博斯基埃先生的儿子菲利浦高考落榜了，博斯基埃先生于是决定送他去英国学习（注：因为菲利浦高考落榜的部分原因是英语没有过）。作为交换，他要接待苏格兰威士忌酿酒商马克·法雷尔的女儿雪莉。然而，菲利浦更喜欢留在法国度假，并让他的朋友密歇内代替他去英国。

博斯基埃先生的儿子菲利浦高考落榜了，博斯基埃先生于是决定送他去英国学习（注：因为菲利浦高考落榜的部分原因是英语没有过）。作为交换，他要接待苏格兰威士忌酿酒商马克·法雷尔的女儿雪莉。然而，菲利浦更喜欢留在法国度假，并让他的朋友密歇内代替他去英国。

讲述了骆煕因高中时的遭遇导致刚进入大学的她成为了“包子女孩儿”，黎昕无意间发现骆煕是当年救了自己的“女英雄”，为了帮助骆煕找回原来的自己，他们之间发生了一连串的青春“糗事”。但是在他们四个人之间却埋藏着一个秘密，友情、爱情和亲情，他们又该如何抉择？

讲述了骆煕因高中时的遭遇导致刚进入大学的她成为了“包子女孩儿”，黎昕无意间发现骆煕是当年救了自己的“女英雄”，为了帮助骆煕找回原来的自己，他们…

MBC出品的wavve原创娱乐节目《魔女们》是一档体育真人秀综艺节目，讲述了被称为幻想棒球爱好者的女性艺人与女性社交名流棒球选手组成团队，共同成长的过程。 　　海报展现了认真对待棒球的女性：Apink的尹普美、喜剧演员金敏璟、前国家艺术体操运动员申秀智、啦啦队长朴骐良、播音员朴智英、演员姜素妍。

MBC出品的wavve原创娱乐节目《魔女们》是一档体育真人秀综艺节目，讲述了被称为幻想棒球爱好者的女性艺人与女性社交名流棒球选手组成团队，共同成长的过程。 　　海报展现了认真对待棒球的女性：Apink的尹普美、喜剧演员金敏璟、前国家艺术体操运动员申秀智、啦啦队长朴骐良、播音员朴智英、演员姜素妍。

If something characterizes Reichardt's work, it's that it always finds its characters downhill. And if that vivid decadence, that pain of not being anymore that transmit the characters in River of Glass, Old Joy and Wendy and Lucy, her three features, already causes anguish, those great moments of pain captured by the director intensify, through condensation, in each of her short subjects. Death is lord and master in the shorts Then, a Year and Travis, and also in Ode, the only mid-length film by this daughter of cops (him, scientific; her, narcotics). Then, a Year combines, without attempting any kind of narrative, Reichardt in her adoptive Portland with a pastiche that mixes statements from different shows about crimes of passion. This idea is resumed in Travis, video-installation where that focus that never reaches the image, sensed as violent close-ups of a fixed photograph, is centered in politics: Reichardt infinitely loops fragments from the interview with a mother that has lost her son Travis in Iraq, and who, in every little confession, leaves a piece of her heart. Lastly, in Ode, the director shows the courage for loving of two young Baptists, capturing, for three quarters of an hour, the story of a love that could never be between Billy Joe and Bobbie Lee, and its tragic outcome. And the inevitable one, because there's no place for the humbled joy of those poor old hearts in the oppressive world of the religious deep America. in Ode, the director shows the courage for loving of two young Baptists, capturing, for three quarters of an hour, the story of a love that could never be between Billy Joe and Bobbie Lee, and its tragic outcome. And the inevitable one, because there's no place for the humbled joy of those poor old hearts in the oppressive world of the religious deep America. in Ode, the director shows the courage for loving of two young Baptists, capturing, for three quarters of an hour, the story of a love that could never be between Billy Joe and Bobbie Lee, and its tragic outcome. And the inevitable one, because there's no place for the humbled joy of those poor old hearts in the oppressive world of the religious deep America.

If something characterizes Reichardt's work, it's that it always finds its characters downhill. And if that vivid decadence, that pain of not being anymore that transmit the characters in River of Glass, Old Joy and Wendy and Lucy, her three features, already causes anguish, those great moments of pain captured by the director intensify, through condensation, in each of her short subjects. Death is lord and master in the shorts Then, a Year and Travis, and also in Ode, the only mid-length film by this daughter of cops (him, scientific; her, narcotics). Then, a Year combines, without attempting any kind of narrative, Reichardt in her adoptive Portland with a pastiche that mixes statements from different shows about crimes of passion. This idea is resumed in Travis, video-installation where that focus that never reaches the image, sensed as violent close-ups of a fixed photograph, is centered in politics: Reichardt infinitely loops fragments from the interview with a mother that has lost her son Travis in Iraq, and who, in every little confession, leaves a piece of her heart. Lastly, in Ode, the director shows the courage for loving of two young Baptists, capturing, for three quarters of an hour, the story of a love that could never be between Billy Joe and Bobbie Lee, and its tragic outcome. And the inevitable one, because there's no place for the humbled joy of those poor old hearts in the oppressive world of the religious deep America. in Ode, the director shows the courage for loving of two young Baptists, capturing, for three quarters of an hour, the story of a love that could never be between Billy Joe and Bobbie Lee, and its tragic outcome. And the inevitable one, because there's no place for the humbled joy of those poor old hearts in the oppressive world of the religious deep America. in Ode, the director shows the courage for loving of two young Baptists, capturing, for three quarters of an hour, the story of a love that could never be between Billy Joe and Bobbie Lee, and its tragic outcome. And the inevitable one, because there's no place for the humbled joy of those poor old hearts in the oppressive world of the religious deep America.

韦德是一个新罕布什尔州小镇警长，在他的前妻和女儿吉尔看来他一事无成，还是个酒鬼。他的女朋友玛吉接受了这样的他。狩猎季节的第一天，韦德的朋友杰克带着一个富商去打猎，只有杰克活着回来。韦德决定扮演侦探，并开始调查此案，尽管杰克坚称这是一次意外的自杀……

http://www.fdb.cz/film/21259-trapeni.html