Story follows the divergent agendas of criminals, cops and lawyers as they collide over a shipment of illegal firearms and a double homicide. Earl Pike, a criminal, tries to get his family's illegal gun collection to a safe haven.

"Jacques Tourneur at work in color on Western landscapes is something to behold. The credits roll over a matte of a damp day in Portland (slanting rooftops, a ship’s half-seen mast, boards over a muddy street) that’s practically a Grafström, the Oregon Trail that follows is finely-drawn watercolor. The nascent commune of Jacksonville would be Fordian, except that Dana Andrews’ negation of piety ("A man can choose his own gods") and Andy Devine’s acknowledgement of Indian rights ("We’re on their land. They ain’t likely to forget that") challenge Manifest Destiny. Overlapping triangles -- Andrews-Susan Hayward-Patricia Roc, Andrews-Hayward-Brian Donlevy, Andrews-Roc-Victor Cutler, Hayward-Donlevy-Rose Hobart. Hoagy Carmichael with mandolin amid the ramblers and settlers is wastrel, commentator, mediator, and voyeur ("...a little store and lots of time"). The cabin-rising sequence tips its hat to Hathaway’s Trail of the Lonesome Pine, and was studied by Weir. The wedding bash celebrates wholeness but these are forces in tenuous balance, Donlevy voices Tourneur’s ambivalence ("The illusion of peace is upon it") moments before the Indians materialize via a single reverse shot that seems to introduce a parallel world. Another space-expanding reverse shot, this time embodying tensions from within rather than from without, takes place right before Andrews’ brawl with Ward Bond, cutting from a medium-shot of the two at the saloon counter to another revealing the townspeople in the wings, waiting for the spectacle. (The fight, remarkably bloody and ugly, hinges on the haunted image of the disoriented Bond smashing his fist into a wooden pole. Hayward sits with the cheering crowd.) A film of "thin margins": The saloon doubles as a hanging courtroom, the garden becomes an inferno. The view of a dazed Roc wandering in the woods after the slaughter is from I Walked with a Zombie, and finds its way into Demme’s Beloved; Stars in My Crown revisits the territory with hope for harmony, but Wichita and Great Day in the Morning know better."

"Jacques Tourneur at work in color on Western landscapes is something to behold. The credits roll over a matte of a damp day in Portland (slanting rooftops, a ship’s half-seen mast, boards over a muddy street) that’s practically a Grafström, the Oregon Trail that follows is finely-drawn watercolor. The nascent commune of Jacksonville would be Fordian, except that Dana Andrews’ negation of piety ("A man can choose his own gods") and Andy Devine’s acknowledgement of Indian rights ("We’re on their land. They ain’t likely to forget that") challenge Manifest Destiny. Overlapping triangles -- Andrews-Susan Hayward-Patricia Roc, Andrews-Hayward-Brian Donlevy, Andrews-Roc-Victor Cutler, Hayward-Donlevy-Rose Hobart. Hoagy Carmichael with mandolin amid the ramblers and settlers is wastrel, commentator, mediator, and voyeur ("...a little store and lots of time"). The cabin-rising sequence tips its hat to Hathaway’s Trail of the Lonesome Pine, and was studied by Weir. The wedding bash celebrates wholeness but these are forces in tenuous balance, Donlevy voices Tourneur’s ambivalence ("The illusion of peace is upon it") moments before the Indians materialize via a single reverse shot that seems to introduce a parallel world. Another space-expanding reverse shot, this time embodying tensions from within rather than from without, takes place right before Andrews’ brawl with Ward Bond, cutting from a medium-shot of the two at the saloon counter to another revealing the townspeople in the wings, waiting for the spectacle. (The fight, remarkably bloody and ugly, hinges on the haunted image of the disoriented Bond smashing his fist into a wooden pole. Hayward sits with the cheering crowd.) A film of "thin margins": The saloon doubles as a hanging courtroom, the garden becomes an inferno. The view of a dazed Roc wandering in the woods after the slaughter is from I Walked with a Zombie, and finds its way into Demme’s Beloved; Stars in My Crown revisits the territory with hope for harmony, but Wichita and Great Day in the Morning know better."

基于Nathaniel Rich在《纽约时报》上发表的文章《The Lawyer Who Became DuPont’s Worst Nightmare》，围绕罗伯特·比洛特展开，他担任辩护律师长达8年之久，他对化工巨头杜邦公司提起了环境诉讼，这场官司揭露了几十年来杜邦公司化学污染的历史。

基于Nathaniel Rich在《纽约时报》上发表的文章《The Lawyer Who Became DuPont’s Worst Nightmare》，围绕罗伯特·比洛特展开，他担任辩护律师长达8年之久，他对化工巨头杜邦公司提起了环境诉讼，这场官司揭露了几十年来杜邦公司化学污染的历史。

圣诞假期临近，居住在悉尼的格蕾丝（戴安娜·格雷恩 Diana Glenn 饰）和丈夫亚当（安迪·罗德雷德 Andy Rodoreda 饰）及她的妹妹李（梅芙·德莫迪 Maeve Dermody 饰）前往澳大利亚北部——一个有鳄鱼出没的生态公园度假。公园内人潮攒动，欢乐气氛四处蔓延。这三个酷爱冒险的人相中了死水巴里河，于是决定次日向那里进发。他们错过了开往巴里河的游船，于是乘坐当地人吉姆（本·奥克森伯德 Ben Oxenbould 饰）的摩托艇驶往目的地。风和日丽，清爽时节，他们一心欣赏优美的自然风光，却完全忽视危险的存在。突然，小船遭到鳄鱼袭击，吉姆落水，格蕾丝他们就这样被困在了这个隔绝之地…… 　　本片根据真实事件改编，并荣获2007年墨尔本地下电影节最佳摄影和最佳导演奖。

Leslie Calvin, the sole survivor of a submarine accident, goes to her relatives in order to recover emotionally. Unfortunately she encounters various scam artists led by Mr. Sydney who intend to kill her and steal the family assets. Dr. George Grover helps Leslie to defeat Sydney.

老手与菜鸟飞机师驾驶的是中央情报秘密行机，运载东西更是包罗万有，从难民到军阀，从手榴弹到小猪，真是无奇不有。

为救被大卫狠心灌下回魂汤药命悬一线的妹妹陈暖，文俊与女友陈熙带领好兄弟丁次踏上神秘荒岛黑水岭，展开惊险刺激的求药之旅。黑水岭奇幻力量交织，充满诡异幻象。挂满林间枝头的尸体、越陷越深的危险幻觉、血红大字写着的“登岛者死”…… 这座荒岛令人不寒而栗，逃无可逃。陈暖的善良化解了岛上族人后裔朱婆婆的恨意，在朱婆婆的带领下，一行人进入朱氏祖陵地宫寻宝，当他们以为寻得回魂药引之事有了一线生机之时，没想到更大的危险却正在等待着他们。面对来自未知领域的生死考验，面对超自然的惊悚冒险，回魂药引背后的玄幻奥秘将被揭晓，大卫和黑水岭朱氏一族的仇与恨也将揭开。爱与恨的交织之间，善与恶的一念之差。文俊将如何带领众人突破层层迷局，唤醒沉睡的神秘传承，成功找到解药？