Like every other episode in the life of Bob Dylan, the “born again” period that supposedly began with the release of Slow Train Coming (1979) and supposedly ended with Shot of Love (1981) has been endlessly scrutinized in the press. Less attention has been paid to the magnificent music he made. This very special film consists of truly electrifying video footage, much of it thought to have been lost for years and all newly restored, shot at shows in Toronto and Buffalo on the last leg of the ’79-’80 tour (with an amazing band: Muscle Shoals veteran Spooner Oldham and Terry Young on keyboards, Little Feat’s Fred Tackett on guitar, Tim Drummond on bass, the legendary Jim Keltner on drums and Clydie King, Gwen Evans, Mona Lisa Young, Regina McCrary and Mary Elizabeth Bridges on vocals) interspersed with sermons written by Luc Sante and beautifully delivered by Michael Shannon. More than just a record of some concerts, Trouble No More is a total experience.

Like every other episode in the life of Bob Dylan, the “born again” period that supposedly began with the release of Slow Train Coming (1979) and supposedly ended with Shot of Love (1981) has been endlessly scrutinized in the press. Less attention has been paid to the magnificent music he made. This very special film consists of truly electrifying video footage, much of it thought to have been lost for years and all newly restored, shot at shows in Toronto and Buffalo on the last leg of the ’79-’80 tour (with an amazing band: Muscle Shoals veteran Spooner Oldham and Terry Young on keyboards, Little Feat’s Fred Tackett on guitar, Tim Drummond on bass, the legendary Jim Keltner on drums and Clydie King, Gwen Evans, Mona Lisa Young, Regina McCrary and Mary Elizabeth Bridges on vocals) interspersed with sermons written by Luc Sante and beautifully delivered by Michael Shannon. More than just a record of some concerts, Trouble No More is a total experience.

An intense documentary about the tremendous tension between observation and interpretation. The pilots and gunners of attack helicopters who carry out nighttime missions in war zones make decisions with far-reaching consequences, not only for their targets, but for themselves as well; the fear of making a mistake is ever-present. 　　During their flights, the soldiers use thermal cameras to observe movement on the ground: anything that gives off heat lights up. From a distance, landscapes, villages, people, and animals become abstract patches of light and dark, lines, surfaces, and contours. Is the figure among them a Taliban fighter with a Kalashnikov or a shepherd with a stick? 　　Filmmaker Éléonore Weber had access to video recordings of French and American missions in Afghanistan, Iraq, and Syria. A French helicopter pilot related his often-shocking experiences to her. What begins as a monotone video essay gradually develops a powerful tension, because as viewers we find ourselves in the pilot’s seat. We catch fragments of conversations between crew members; we look, zoom in, interpret, hesitate—and then comes the explosion.

李伟追求酒吧女郎贝蒂，常到酒吧捧她场和送花，更替她驱逐流氓，但贝蒂不为所动。不久李伟要离开香港，留下一面小镜子予贝蒂留念。富家子志诚也追求贝蒂，并带她见其母，但诚母反对儿子与她来往，贝蒂既伤心又愤怒，往找李伟热舞豪饮，李伟悉心安慰和照顾她，终于赢得她的芳心。一天晚上，李，贝在沙滩重遇流氓，李伟失手误杀他们一人，两人匆匆回家，一陌生男子出现勒索他们。贝蒂为救李伟，悉数照付，更重操故业维持两人生活。最后志诚跑来告知贝蒂李伟其实是老千集团头头，贝蒂伤心欲绝，枪杀李伟，然后驾车蹈海自尽。

女主是首富柳家的千金，暗恋着总裁古正城，然而这段感情却不被柳家老爷看好，于是女主与父亲决裂，隐藏身份嫁给古正城。三年后，古正城青梅竹马的姜盼烟回国，嫉妒嫁给古正城的女主，于是设计下药，找人强奸女主，女主逃离后，给古正城打电话，金高轩却不相信姜盼烟真会做出这种事。姜盼烟一计不成再生一计，绑架吴落凝，威胁女主签署离婚协议，女主不从，古正城赶来，姜盼烟真演了一出苦肉计，让古正城相信女主自导自演了绑架戏码，女主面对着不信任自己反而维护李涵真的古正城，终于下定决心提出离婚。 女主回归吴家，成为首富继承人，和暗恋自己多年的富家少爷一同去参加慈善晚宴，却在晚宴遇见了金高轩和姜盼烟。

One morning it's all over. "There's No More We", says Hampus ice cold to his fiance Adrian. For Hampus it's a total relief to break up from their destructive relationship, for Adrian it's devastating. Adrian and Hampus now have to live through their last week together, before the final day arrives. But, let's begin with the ending ..

One morning it's all over. "There's No More We", says Hampus ice cold to his fiance Adrian. For Hampus it's a total relief to break up from their destructive relationship, for Adrian it's devastating. Adrian and Hampus now have to live through their last week together, before the final day arrives. But, let's begin with the ending ..

该片改编自迪伦1975年至1976年的《奔雷秀》巡演，片中将包括迪伦本人的幕前采访。本片被描述为捕捉到了1975年陷入困境的美国精神以及迪伦在那年秋天演奏的欢乐音乐。据悉本片不会以传统纪录片的形式展开叙述。

该片改编自迪伦1975年至1976年的《奔雷秀》巡演，片中将包括迪伦本人的幕前采访。本片被描述为捕捉到了1975年陷入困境的美国精神以及迪伦在那年秋天演奏的欢乐音乐。据悉本片不会以传统纪录片的形式展开叙述。

Star Film 585-588