Directed by french film critic Alain Bergala and filmmaker Jean-Pierre Limosin, originally aired 18 March 2018.

「ＣＵＲＥ」「カリスマ」の黒沢清監督最新作「アカルイミライ」の制作過程をつぶさに捉えた異色ドキュメンタリー。「森山大道」で注目された藤井謙二郎が、「アカルイミライ」の撮影現場に密着、黒沢監督へのインタビューを中心に、出演者やスタッフのコメントを織り交ぜ、映画監督黒沢清の創造の秘密に鋭く迫る。 　　今や世界が注目する監督の一人となった黒沢清の「回路」以来２年振りとなる新作「アカルイミライ」が2002年4月10日にクランクインした。主演のオダギリジョーはじめ、浅野忠信、藤竜也はみな初の黒沢作品への出演であり、それぞれが初顔合わせ。そんな中、撮影は東京を中心におよそ３週間に渡って行われた。その撮影現場の一部始終を藤井謙二郎のカメラが捉える。さらに、本作では「アカルイミライ」撮影中に撮られたメイキング映像そのものを見せながら、黒沢監督自らにその時の心境を語らせる独自の手法を用い、より具体的で率直な思いを引き出していく。

Chris Marker's elliptical, oblique documentary on the making of Akira Kurosawa's "Ran" is an uneasy blend of hagiography (usual Cahiers du Cinema stuff) and Marker's trademark meditations on the mediating role of technology in memory and the human experience, plus probably aging, and etc., etc., etc. These Gallicisms seem out-of-place; but the philosophies are easily discarded. What makes the film a pleasure are the glimpses we see of Kurosawa's work processes, in addition to all the detail and work that goes into the making of a true epic.

Introduction 　　A documentary with a new approach to Kurosawa through the testimonies of 11 world-famous filmmakers. A demonstration of the universal achievement he left in the history of world movie. 　　pagetop 　　Director Catherine Cadou 　　French-English-Japanese interpreter and translator. Specialized in the interpretation of japanese filmmakers since her first work assignment with Akira Kurosawa during the Cannes Film Festival 1980. Catherine Cadou is also the author of the French subtitles for more than 200 Japanese feature movies. In 2005, she directed a self-financed documentary about the life at Kiba, in Tokyo: Kiba Tokyo Micropole. 　　Staff Director : Catherine Cadou 　　Editor : Cédric Defert 　　Producer : Michiko Yoshitake 　　Cast 　　Bernardo Bertolucci 　　Julie Taymor 　　Théo Angelopoulos 　　Alejandro Gonzàles Iñárritu 　　Abbas Kiarostami 　　Shinya Tsukamoto 　　Hayao Miyazaki 　　John Woo 　　Martin Scorsese 　　Clint Eastwood 　　Bong Joon-Ho

Jean-Luc Godard did not attend the world premiere of his new film, ADIEU AU LANGAGE (GOODBYE TO LANGUAGE), at Cannes. But instead, he sent a letter in motion to Gilles Jacob and Thierry Fremaux, the directors of the Festival. 　　Made public the 21/05/2014.

Jean-Luc Godard did not attend the world premiere of his new film, ADIEU AU LANGAGE (GOODBYE TO LANGUAGE), at Cannes. But instead, he sent a letter in motion to Gilles Jacob and Thierry Fremaux, the directors of the Festival. 　　Made public the 21/05/2014.

这是一部关于美国国会图书馆的纪录片，从1989年起，美国国会图书馆每年都会选取25部电影归档保存，它们并非一定要是最好的作品，而是要能够广泛代表美国文化，体现美国电影的整体水平，展现美国波澜壮阔的历史进程。众多电影人讲叙那些电影被选取的原因和独特之处，又一部关于迷影文化的纪录片。

After the death of his brother Georg, John Vanderheit expects to inherit his fortune. Unfortunately, just before he died Georg made a will in which he bequeathed his entire estate to his wife, Irmgard. Unwilling to yield to John, Irmgard takes flight and undertakes a hazardous journey into the mountains. Here, she meets a kindly hermit who offers her shelter. John is not far behind, however, and when Imrgard repulses him he causes an avalanche in an attempt to kill her. Trapped in the hermit’s shelter, Irmgard’s new friend removes his hood – and reveals that he is her husband Georg... 　　Das Wandernde Bild marked the beginning of the fruitful collaboration of director Fritz Lang with writer Thea von Harbou. They married in 1922 and the couple would become the creative force behind some of the greatest German films of the pre-WWII era, works such as Dr. Mabuse, der Spieler (1922), Metropolis (1927) and M (1931). 　　Until quite recently, Das Wandernde Bild was thought to have been lost, the fate suffered by the majority of films made in the silent era. Fortunately, an incomplete print surfaced in Brazil and the film was partially restored in the late 1980s. Around a third of the film is missing, along with the script and inter-titles. Despite this, the restored film is surprisingly coherent and the lacuna are hardly noticed. 　　Das Wandernde Bild may not be Lang at his best (its main weaknesses being its slightly ludicrous plot and some embarrassing Perils of Pauline moments), but it amply demonstrates the director’s mastery of technique and flair for expression through the silent image. The film is most memorable for its beautifully realised location sequences, which appear to show the influence of Lang’s contemporaries, notably D.W. Griffith. (© James Travers 2009 )

该纪录片由东宝策划，以采访和片场录像等构成，记录了黑泽明在东宝执导的21部电影之制作过程，从准备阶段到经过摄影、剪辑到公映为止的轨迹得到了完整的重现。全剧共21集，分别对应21部电影，收录于东宝在日本分三套发售的“黒澤明 THE MASTERWORKS DVD BOXSET”。