我的家叫麦拉风。我是麦麦，他是风风，我们希望拉着彼此的手相伴一生。拥有一个温馨、和谐的家，是每个人的梦想，麦拉风就是我们一家的梦想。讲述一个长着蘑菇头的萌妹子——麦麦,和一个委实算好男人的憨汉子——风风小两口家庭里不尽的趣事和烦恼囧事。创始团队主要包括sinbad、小麦、糕糕、团子、彤彤、粥粥等人。

我的家叫麦拉风。我是麦麦，他是风风，我们希望拉着彼此的手相伴一生。拥有一个温馨、和谐的家，是每个人的梦想，麦拉风就是我们一家的梦想。讲述一个长着蘑菇头的萌妹子——麦麦,和一个委实算好男人的憨汉子——风风小两口家庭里不尽的趣事和烦恼囧事。创始团队主要包括sinbad、小麦、糕糕、团子、彤彤、粥粥等人。

Luke is a millennial, an aspiring filmmaker with a creative block. He’s looking for new sources of inspiration in the city where he lives, Rome. In this city, electrifying and stale at the same time, friends and lovers become his only form of distraction, analysis and awareness.

协助奥利维拉拍摄《春动》的副导演安东尼奥·雷斯后来延承了《春动》的体裁与特征， 　　成为了一位重要的视觉艺术家，与其妻子玛格丽达·科代罗合作完成了一系列杰出的实 　　验性质影片。 　　《特拉蒙提斯》是他们在国际上得以一举成名的作品，Trás-os-Montes（外山省） 　　是葡萄牙最贫穷、荒凉的地区之一。这部作品注视其间的风景、文化，“以想象力的漫 　　游复原了这里的仪式和神话，是对民间文化高雅的再创造，带有一种静悄悄的魔幻主义。 　　影片得到了影评人和观众非常奇特的欢迎，但大多数人只看到了其表面对落后地区状况 　　的揭露。 　　主攻影像人类学的先锋导演安东尼奥·坎帕斯与当下正享盛名的佩德罗·科斯塔也在这 　　一传承流变的之路上。

协助奥利维拉拍摄《春动》的副导演安东尼奥·雷斯后来延承了《春动》的体裁与特征， 　　成为了一位重要的视觉艺术家，与其妻子玛格丽达·科代罗合作完成了一系列杰出的实 　　验性质影片。 　　《特拉蒙提斯》是他们在国际上得以一举成名的作品，Trás-os-Montes（外山省） 　　是葡萄牙最贫穷、荒凉的地区之一。这部作品注视其间的风景、文化，“以想象力的漫 　　游复原了这里的仪式和神话，是对民间文化高雅的再创造，带有一种静悄悄的魔幻主义。 　　影片得到了影评人和观众非常奇特的欢迎，但大多数人只看到了其表面对落后地区状况 　　的揭露。 　　主攻影像人类学的先锋导演安东尼奥·坎帕斯与当下正享盛名的佩德罗·科斯塔也在这 　　一传承流变的之路上。

在西班牙北部偏远地区，有一种被称作“特拉蒙塔纳”的强风，它恣意掠夺——衣物、树木、船只，以及那些生活在这片土地上始终面临着被狂风卷走的威胁的人们。本片编织了当地村民代代相传的故事，为这股狂暴之风绘制了诗意的肖像。

派拉蒙群星

16岁的安德雷性格别扭，对充满魅力却态度冰冷的同学罗梦娜迷恋不已，直到他于度假时遇见美丽的饭店员工安娜梦娜，一切才出现变化

16岁的安德雷性格别扭，对充满魅力却态度冰冷的同学罗梦娜迷恋不已，直到他于度假时遇见美丽的饭店员工安娜梦娜，一切才出现变化

A comic celebration of dreamers and their dreams, LIVING IN OBLIVION is the second film written and directed by Tom DiCillo. With a tone that teeters somewhere between Kafka and the Marx Brothers, it chronicles the hilarious misadventures of a group of people who have joined together to accomplish one of the most difficult goals imaginable - the making of a low-budget independent film. With an innovative and surprising structure that shifts fluidly between the movie being made and those making it, the film offers a rare and accurate -- if comically heightened -- look behind-the-scenes, with the people who make the scenes. How they make them -- and the fact that they manage to make them at all -- is what LIVING IN OBLIVION is all about. 　　Starring Steve Buscemi as director Nick Reve, LIVING IN OBLIVION highlights a day on the set of Nick's film where everything that could possibly go wrong, actually does. Struggling against ever-escalating odds to maintain his integrity and his sanity, Nick is both helped and hindered by his bumbling, if well-intentioned crew, headed by his cinematographer Wolf (Dermot Mulroney), a cameraman whose leather gear suggests that he is more inspired by Billy Idol than Sven Nykvist; a leading lady, Nicole (Catherine Keener), a talented but neurotic actress who is involved in a romance and a rivalry with her leading man, Chad Palomino (James Le Gros); an iron-willed assistant director, Wanda (Danielle Von Zerneck); and, for the first time ever on-screen, a Gaffer.