两年前，我读了鲁迅先生的小说《在酒楼上》，很喜欢。想着改编做动画片，脑袋里已经构思了鲁迅先生独坐酒楼看雪景、遇故人的画面。无奈当时正忙着动画长片《刺痛我》，只好作罢。 　　今年收到浙江美术馆纪念鲁迅先生的展览邀请，又想起《在酒楼上》的制作计划。而我现在正在忙着我的第二部动画长片《大学城》的前期工作，只好第二次作罢。 　　但是心不甘。于是制作了动画短片《鲁迅 鲁迅》，通过对鲁迅先生肖像进行的100次反复描摹来完成作品。鲁迅，真实的鲁迅究竟是怎样的？ 　　感谢我的儿子大乐，十岁，认真描摹了100张鲁迅的肖像。

20集电视连续剧《鲁迅与许广平》以北京、广州、上海的风雨经历来承载鲁迅辉煌的人生，立体地再现鲁迅作为世纪伟人的风采；以其师生婚恋为主线，将鲁迅先生作为人的平凡与可敬可亲作了充分的展示。全剧跨越二十年，既叙述了鲁迅和许广平独特的生活斗争道路，也从一个侧面反映了近代中国的社会历史。从鲁迅与朱安不幸的包办婚姻，到鲁迅和许广平的自由恋爱；从许广平反抗包办婚姻到第一个恋人的不幸夭亡；从鲁迅和周作人的“兄弟怡怡”到关系破裂，以及鲁迅与众多历史名人的友情交往与怨心纠葛……

Jean-Luc Godard did not attend the world premiere of his new film, ADIEU AU LANGAGE (GOODBYE TO LANGUAGE), at Cannes. But instead, he sent a letter in motion to Gilles Jacob and Thierry Fremaux, the directors of the Festival. 　　Made public the 21/05/2014.

Jean-Luc Godard did not attend the world premiere of his new film, ADIEU AU LANGAGE (GOODBYE TO LANGUAGE), at Cannes. But instead, he sent a letter in motion to Gilles Jacob and Thierry Fremaux, the directors of the Festival. 　　Made public the 21/05/2014.

这是一部关于美国国会图书馆的纪录片，从1989年起，美国国会图书馆每年都会选取25部电影归档保存，它们并非一定要是最好的作品，而是要能够广泛代表美国文化，体现美国电影的整体水平，展现美国波澜壮阔的历史进程。众多电影人讲叙那些电影被选取的原因和独特之处，又一部关于迷影文化的纪录片。

After the death of his brother Georg, John Vanderheit expects to inherit his fortune. Unfortunately, just before he died Georg made a will in which he bequeathed his entire estate to his wife, Irmgard. Unwilling to yield to John, Irmgard takes flight and undertakes a hazardous journey into the mountains. Here, she meets a kindly hermit who offers her shelter. John is not far behind, however, and when Imrgard repulses him he causes an avalanche in an attempt to kill her. Trapped in the hermit’s shelter, Irmgard’s new friend removes his hood – and reveals that he is her husband Georg... 　　Das Wandernde Bild marked the beginning of the fruitful collaboration of director Fritz Lang with writer Thea von Harbou. They married in 1922 and the couple would become the creative force behind some of the greatest German films of the pre-WWII era, works such as Dr. Mabuse, der Spieler (1922), Metropolis (1927) and M (1931). 　　Until quite recently, Das Wandernde Bild was thought to have been lost, the fate suffered by the majority of films made in the silent era. Fortunately, an incomplete print surfaced in Brazil and the film was partially restored in the late 1980s. Around a third of the film is missing, along with the script and inter-titles. Despite this, the restored film is surprisingly coherent and the lacuna are hardly noticed. 　　Das Wandernde Bild may not be Lang at his best (its main weaknesses being its slightly ludicrous plot and some embarrassing Perils of Pauline moments), but it amply demonstrates the director’s mastery of technique and flair for expression through the silent image. The film is most memorable for its beautifully realised location sequences, which appear to show the influence of Lang’s contemporaries, notably D.W. Griffith. (© James Travers 2009 )

Project 阶段。吕萨纪录片大会放映。

横眉冷对千夫指，俯首甘为孺子牛。在19世纪末的江南水乡，一个日后在中国文化界占有重要席位的人降生于此，他就是鲁迅（濮存昕 饰）。经历了人生几度沉浮，见过了人吃人的阴暗面，鲁迅与夫人许广平（张瑜 饰）于1933年来到上海，度过了人生最后的一段时光。凶险的暴雨之夜，丁玲和潘梓年遭到反动派绑架，侥幸逃生的瞿秋白求助鲁迅，民权会的负责人杨杏佛振臂高呼，要求立即放人，严惩绑架案的策动者。习惯了但依然反抗着白昼的黑暗，鲁迅牵着幼子海婴的手，从容走过杀机四伏的上海街头。光天化日之下，杨杏佛当街被杀。见过太多比自己年轻之人的死，甚至不会流泪与悲哀了的鲁迅悼念着逝者，谴责着利欲熏心歹毒非常的执政者。暂时避难的瞿秋白固然逃过一劫，可是在黎明到来之前，他的生命也必将献给伟大的革命事业。 　　砍头示众，沾血的馒头，是中国民众最大的不幸一幕……

我国第一部描写文学巨匠的电视剧，也是我国第一部以名人为主人公的传记体电视剧。该剧选取了鲁迅从出生到读中学以前的生活片段，对鲁迅少年时代的家庭变故和动荡生活进行了描述，描绘出一幅清末民初中国社会的生活画面和市井人情画卷。该剧获第三届“飞天奖”连续剧特别奖、第一届“金鹰奖”特别奖等奖项。

我国第一部描写文学巨匠的电视剧，也是我国第一部以名人为主人公的传记体电视剧。该剧选取了鲁迅从出生到读中学以前的生活片段，对鲁迅少年时代的家庭变故和动荡生活进行了描述，描绘出一幅清末民初中国社会的生活画面和市井人情画卷。该剧获第三届“飞天奖”连续剧特别奖、第一届“金鹰奖”特别奖等奖项。