讲述 大卫·鲍伊（David Bowie） 最后的创作篇章，探索他在生命最后十年中的艺术性“复活”与非凡创造力，并最终汇聚于专辑《Blackstar》的诞生。 　　本片恰逢大卫·鲍伊逝世十周年，将揭示他如何将生命的最后一章转化为一次重生——并以那张既幽暗又具有变革意义的《Blackstar》作为终点。这张专辑重新定义了他的艺术遗产，也为他的生命、死亡以及创造力的神秘力量提供了一个深刻的隐喻。影片追溯了鲍伊从1990年代职业生涯所面临的挑战出发，到千禧年前后在格拉斯顿伯里音乐节献上最具传奇色彩的压轴演出，再到创作《Blackstar》——这位世界最伟大艺术家之一的“最后一口气”，在他去世前仅两天发行。借此，鲍伊将自己牢牢铭刻进历史：既如拉撒路般自死而生，又如一颗充满谜团的星辰熊熊燃烧——既是终结，也是开端。

世界各地に姿を現した正体不明機は、人々に恐怖と混乱を与えていた。各国の戦士たちは各々ナイトメアフレームを駆り正体不明機に挑むが、圧倒的な物量とその強さに対応が追いつかない。やがてその魔の手は、ネオ・ブリタニア帝国にも向けられ、ナタリアが治めるルクセンブルグ領にも多数の正体不明機が出現する。そして皇宮にいるサクラにも危機が迫り、ロゼはサクラを助け出すためアッシュとともに皇宮へと向かう。

The music video for "Blackstar" is a surreal ten-minute short film directed by Johan Renck (the director of The Last Panthers, the show for which the song was composed). It depicts a woman with a tail, played by Elisa Lasowski, discovering a dead astronaut and taking his jewel-encrusted skull to an ancient, otherworldly town. The astronaut's bones float toward an eclipse, while a circle of women perform a ritual with the skull in the town's centre. 　　The film was shot in September 2015 in a studio in Brooklyn. The filmmaking process was highly collaborative, with Bowie making many suggestions and sending Renck sketches of ideas he wanted incorporated. While both men agreed to leave the video open to interpretation (Renck refused to confirm or deny that the astronaut in the video was Major Tom), Renck has offered several details regarding its meaning. It was Bowie who requested that the woman have a tail, his only explanation being "it's kind of sexual". Renck has speculated that Bowie may have been contemplating his own mortality and relevance to history while developing the video, but said that the crucified scarecrows were not intended as a messianic symbol. Renck has also stated that Bowie portrays three distinct characters in the video: the introverted, tormented, blind "Button Eyes"; the "flamboyant trickster" in the song's middle section; and the "priest guy" holding the book embossed with the "★" symbol. Saxophonist Donny McCaslin said that Bowie had told him the song was about ISIS, but a spokesperson for Bowie denied that the song was about the Middle East situation. 　　The choreography, notably that of the three dancers featured in an attic sequence, was drawn from other media, including Max Fleischer's Popeye the Sailor cartoons. "[Bowie] sent me this old Popeye clip on YouTube and said, 'Look at these guys.' When a character is not active, when they’re inactive in these cartoons, they’re sort of created by these two or three frames that are loops so it looks like they’re just standing there, wobbling. It’s typical in those days of animation and stop-motion, you would do that to create life in something that was inactive. So we wanted to see if we could do something like this in the form of dance, we had to do that." The female dancer in the attic sequence also performs a signature movement from the "Fashion" music video. 　　The video won Best Art Direction at the 2016 MTV Video Music Awards.

To mark David Bowie's comeback album and a new exhibition at the V&A, Alan Yentob looks back at his legendary 1975 documentary, Cracked Actor. The film follows Bowie during the Diamond Dogs tour of 1974. 　　Alan Yentob says "I'd caught him at what was an intensely creative time, but it was also physically and emotionally gruelling. Our encounters tended to take place in hotel rooms in the early hours of the morning or in snatched conversations in the back of limousines. He was fragile and exhausted, but also prepared to open up and talk in a way he had never really done before." 　　Cracked Actor has become one of the classic rock documentaries of all time, remaining an enduring influence on generations of Bowie fans.

To mark David Bowie's comeback album and a new exhibition at the V&A, Alan Yentob looks back at his legendary 1975 documentary, Cracked Actor. The film follows Bowie during the Diamond Dogs tour of 1974. 　　Alan Yentob says "I'd caught him at what was an intensely creative time, but it was also physically and emotionally gruelling. Our encounters tended to take place in hotel rooms in the early hours of the morning or in snatched conversations in the back of limousines. He was fragile and exhausted, but also prepared to open up and talk in a way he had never really done before." 　　Cracked Actor has become one of the classic rock documentaries of all time, remaining an enduring influence on generations of Bowie fans.

When the eldest grandson of Mr. Kang (Choi Seong-ho), a prominent local figure in the village of Suri in Hwanghae-do, becomes afflicted with a mysterious, life-threatening illness, the entire household is plunged in anxiety. The imminent death of the direct heir to the family name is a serious matter indeed, since the Kangs have a history of seeing their sons die young a fact that has resulted in a household teaming with widows. The family matriarch (Hwang Jung-seun) calls in the most famous shamans and has them perform healing rituals, but the illness shows no sign of improving. The family steward recommends that they bring in Ok-hwa (Yoo Ji-in), who is renowned for her extraordinary spiritual powers. While she is performing the ritual, a large snake drops down from the eaves of the house and causes a commotion. Amazingly, the incident brings about a dramatic improvement in the condition of Mr. Kang's grandson. The household buzzes with glad excitement, with everyone clinging to Ok-hwa and asking her to cure the disease outright. But Ok-hwa searches all around as if possessed by a spirit and discovers a sinister-looking gourd bottle buried deep in the ground in the pine forest. This bottle hides a bloody secret. 　　Some twenty years ago, there was, in the Kang family, a young widow by the name of Lee (Kim Yun-kyeong). Bound by strict moral codes, Lee was living a lonely life of enforced celibacy. She had taken to stabbing her thigh with a small silver knife every night in order to suppress her frustrated desires, but the wound became infected and she came on the verge of death. According to family tradition, the Kangs removed Lee to an isolated hut (called pi-makin Korean), and left her there to await her own death. The family matriarch, wishing to grant her daughter-in-law one final wish, arranged for her to spend a night with the hut keeper, Sam-dol (Nam Koong-won). Through Sam-dol's devoted care, Lee miraculously recovered and the two developed deep feelings for each other. The matriarch welcomed her daughter-in-law's recovery at first, but became enraged when she found out about Lee's adulterous relationship with Sam-dol. As punishment, the Kang family secretly murdered both Sam-dol and Lee. 　　Ok-hwa, who is in fact Sam-dol's daughter, was merely pretending to be a shaman in order to exact revenge for her father. Possessed by a real spirit, she attempts to kill Mr. Kang inside the hut but lets him go unscathed. She enters the hut, sets it on fire, and dies in the flames.

When the eldest grandson of Mr. Kang (Choi Seong-ho), a prominent local figure in the village of Suri in Hwanghae-do, becomes afflicted with a mysterious, life-threatening illness, the entire household is plunged in anxiety. The imminent death of the direct heir to the family name is a serious matter indeed, since the Kangs have a history of seeing their sons die young a fact that has resulted in a household teaming with widows. The family matriarch (Hwang Jung-seun) calls in the most famous shamans and has them perform healing rituals, but the illness shows no sign of improving. The family steward recommends that they bring in Ok-hwa (Yoo Ji-in), who is renowned for her extraordinary spiritual powers. While she is performing the ritual, a large snake drops down from the eaves of the house and causes a commotion. Amazingly, the incident brings about a dramatic improvement in the condition of Mr. Kang's grandson. The household buzzes with glad excitement, with everyone clinging to Ok-hwa and asking her to cure the disease outright. But Ok-hwa searches all around as if possessed by a spirit and discovers a sinister-looking gourd bottle buried deep in the ground in the pine forest. This bottle hides a bloody secret. 　　Some twenty years ago, there was, in the Kang family, a young widow by the name of Lee (Kim Yun-kyeong). Bound by strict moral codes, Lee was living a lonely life of enforced celibacy. She had taken to stabbing her thigh with a small silver knife every night in order to suppress her frustrated desires, but the wound became infected and she came on the verge of death. According to family tradition, the Kangs removed Lee to an isolated hut (called pi-makin Korean), and left her there to await her own death. The family matriarch, wishing to grant her daughter-in-law one final wish, arranged for her to spend a night with the hut keeper, Sam-dol (Nam Koong-won). Through Sam-dol's devoted care, Lee miraculously recovered and the two developed deep feelings for each other. The matriarch welcomed her daughter-in-law's recovery at first, but became enraged when she found out about Lee's adulterous relationship with Sam-dol. As punishment, the Kang family secretly murdered both Sam-dol and Lee. 　　Ok-hwa, who is in fact Sam-dol's daughter, was merely pretending to be a shaman in order to exact revenge for her father. Possessed by a real spirit, she attempts to kill Mr. Kang inside the hut but lets him go unscathed. She enters the hut, sets it on fire, and dies in the flames.

An intimate portrait of five key years in David Bowie's career. Featuring a wealth of previously unseen archive this film looks at how Bowie continually evolved, from Ziggy Stardust, to the Soul Star of Young Americans, to the 'Thin White Duke'. It explores his regeneration in Berlin with the critically acclaimed album Heroes, his triumph with Scary Monsters and his global success with Let's Dance. With interviews with all his closest collaborators, this film investigates how Bowie has become an 'icon of our times'.