跟随职业杀手皮特面对一群刺客，因为犯罪集团的老大怀疑他因参加工作狂匿名组织会议而不忠诚。

跟随职业杀手皮特面对一群刺客，因为犯罪集团的老大怀疑他因参加工作狂匿名组织会议而不忠诚。

Winner of the International Emmy Award for Best Telenovela, "Side by Side" focuses on two women of different origins and social classes. The brave Isabel, daughter of a former slave and in love with the capoeira player Zé Maria; and Laura, descendant from a wealthy family and destined to an undesired marriage to Edgar. In addition to an unshakable friendship, the two share the same purpose in life: the conquest of freedom in the conservative society of Rio de Janeiro of the early 20th century.

Norwegian sitcom about life on an idyllic street in Granli Norway, where the fences are low and neighborly relations close. Here we meet the residents who struggle with life's challenges big and small, trials all of us can relate to.

In this early work, Jonas translates her performance strategies to video, applying the inherent properties of the medium to her investigations of the self and the body. Jonas performs in a direct, one-on-one confrontation with the viewer, using the immediacy and intimacy of video as conceptual constructs. Exploring video as both a mirror and a masking device, and using her body as an art object, she undertakes an examination of self and identity, subjectivity and objectivity. Creating a series of inversions, she splits her image, splits the video screen, and splits her identification within the video space, playing with the spatial ambiguity of non-reversed images (video) and reversed images (mirrors). Though Jonas’ approach is formalist and reductive, her performance reveals an ironic theatricality. Illustrating the phenomenology of video as a mirror, Left Side Right Side is a classic of early performance-based, conceptual video. (Letterboxd)

In this early work, Jonas translates her performance strategies to video, applying the inherent properties of the medium to her investigations of the self and the body. Jonas performs in a direct, one-on-one confrontation with the viewer, using the immediacy and intimacy of video as conceptual constructs. Exploring video as both a mirror and a masking device, and using her body as an art object, she undertakes an examination of self and identity, subjectivity and objectivity. Creating a series of inversions, she splits her image, splits the video screen, and splits her identification within the video space, playing with the spatial ambiguity of non-reversed images (video) and reversed images (mirrors). Though Jonas’ approach is formalist and reductive, her performance reveals an ironic theatricality. Illustrating the phenomenology of video as a mirror, Left Side Right Side is a classic of early performance-based, conceptual video. (Letterboxd)

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Ping An is an autistic teenager who gains recognition for being a badminton prodigy. Zihao is his younger brother and a fellow badminton player. Xiao Na is a bright and cheery young woman who helps out at her grandpa's badminton court for the summer. She gets close to both brothers and becomes attracted to Zihao. However, their journey is not as smooth-sailing as they'd hope and the two brothers are pushed to a difficult crossroad.