影片以不畏病痛、坚守课堂28年，被评为“湖北好人2011年度人物”、为山里孩子们放飞希望的谭定才老师为原型，用电影的方式表现了这位山区教师的大爱襟怀。以最真实的镜头表现了在极端艰苦环境中，难以想象的病痛折磨中，残疾人谭定才从青年走到中年，在山区坚守教育事业，为孩子播种着未来人生的光明的真实感人故事。

影片以不畏病痛、坚守课堂28年，被评为“湖北好人2011年度人物”、为山里孩子们放飞希望的谭定才老师为原型，用电影的方式表现了这位山区教师的大爱襟怀。以最真实的镜头表现了在极端艰苦环境中，难以想象的病痛折磨中，残疾人谭定才从青年走到中年，在山区坚守教育事业，为孩子播种着未来人生的光明的真实感人故事。

《拐杖糖巷》讲述了一位名叫克里斯（墨菲饰）的男子决心赢得他的社区装饰比赛。为了赢得社区装饰比赛，克里斯愿意采取极端措施，包括与一个狡猾的精灵佩珀达成协议。作为交换，佩珀决定对这个小镇施放一个让“圣诞的十二天”栩栩如生的咒语，引发社区的混乱。现在，克里斯面临比地方比赛更大的问题，因为他必须打破佩珀的咒语，拯救他的家庭和这个小镇。

《拐杖糖巷》讲述了一位名叫克里斯（墨菲饰）的男子决心赢得他的社区装饰比赛。为了赢得社区装饰比赛，克里斯愿意采取极端措施，包括与一个狡猾的精灵佩珀达成协议。作为交换，佩珀决定对这个小镇施放一个让“圣诞的十二天”栩栩如生的咒语，引发社区的混乱。现在，克里斯面临比地方比赛更大的问题，因为他必须打破佩珀的咒语，拯救他的家庭和这个小镇。

孽缘之神苏念雪下凡附身于枉死少女，救下遭刺杀的陆以霆，被迫卷入豪门阴谋。她既要应对苏欣妍的追杀，又要与陆以霆斗嘴合作，却在法力失控时发现彼此竟是命定孽缘。婚礼上苏欣妍施法搅局，月老破咒助其复仇。谢波疯狂反扑，陆以霆舍命相护，苏念雪以法力换他重生。当孽缘石再次指引，她选择为爱放弃任务，最终为陆以霆挡枪濒死，方知这段孽缘早已修成正果。天界重逢月老，苏念雪终得圆满，与陆以霆在人间相守.

Caetano Gotardo, whose contribution to the omnibus film Neverquiet (Film of Wonders) was screened in 2011 at IFFR, stays close to home in his second feature. He writes, directs, edits and also plays the leading role. The story is set in the Brazilian artists’ milieu. 　　Joao has extensive conversations with friends, strangers and himself. For instance with his best friend Irene, who cannot let go of memories of her ex; and the boy he meets in the metro, with whom he wants to have sex. Beside life and love, the creative process is a recurring theme in the conversations, in the best traditions of filmmakers like Éric Rohmer or Hong Sang-soo. Piece by piece, the encounters, conversations and monologues have a great influence on Joao, who literally wrestles with his attitude to life. A puzzle unfolds within which time, narrative, character and perspective are all jumbled up in an intriguing way.

Caetano Gotardo, whose contribution to the omnibus film Neverquiet (Film of Wonders) was screened in 2011 at IFFR, stays close to home in his second feature. He writes, directs, edits and also plays the leading role. The story is set in the Brazilian artists’ milieu. 　　Joao has extensive conversations with friends, strangers and himself. For instance with his best friend Irene, who cannot let go of memories of her ex; and the boy he meets in the metro, with whom he wants to have sex. Beside life and love, the creative process is a recurring theme in the conversations, in the best traditions of filmmakers like Éric Rohmer or Hong Sang-soo. Piece by piece, the encounters, conversations and monologues have a great influence on Joao, who literally wrestles with his attitude to life. A puzzle unfolds within which time, narrative, character and perspective are all jumbled up in an intriguing way.

七年前，顾星晚捅了自己的亲生父亲，银铛入狱。五年前，宴矜撑着伞等在监狱门口，得到的只一句早就出狱了。时隔七年再重逢，她看着他怔愣，他却说自己不认识她，便转身离开。后来，顾星晚从旁人口中得知，这位律界大佬宴律已经有了未婚妻。于是顾星晚喊口不言，她曾在狱中为他生下 了一个孩子。