An extension of The Perfect Human, Good and Evil is a longer, more expansive pseudo-documentary portrayal of life, no less. Using capacious titles or chapter headings that Leth's narrator's voice dwells upon and impresses upon us as he toys with the cliché "Faces", "Bodies", "Things", "Necessary actions", "Unnecessary actions", Good thoughts", "Bad thoughts", "Pleasant feelings", "Unpleasant feelings", and "Words" - the film consist of aesthetically titillating and contentually almost schematic scenes shot in the void of the film studio: faces, bodies and things. A man with a shoe. Another man with a hardboiled egg which he talks about and eats. A woman gives her husband a shirt. A couple who argue. A desperate woman. And so forth. There is no psychological shading of the characters, merely a series of sketches or examples that are as if plucked out of different everyday contexts. The thread leading back to Life in Denmark is thus also clear. The dialogue is sparse and phrases or fragments of phrases recur, spoken by different actors and in different roles, which may be viewed as an accentuation of the ordinariness of these little utterances and as an awareness of language as such. Besides the professional cast work the film uses several photographic models, the circus artiste Diana Benneweis, and the cyclist ole Ritter, who all pose in front of the camera in small tableaux. In addition to the craziness of the project the film also contains a series of zany comic acts with Claus Nissen to carry them. He bursts into song while washing his hands, dances in an empty room, plays rhythmic games with the statement "Bossa nova rhythms I have nothing against" and repeats his mysterious closing line from The Perfect Human: "Today, too, I had an experience ..." The framework for the scenes is made up of a couple of visual leitmotifs by way of house fronts and landscapes. In addition a beautiful travelling shot from an avenue at dramatically appropriate moments is accompanied by one of the two tunes by Gunner Møller Pedersen from the film, sung in a girlish voice by Sanne Salomonsen. In 1999 Lars von Trier chose the film to represent Danish cinema at a number of European film festivals over a period of three years .

关于种族奴役和压迫的宣传片。

The resounding directorial debut of Claire Devers, awarded the Golden Camera at the Cannes Film Festival, serves as an adaptation of one of Tennessee Williams' early novellas, Desire and the Black Masseur, in which the American playwright tells a tale of desire that unexpectedly connects two men living in New Orleans, an unassuming clerk and the titular black masseur. Devers transports this story from the American South of the 1940s to France in the 1980s. The film's protagonist, Antoine, is a timid accountant leading a peaceful life with his partner, Edith. One day, due to professional obligations, he finds himself at a sports club where he meets Dominique, a black masseur whose touch becomes addicting. The boundaries between pleasure and suffering gradually blur as massages from the muscular man become increasingly brutal and painful, and Antoine willingly succumbs to the sadomasochistic game of which he becomes a co-author and victim. 　　源自：https://www.nowehoryzonty.pl/vod-film.s?id=12987

康熙晚年，众太子觊觎帝位，其中四太子胤祯与十四太子胤禵相争最激烈。康熙预立密诏传位于十四子，胤祯乃命年羹尧设法篡位于十四子，胤祯后以大将军职位。年助雍正得帝位后，受命西征，战无不胜，声名远播，雍正引以为忧，乃借机于一日之内连年羹尧十八级，由大将军降为城门的“外委把总”。年与志士密谋起义，却因事泄络被雍正所杀。

广州西关陈家大屋只剩下陈秀英(恬妮)及其入赘丈夫杨振宇(王戎)居住。陈家仆人之女梁绮华(陈思佳)出现，与秀英错手杀死振宇！秀英最终被振宇的鬼魂吓死！原来振宇未死，结局令人意想不到……

广州西关陈家大屋只剩下陈秀英(恬妮)及其入赘丈夫杨振宇(王戎)居住。陈家仆人之女梁绮华(陈思佳)出现，与秀英错手杀死振宇！秀英最终被振宇的鬼魂吓死！原来振宇未死，结局令人意想不到……

After encountering a ghost in his family’s vacation home, Dan, a modern artist and his wife Mary hire an exorcist named Os to get rid of the beings. 　　But Dan soon realizes that ridding the home of evil won’t be as simple as it seems.

本片发生在民国年间，影片讲述了警察赵仁在调查无头女尸案的过程中，接连遭遇了如镜中人、凶灵附身、邪神祭拜等灵异事件。不信鬼神的赵仁决心要查出背后的真相，然而，随着命案调查的深入，案件背后越来越多惊悚离奇的细节浮出水面。

本片发生在民国年间，影片讲述了警察赵仁在调查无头女尸案的过程中，接连遭遇了如镜中人、凶灵附身、邪神祭拜等灵异事件。不信鬼神的赵仁决心要查出背后的真相，然而，随着命案调查的深入，案件背后越来越多惊悚离奇的细节浮出水面。