晨曦微茫的小岛上，海水轻柔俯视着纤尘不染的沙滩。伴随着浪花的涌动，浮游生物、海藻、海螺、扇贝等海洋生命搁浅在陆地之上，等待它们的则是饥肠辘辘的捕食者。矶鹬（sandpiper）三五成群，鸣叫着落在了湿漉漉的沙滩上，啄食着可口的扇贝。许是经过了多年的历练，每当新一波潮水涌过来时，它们便第一时间轻盈地躲开，绝不会沾湿半根羽毛。不远处的灌木丛里，一只破壳未久的小矶鹬窥伺着父母的一举一动。少顷，妈妈飞回巢穴，小家伙一如既往张开嘴巴等着喂食，不过妈妈似乎决意要让孩子独立，自顾自将扇贝肉吃到肚子里。没有办法，小矶鹬只能走向海边。然而海水是那么讨厌，一波一波扑向这个未谙世事的小家伙。这时，一个意外突然发生…… 　　本片为《海底总动员2》的贴片动画。

Bécassine, a naive and clumsy farm girl, is hired as a nanny in a bourgeois family.

Bécassine, a naive and clumsy farm girl, is hired as a nanny in a bourgeois family.

This compelling tale of love and betrayal, set in the upper Egyptian countryside, follows the story of Amna as she plots her revenge on the engineer who destroyed her family's honor. 　　------------------------------------ 　　This is a wonderful Egyptian film that the average Western audience never gets an opportunity to see. It's really a shame as the movie gives so much insight into the culture and the story, though very "foreign" features some characters you can easily relate to an care for. 　　The film is a great film that shows the clash between very conservative Islamic values and traditions and those of a more modern Moslem world. This clash is extremely poignant and seems to illustrate that the spirit of the law and tradition is much more important that the traditions themselves. 　　The film begins with a woman and her two adult daughters finding out that the father is murdered. It seems that this man was committing adultery and someone took it upon themselves to punish him. However, instead of just punishing him and being done with it, the family Patriarch (the uncle) tells the women they must leave the village and fend for themselves! It ISN'T because they did anything wrong, but that they would be a reminder of the man's infidelity. So, in his twisted thinking, he cast these women out with no regard to their future just so the family APPEARS good and just to outsiders!! The ladies appear fortunate when they arrive at a far-off town because the two youngest are able to get jobs as maids. However, the oldest daughter is eventually seduced (or possibly raped) by her employer and the family. The mother is extremely upset by this and contacts the patriarch to ask for his assistance. The "kindly" uncle agrees to take them back to the original village, but on the way, he murders the "fallen sister"! The inequity of her death and the employer never being punished is a major theme of the film. While some in the male-dominated society might approve of this, the unjustness of the murder is definitely called into question. And, since no one seems to care, the youngest daughter, Amna, decides to run from her Uncle's home and find the older sister's ex-employer and exact justice! All this occurs just in the first half of the movie! The rest is the slowly unfolding of Amna's revenge and the unexpected twists and turns the plot takes along the way. And, fortunately, this is NOT a by-the-numbers movie--it is definitely NOT predictable or written for a dumb audience! This is an exceptionally well written, acted and directed film. In addition, the cinematography is exquisite. The only down side, and this is a very minor quibble, is that the music is a bit "tinny".

This compelling tale of love and betrayal, set in the upper Egyptian countryside, follows the story of Amna as she plots her revenge on the engineer who destroyed her family's honor. 　　------------------------------------ 　　This is a wonderful Egyptian film that the average Western audience never gets an opportunity to see. It's really a shame as the movie gives so much insight into the culture and the story, though very "foreign" features some characters you can easily relate to an care for. 　　The film is a great film that shows the clash between very conservative Islamic values and traditions and those of a more modern Moslem world. This clash is extremely poignant and seems to illustrate that the spirit of the law and tradition is much more important that the traditions themselves. 　　The film begins with a woman and her two adult daughters finding out that the father is murdered. It seems that this man was committing adultery and someone took it upon themselves to punish him. However, instead of just punishing him and being done with it, the family Patriarch (the uncle) tells the women they must leave the village and fend for themselves! It ISN'T because they did anything wrong, but that they would be a reminder of the man's infidelity. So, in his twisted thinking, he cast these women out with no regard to their future just so the family APPEARS good and just to outsiders!! The ladies appear fortunate when they arrive at a far-off town because the two youngest are able to get jobs as maids. However, the oldest daughter is eventually seduced (or possibly raped) by her employer and the family. The mother is extremely upset by this and contacts the patriarch to ask for his assistance. The "kindly" uncle agrees to take them back to the original village, but on the way, he murders the "fallen sister"! The inequity of her death and the employer never being punished is a major theme of the film. While some in the male-dominated society might approve of this, the unjustness of the murder is definitely called into question. And, since no one seems to care, the youngest daughter, Amna, decides to run from her Uncle's home and find the older sister's ex-employer and exact justice! All this occurs just in the first half of the movie! The rest is the slowly unfolding of Amna's revenge and the unexpected twists and turns the plot takes along the way. And, fortunately, this is NOT a by-the-numbers movie--it is definitely NOT predictable or written for a dumb audience! This is an exceptionally well written, acted and directed film. In addition, the cinematography is exquisite. The only down side, and this is a very minor quibble, is that the music is a bit "tinny".

梁氏掌门人梁泰声对公交售票员童嘉许一见钟情，对其展开猛烈的攻击，不料却遭重重险阻，但童嘉许最终还是被梁泰声的真心感动，此时，暗恋梁泰声已久的金家小姐联合童嘉许前男友联合计划了一个大阴谋

Visual artist Klaudia Kemper tries to reconnect with her ageing, aphasic father, a psychoanalyst who remained in Brazil after she left for Chile when she was young. 　　During her youth, Klaudia became distanced from her father, who never visited her in Chile. However, for 21 years he wrote letters to her, until this was no longer possible. On deciding to reconnect with him, she finds an old man who has lost the ability to speak or write. This communication impasse notwithstanding, Klaudia explores ways to deal with her many emotions; from anger and pain, to love and longing, all encompassed by the Portuguese word ‘saudade’. Examining the complexity and limitations of language as a form of communication – its ability to both connect and disconnect people –the filmmaker finds a touching, cinematic voice to express her feelings towards her father. And in his many letters, Klaudia and her film return her father’s voice to him. 　　源自：https://sheffdocfest.com/film/bringing-voice

童嘉许遇大佬梁泰声纠缠，求未婚夫卫川早婚未果，婚礼上被卖，梁泰声救她并求婚被拒。母病重，梁泰声带钱相助，童嘉许与其结婚一年。婚后梁照顾岳母，保护童嘉许，后意外得知真相是梁泰声当年救了童嘉许，最终两人相守。

Visual artist Klaudia Kemper tries to reconnect with her ageing, aphasic father, a psychoanalyst who remained in Brazil after she left for Chile when she was young. 　　During her youth, Klaudia became distanced from her father, who never visited her in Chile. However, for 21 years he wrote letters to her, until this was no longer possible. On deciding to reconnect with him, she finds an old man who has lost the ability to speak or write. This communication impasse notwithstanding, Klaudia explores ways to deal with her many emotions; from anger and pain, to love and longing, all encompassed by the Portuguese word ‘saudade’. Examining the complexity and limitations of language as a form of communication – its ability to both connect and disconnect people –the filmmaker finds a touching, cinematic voice to express her feelings towards her father. And in his many letters, Klaudia and her film return her father’s voice to him. 　　源自：https://sheffdocfest.com/film/bringing-voice

“鸟鸣声缓和了葬礼上密集的哀伤，一个女孩茫然无措地站在纷乱的仪式中。《鸟声与那漂远的》编织出一幅细腻的童年回忆与温柔哀愁的画卷。”