此套电视卡通剧集为电影版《麦兜故事》的先行篇，共分13集，每集讲述一个关于麦兜的可爱故事。 　　麦兜与麦唛》主要讲的是麦兜的成长故事。如果是麦唛麦兜故事的长期读者，应该熟悉片中每个故事的情节。本片的故事几乎跟原着一样，不同的是由静止的画面和文字，变成有声有动画，还有少许枝节被改动而已。麦唛麦兜漫画故事的绘画方式有电脑彩色绘图、单色画、实景加绘画以及传统的人手绘图，在片中我们可以看到漫画版的实景加绘画西九龙风光，以及单色动画加电脑动画的《那淡淡浓烈的滋味》。不同种类的画面构成，如同现时一些电影画面混合数码摄录和不同制式的胶卷画面一样，增加表达方式，亦丰富内涵。 　　共13集： 　　01.吃足一年的火鸡 　　02.麦兜屎传 　　03.马尔代夫一日游 　　04.好嘢！返学喇 　　05.圣诞好快乐 　　06.黎根与大包 　　07.麦唛生日啦！ 　　. 《抢包山》 　　校长和麦太为大家演绎「常餐」、「快餐」、「特餐」和「晚餐」的奥妙! 麦兜成功拜黎根为师，麦太更为他摆下拜师宴，原来黎根要传授麦兜的是抢包山的绝技! 　　9. 《完美的擦胶》 　　麦唛准备送一份礼物给麦兜。由於未决定送甚么礼物，便想先买个礼物盒。不过未知礼物大小，他不能买盒，於是他先买张花纸。不过不知道礼盒大小，也不能决定买甚么花纸。麦唛便整天为这件事烦恼。麦兜收到一块完美的擦胶，麦兜想出一个方法来保留这块擦胶-是再也不写错字。 　　10. 《麦唛着裤》 　　春田花花幼稚园举行讲故事比赛，每人都说一个动人的故事，麦唛的故事是他的第一次 - 着裤(起初是没有裤着的)，那种複杂的感觉，只有经历过才会知道。麦兜参加的足球队与大雄幼稚园进行比赛，大家斗得难分难解，胜负之外，还看到参加者可爱的一面。 　　11. 《麦子仲肥》 　　麦唛动画竟然出现古装及水墨画背景！今集的麦唛首次以水墨画技巧描绘，配合新鲜的古代背景，来个彻底的大突破！一代大师麦子的一生精彩历程搬上萤幕，所谓人生哲理，似是而非，对白句句搞笑抵死，「仲肥格言」更令你捧腹大笑！ 　　12. 《麦兜的鱼蛋》 　　爸爸的汽车坏了，要买辆新车，他决定买辆很少人会想到的新车。麦唛收到了一粒士多啤梨种子，他想着可以用这粒种子赚大钱，结果一个小意外令他美梦破灭。麦兜想要条金鱼，麦太却给他一颗鱼蛋，他能否令鱼蛋变金鱼？最后春田花花幼稚园竟然变成大派对，为甚么大家会那样开心？ 　　13. 《飞天麦唛》 　　麦唛想学飞，於是找来菇时帮忙，可惜试飞多次仍然失败，就在他进行第105次试飞时，竟遇着马拉松比赛，误打误撞下，麦唛竟然嬴了冠军！麦兜与一班朋友转眼间已经长大了，究竟各人会有甚么遭遇呢？

此套电视卡通剧集为电影版《麦兜故事》的先行篇，共分13集，每集讲述一个关于麦兜的可爱故事。 　　麦兜与麦唛》主要讲的是麦兜的成长故事。如果是麦唛麦兜故事的长期读者，应该熟悉片中每个故事的情节。本片的故事几乎跟原着一样，不同的是由静止的画面和文字，变成有声有动画，还有少许枝节被改动而已。麦唛麦兜漫画故事的绘画方式有电脑彩色绘图、单色画、实景加绘画以及传统的人手绘图，在片中我们可以看到漫画版的实景加绘画西九龙风光，以及单色动画加电脑动画的《那淡淡浓烈的滋味》。不同种类的画面构成，如同现时一些电影画面混合数码摄录和不同制式的胶卷画面一样，增加表达方式，亦丰富内涵。 　　共13集： 　　01.吃足一年的火鸡 　　02.麦兜屎传 　　03.马尔代夫一日游 　　04.好嘢！返学喇 　　05.圣诞好快乐 　　06.黎根与大包 　　07.麦唛生日啦！ 　　. 《抢包山》 　　校长和麦太为大家演绎「常餐」、「快餐」、「特餐」和「晚餐」的奥妙! 麦兜成功拜黎根为师，麦太更为他摆下拜师宴，原来黎根要传授麦兜的是抢包山的绝技! 　　9. 《完美的擦胶》 　　麦唛准备送一份礼物给麦兜。由於未决定送甚么礼物，便想先买个礼物盒。不过未知礼物大小，他不能买盒，於是他先买张花纸。不过不知道礼盒大小，也不能决定买甚么花纸。麦唛便整天为这件事烦恼。麦兜收到一块完美的擦胶，麦兜想出一个方法来保留这块擦胶-是再也不写错字。 　　10. 《麦唛着裤》 　　春田花花幼稚园举行讲故事比赛，每人都说一个动人的故事，麦唛的故事是他的第一次 - 着裤(起初是没有裤着的)，那种複杂的感觉，只有经历过才会知道。麦兜参加的足球队与大雄幼稚园进行比赛，大家斗得难分难解，胜负之外，还看到参加者可爱的一面。 　　11. 《麦子仲肥》 　　麦唛动画竟然出现古装及水墨画背景！今集的麦唛首次以水墨画技巧描绘，配合新鲜的古代背景，来个彻底的大突破！一代大师麦子的一生精彩历程搬上萤幕，所谓人生哲理，似是而非，对白句句搞笑抵死，「仲肥格言」更令你捧腹大笑！ 　　12. 《麦兜的鱼蛋》 　　爸爸的汽车坏了，要买辆新车，他决定买辆很少人会想到的新车。麦唛收到了一粒士多啤梨种子，他想着可以用这粒种子赚大钱，结果一个小意外令他美梦破灭。麦兜想要条金鱼，麦太却给他一颗鱼蛋，他能否令鱼蛋变金鱼？最后春田花花幼稚园竟然变成大派对，为甚么大家会那样开心？ 　　13. 《飞天麦唛》 　　麦唛想学飞，於是找来菇时帮忙，可惜试飞多次仍然失败，就在他进行第105次试飞时，竟遇着马拉松比赛，误打误撞下，麦唛竟然嬴了冠军！麦兜与一班朋友转眼间已经长大了，究竟各人会有甚么遭遇呢？

《快乐的大人》节目主要以vlog在年轻人中出圈的元气女孩沈月为核心的原生好友圈为主，通过让嘉宾自行策划并制作自己的节目为切口，共同寻找当代年轻人“快乐生活”的秘诀，鼓励更多年轻人一起做快乐的大人。

节目以沈月、王敬轩、吴宇恒、周彦辰为核心的原生好友圈为主，通过让嘉宾自行策划并制作自己的节目为切口，共同寻找当代年轻人“快乐生活”的秘诀，鼓励更多年轻人一起做快乐的大人。

Anand (Rajesh Khanna饰)，一个癌症末期的病人，却活得问心无愧，不像其他抑郁和绝望病人，他享受着余下生命的每一刻。他的医生Bhaskar (Amitabh Bachchan饰)，被人们亲热地称呼为Moshai先生，他的精神拥有着令人惊讶的力量，以自己的方式让周围的人了解生命的意义。可是，Bhaskar却对Anand的病无能为力… 　　《Anand》成功塑造了一个勇敢面对死亡的人，这是一部令人感动的电影。该片在1972年的 Filmfare Awards颁奖典礼上获得六个奖项，包括最佳男主角（Rajesh Khanna）、最佳男配角（Amitabh Bachchan）、最佳对白（Sampooran Singh Gulzar）、最佳编剧（Hrishikesh Mukherjee）、最佳影片（Hrishikesh Mukherjee，N.C. Sippy）、最佳剧情（Hrishikesh Mukherjee）。

Anand (Rajesh Khanna饰)，一个癌症末期的病人，却活得问心无愧，不像其他抑郁和绝望病人，他享受着余下生命的每一刻。他的医生Bhaskar (Amitabh Bachchan饰)，被人们亲热地称呼为Moshai先生，他的精神拥有着令人惊讶的力量，以自己的方式让周围的人了解生命的意义。可是，Bhaskar却对Anand的病无能为力… 　　《Anand》成功塑造了一个勇敢面对死亡的人，这是一部令人感动的电影。该片在1972年的 Filmfare Awards颁奖典礼上获得六个奖项，包括最佳男主角（Rajesh Khanna）、最佳男配角（Amitabh Bachchan）、最佳对白（Sampooran Singh Gulzar）、最佳编剧（Hrishikesh Mukherjee）、最佳影片（Hrishikesh Mukherjee，N.C. Sippy）、最佳剧情（Hrishikesh Mukherjee）。

艾玛是魁北克古典音乐界最闪亮的明星之一。她的父亲以她为荣，但认为对她的严格管束是他最大的责任，而艾玛觉得自己可以挣脱束缚。当另一位带着孩子的杰出音乐家娜埃勒闯入艾玛的生活，她感觉自己完全活了过来......并准备好与那个不愿放手的男人一较高下。

艾玛是魁北克古典音乐界最闪亮的明星之一。她的父亲以她为荣，但认为对她的严格管束是他最大的责任，而艾玛觉得自己可以挣脱束缚。当另一位带着孩子的杰出音乐家娜埃勒闯入艾玛的生活，她感觉自己完全活了过来......并准备好与那个不愿放手的男人一较高下。

A few years before he went on to make a big splash in the cannibal sub-genre, Ruggero Deodato directed this successful rip-off of Roman Polanski's brilliant Knife in the Water. Naturally, being an Italian film - there's more of a focus on sex than the relationship between the central couples, but the claustrophobic atmosphere and entertaining characters help to keep the tension bubbling over, which ensures that the movie is interesting for the duration. The film doesn't have nearly as much 'bite' as Cannibal Holocaust and most of the rest of Ruggero Deodato's filmography, but it's obvious that even with this early film; Deodato is a director with the potential to make a mark on cinema. The plot is simple in that it just focuses on two couples. George and Silvia invite Irem and Barbara for a weekend cruise on their yacht. It soon transpires that George isn't the most sensitive man to ever live, and Silvia doesn't seem to mind him treating her badly. The situation escalates, and Irem and Barbara join forces with Silvia for vengeance against George...and three way sex, of course. 　　The film is set aboard a yacht for the majority of its duration, and this makes for a great setting for the movie to take place in. The isolated setting means that Deodato can keep the focus on the characters, which is definitely a good thing for the film. As is the case with a lot of trashy Italian films, some of the characters actions are a bit fishy and the dialogue is largely inane - but these sorts of things don't bother me too much, and Waves of Lust is lots of fun to watch. There are plenty of sex scenes, and while the film features very little blood, it's not important as it's clear where the focus is meant to be. The film doesn't feature any particularly well known performers, although the four central actors would all go on to star in better known Italian films. John Steiner is the biggest standout in acting terms and delivers a good performance alongside eye candy Elizabeth Turner and Silvia Dionisio. Al Cliver (from Zombie Flesh-Eaters) rounds off the central foursome. Overall, Waves of Lust is definitely worth seeing. The atmosphere and tension are good and it all boils down to a satisfying conclusion.

A few years before he went on to make a big splash in the cannibal sub-genre, Ruggero Deodato directed this successful rip-off of Roman Polanski's brilliant Knife in the Water. Naturally, being an Italian film - there's more of a focus on sex than the relationship between the central couples, but the claustrophobic atmosphere and entertaining characters help to keep the tension bubbling over, which ensures that the movie is interesting for the duration. The film doesn't have nearly as much 'bite' as Cannibal Holocaust and most of the rest of Ruggero Deodato's filmography, but it's obvious that even with this early film; Deodato is a director with the potential to make a mark on cinema. The plot is simple in that it just focuses on two couples. George and Silvia invite Irem and Barbara for a weekend cruise on their yacht. It soon transpires that George isn't the most sensitive man to ever live, and Silvia doesn't seem to mind him treating her badly. The situation escalates, and Irem and Barbara join forces with Silvia for vengeance against George...and three way sex, of course. 　　The film is set aboard a yacht for the majority of its duration, and this makes for a great setting for the movie to take place in. The isolated setting means that Deodato can keep the focus on the characters, which is definitely a good thing for the film. As is the case with a lot of trashy Italian films, some of the characters actions are a bit fishy and the dialogue is largely inane - but these sorts of things don't bother me too much, and Waves of Lust is lots of fun to watch. There are plenty of sex scenes, and while the film features very little blood, it's not important as it's clear where the focus is meant to be. The film doesn't feature any particularly well known performers, although the four central actors would all go on to star in better known Italian films. John Steiner is the biggest standout in acting terms and delivers a good performance alongside eye candy Elizabeth Turner and Silvia Dionisio. Al Cliver (from Zombie Flesh-Eaters) rounds off the central foursome. Overall, Waves of Lust is definitely worth seeing. The atmosphere and tension are good and it all boils down to a satisfying conclusion.