在南印的德干高原上，曾存在着一个叫卡卡提亚的伟大王朝，定都奥儒伽路（今印度瓦朗加尔市）。就在中国南宋将被蒙古灭亡前夜，卡卡提亚出现了一位伟大的鲁德拉玛德维女王，将王朝的文治武功推至极盛，堪称黄金时代。影片就是讲述鲁德拉玛德维的传奇人生。 　　影片中的鲁德拉玛德维女王由安努舒卡·谢蒂扮演，担任她的左膀右臂的两位王子分别由阿留·阿俊和拉纳·达古巴帝扮演。

在南印的德干高原上，曾存在着一个叫卡卡提亚的伟大王朝，定都奥儒伽路（今印度瓦朗加尔市）。就在中国南宋将被蒙古灭亡前夜，卡卡提亚出现了一位伟大的鲁德拉玛德维女王，将王朝的文治武功推至极盛，堪称黄金时代。影片就是讲述鲁德拉玛德维的传奇人生。 　　影片中的鲁德拉玛德维女王由安努舒卡·谢蒂扮演，担任她的左膀右臂的两位王子分别由阿留·阿俊和拉纳·达古巴帝扮演。

在犯罪猖獗的孟买街头，一位才华横溢的超级警察鲁德拉·维尔·辛格（Rudra Veer Singh）穿梭于精神变态的迷宫之中。

南方人安慰他的丰满的继女，他年轻的妻子勾引警长和获得性被银行家，他们睡觉的女儿被醉酒的农民走近。在乡下的农场只是一个标准日。

Taratoa Stappard’s brooding debut feature plunges us into the dour moors of 1859 North Yorkshire, where the British Empire’s reach casts long and twisted shadows. Mary Stevens (Ariāna Osborne), a young Māori teacher from Aotearoa (New Zealand), arrives in search of family truths, only to find the man who summoned her already dead and no clear path home. 　　Stranded in an unfamiliar and unwelcoming land, Mary accepts work at Hawkser Manor under the seemingly benevolent Sir Nathaniel Cole (Toby Stephens), a wealthy landowner who made his fortune as a South Seas whaler. But within the manor’s cold stone walls — where stolen Māori taonga line the shelves and ancestral whispers echo through dark corridors — Mary’s unease curdles into dread. 　　Haunted by visions and memories that are not her own, she begins to unravel a horrifying truth. As the sinister nature of Cole’s intentions comes into focus, Mārama transforms into a blood-tinged reckoning that never shies from the grotesque. What begins as a search for identity becomes a fight for freedom, dignity, and spiritual survival.

Taratoa Stappard’s brooding debut feature plunges us into the dour moors of 1859 North Yorkshire, where the British Empire’s reach casts long and twisted shadows. Mary Stevens (Ariāna Osborne), a young Māori teacher from Aotearoa (New Zealand), arrives in search of family truths, only to find the man who summoned her already dead and no clear path home. 　　Stranded in an unfamiliar and unwelcoming land, Mary accepts work at Hawkser Manor under the seemingly benevolent Sir Nathaniel Cole (Toby Stephens), a wealthy landowner who made his fortune as a South Seas whaler. But within the manor’s cold stone walls — where stolen Māori taonga line the shelves and ancestral whispers echo through dark corridors — Mary’s unease curdles into dread. 　　Haunted by visions and memories that are not her own, she begins to unravel a horrifying truth. As the sinister nature of Cole’s intentions comes into focus, Mārama transforms into a blood-tinged reckoning that never shies from the grotesque. What begins as a search for identity becomes a fight for freedom, dignity, and spiritual survival.

Mona, a baker's daughter, feels trapped by her controlling father Adon. New employee Lina ignites Mona's desires. Adon has contrasting plans for Mona. Torn between duty and passion, Mona must decide her future path.

Mona, a baker's daughter, feels trapped by her controlling father Adon. New employee Lina ignites Mona's desires. Adon has contrasting plans for Mona. Torn between duty and passion, Mona must decide her future path.

《玛德琳的玛德琳》是美国女导演约瑟芬·戴克最新的一部作品。这部电影讲述了一个戏剧导演，在创作她最近的作品时所产生的故事。这也是约瑟芬·戴克的第14部作品。作品中的角色和她本人颇为相似，同样作为导演的她，也是一名演员。戴克以往的作品，总是带着一定程度上的形式化的美感，也显露着女性特有的细腻。在她的作品中，镜头更像是一双可以无限接近角色人物的眼睛，时刻捕捉着主观视角下的人物的行动和当时的情内心状态。

《玛德琳的玛德琳》是美国女导演约瑟芬·戴克最新的一部作品。这部电影讲述了一个戏剧导演，在创作她最近的作品时所产生的故事。这也是约瑟芬·戴克的第14部作品。作品中的角色和她本人颇为相似，同样作为导演的她，也是一名演员。戴克以往的作品，总是带着一定程度上的形式化的美感，也显露着女性特有的细腻。在她的作品中，镜头更像是一双可以无限接近角色人物的眼睛，时刻捕捉着主观视角下的人物的行动和当时的情内心状态。