这是一个布加勒斯特历史，他看到灯型的极权主义的架构，我们在那些谁知道，权力是在建筑方面表示期待。 Ceausescu Nicolae a distrus Romania.尼古拉齐奥塞斯库的罗马尼亚销毁。 In locul vechilor orase, a memoriei incastrate in zidurile monumentale, arhitectura de tip stalinist, de inspiratie Nord Coreeana, a erupt ca o plaga amenintand sa umileasca tot si sa demonstreze Puterea regimului.而不是在斯大林的纪念性建筑灵感的墙壁嵌入式记忆体的旧城镇，爆发像瘟疫的威胁侮辱和展示所有电源系统。

The inhabitants of a tiny French town hold the record for longevity. Which is precisely why a wily businessman, Victor, intends to cash in on the old folks and turn the peaceful village into a "Long Life" resort, complete with hotels, hot springs and casinos. Everything would have gone according to plan, except for a certain Mr. Dumont, his look-alike son, and some very valuable land.

If income inequality were a sport, the residents of 740 Park Avenue in Manhattan would all be medalists. This address boasts the highes t number of billionaires in the United States. 　　 　　如果收入不公是一项运动，那么曼哈顿公园大道740号的居住者都能拿到奖牌，这里聚集了美国最多的亿万富翁。

DW记者跟拍了分属三个阶层的代表人物长达6个月的时间，他们分别是代表新贵的Christoph Gröner的富豪，代表中产阶级的Thomas Clauss和代表贵族阶层的“冯先生”。通过他们的经历，向人们揭示了德国社会不平等的现状和思考。 　　Germany is one of the world’s richest countries, but inequality is on the rise. While the power elite are pulling ahead, the poor are falling behind at an ever more rapid rate. Meanwhile, the middle classes is shrinking at an ever-increasing rate too. Hard work no longer leads to advancement. This trend is being reflected across Europe and North America too. Here, the filmmakers interview leading researchers and experts on the topic, and also shadow members of the super class, including the German real estate mogul, Christoph Gröner, who believes that, “Entrepreneurs are more powerful than politicians, because we’re more independent.” This film takes a close look at the lives and mentality of the ultra rich, and evaluates their own narrow worldview, as well as how they view themselves as fit to rule over the rest of the population.

一个银行小职员（洪深饰），为了多挣15元钱，竭力讨好银行总经理，并且得到经理女儿的青睐。当他的妻子（丁子明饰）得知这一切，质问他：“爱情同黄金，不知你觉得哪一样好？”他却回答：“一个人活在世上，总想有出头！如果有汽车坐，当然不情愿坐人力车”。当他和经理的女儿（张织云饰）举行婚礼时，他的妻子赶来，当众自杀了；小职员又愧又悟，也用手枪结束了自己的生命。

根据阿根廷当代魔幻现实主义小说家Eduardo Gudino Kieffer的同名作改编成的电影，故事来自一个古老的南美传说，鸟人与无家可归的少女。导演Rodolfo Kuhn是阿根廷新浪潮电影中GLAUBER ROCHA式的人物，而影片的镜头上也与罗查的《痛苦的大地》有相近。可惜在当时阿根廷动荡不安的社会背景下这片没引起注意，不过今天看来它无疑是那个时代阿根廷电影中最有创造力的作品之一。 　　Maria is a restless but humble young woman who violates a strong taboo of her province of Corrientes in northern Argentina and leaves her home while the sun is high in the sky. She then finds herself being seduced by the Yatsi Terere, the mythological bird-become-man who exists solely for punishing girls who violate the taboo. 　　Eduardo Gudino Kieffer (November 2, 1935 -- September 20, 2002) was an Argentine writer, born in Esperanza, Santa Fe. He was part of the latin american literature boom of the 1960s. He graduated as a lawyer but never practiced law. He wrote novels, essays, short stories, children's books, scripts and theatre plays. He was also a renowned jornalist. His books have been translated to many languages (English language, French language, Portuguese language, Dutch language and Polish language, among others). He was also part of the jury in many literary contests. Because of his works, mainly about Buenos Aires, and thanks to the support of countless friends, he was named "Ciudadano Ilustre de la Ciudad" (Distinguished Citizen of Buenos Aires). He was married and divorced and had three children: Florencio, Nicolas and Agustin. None of them is a writer. He died in Buenos Aires in 2002.

评论家和艺术历史学家的安德鲁格雷厄姆狄克逊探究古代基督教如何保护神圣遗迹的，以及圣骨匣这种被大众以往的艺术形式。装着骨头和布料碎片的镶嵌满宝石的圣骨匣，黄金人头雕像，原尺寸的银手都被认为是具有奇迹魔力的圣物。(文/life_is_good@YDY)

奥斯卡得主Alejandro Amenábar的电视剧执导首秀《#财富# La Fortuna》宣布卡司，预计今年暑假开拍，2021年播出。 　　这部6集剧将由Stanley Tucci、Álvaro Mel，和《接线女孩》Ana Polvorosa主演。 　　本剧由AMC和西班牙付费有线台Movistar+联手打造，改编自Guillermo Corral的漫画小说《黑天鹅的宝藏 El Tesoro del Cisne Negro》。故事聚焦年轻的外交官Alex Ventura，他与一位好斗的公职人员，以及一位聪明的美国律师共同合作，寻找Frank Wild在世界各地游走时从海中偷走的历史文物。 　　其余卡司包括《黑暗物质》Clarke Peters、《性教育》T’Nia Miller、《时空罪恶》Karra Elejalde、《黑死病》Manolo Solo、《回归》Blanca Portillo、《痛苦与荣耀》Pedro Casablanc。