为帝，为朝中大臣所不容，引起内乱。夷吾得秦穆公之势回国称帝。 夷吾登基后，仍担心重耳争位，故出尽办法对付重耳，并下令将怀赢下嫁其太子圉，令重耳大受刺激。重耳为避免夷吾加害，逃亡至赤狄国，备受重用，娶得季隗公主（郭秀云 饰）声势日隆。重耳获悉晋国法政大乱，遂率军大举回晋主持大局，受推举为帝，为晋文公。

故事讲述晋国诸侯献公育有三子申生，重耳与夷吾。申生好医术，对继承爵位之事并不着急，而夷吾（黄子扬 饰）不及重耳（黎明 饰）贤能，不惜出毒招重耳，以求得到世子之位，重耳为免兄弟间起干戈，毅然出国游历。重耳应邀出席诸侯大会，途中邂逅秦国怀嬴公主（罗慧娟 饰），情丝互结，可惜生逢乱世，未能成眷属。 　　献公驾崩后，奸妃骊姬（刘桂芳 饰）专政，力举其子奚齐为帝，为朝中大臣所不容，引起内乱。夷吾得秦穆公之势回国称帝。 夷吾登基后，仍担心重耳争位，故出尽办法对付重耳，并下令将怀赢下嫁其太子圉，令重耳大受刺激。重耳为避免夷吾加害，逃亡至赤狄国，备受重用，娶得季隗公主（郭秀云 饰）声势日隆。重耳获悉晋国法政大乱，遂率军大举回晋主持大局，受推举为帝，为晋文公。

More than once, the protagonists in Mimang wonder where they are and where they’re going—it is a concrete, geographical question born from walking around the streets of Seoul, but as the film progresses, that urban journey also proves to be an existential one. We accompany the characters in some stretches of their path—many years separate each of the episodes that make up the film, and that distance reveals changes through what remains. This is not a film about earthquakes, but about small transformations, and the marks of time can be seen not only in the actors’ bodies, but also in that other omnipresent protagonist that is Seoul, whose vitality invades every shot. Like others before him (it’s inevitable to think about Truffaut or Linklater), here, Kim Taeyang reminds us that cinema is the best time machine that has been invented so far. 　　源自：https://www.mardelplatafilmfest.com/38/en/pelicula/mimang

More than once, the protagonists in Mimang wonder where they are and where they’re going—it is a concrete, geographical question born from walking around the streets of Seoul, but as the film progresses, that urban journey also proves to be an existential one. We accompany the characters in some stretches of their path—many years separate each of the episodes that make up the film, and that distance reveals changes through what remains. This is not a film about earthquakes, but about small transformations, and the marks of time can be seen not only in the actors’ bodies, but also in that other omnipresent protagonist that is Seoul, whose vitality invades every shot. Like others before him (it’s inevitable to think about Truffaut or Linklater), here, Kim Taeyang reminds us that cinema is the best time machine that has been invented so far. 　　源自：https://www.mardelplatafilmfest.com/38/en/pelicula/mimang

魏晋时期的风俗习惯及竹林七贤之间的趣事

魏晋时期的风俗习惯及竹林七贤之间的趣事

故事发生在如火如荼、如痴如狂的文革时期。大喇叭里传来了激昂亢进的革命歌曲，土墙上写着“横扫一切牛鬼蛇神”的革命标语。拿着弹弓的少年在村里走来走去，偶尔惹出一点小的祸端，被人马上两句也不以为意。她跳入某个寂静的院落，在布满落叶的地上发现了被火烧过的皮影道具。房间里传来一阵老人的咳嗽声，男孩偷偷张望过去，发现皮影老艺人叼着旱烟袋，一脸愁容兀自呆坐。曾经赖以为生的皮影戏在“破四旧”的浪潮中被踩在脚下，往昔的美好回忆一去不复返。男孩挑起皮影，隔着窗挑逗着老人，他向老人询问皮影的头在那里，老人却不发一言，想了想干脆给他重新画了一个。 　　在他们的心中，都有一个无法割舍的记忆……

剧情讲述四个普通的小人物，偶然的情况下，发现了一个恶魔网站并与之进行了交易，意外获得了一些微小的能力，但他们没有想到恶魔网站背后隐藏着巨大…

传说上帝七天造人，人类穷极整个历史唯一无法在造物的权柄上染指一丝一毫。撒旦是天使堕落而成，化生地狱，以引诱灵魂堕落与上帝抗衡。但有时候，上帝和恶魔就住在我们的心里。 一个学术界很有名望的人体器官移植研究的北奥大学教授，发现了复活一个人只需要重建五个要素，分别是“内脏，血液，大脑，内分泌和外分泌系统”，但需要大量的非法活体实验，实验可能会牺牲很多人，所以他在十五年前终止了这个实验，因为这个实验诞生了一个恶魔。 被卷入事件的四个人决定用自己微小的能力，侦破这个恶魔的悬案，答案呼之欲出……

以“文明互鉴”为主题，以器为语，与千年对话，跨越山海时空，走进俄罗斯、哈萨克斯坦、乌兹别克斯坦、吉尔吉斯斯坦、塔吉克斯坦、伊朗、蒙古、斯里兰卡八国，聆听它们在光阴长河里与中华文明交汇的回声。