Red Velvet's Seulgi to make her MC debut with 'Seulgi.zip' 　　Red Velvet's Seulgi will be making her MC debut with Naver NOW's show 'Seulgi.zip'. 　　This will be Seulgi's first time taking on the role of an MC, since her debut. On this live talk-show, Seulgi will invite guests and fans to a comfortable space, and talk about many different topics, having a concept of 'having fun'.

Red Velvet's Seulgi to make her MC debut with 'Seulgi.zip' 　　Red Velvet's Seulgi will be making her MC debut with Naver NOW's show 'Seulgi.zip'. 　　This will be Seulgi's first time taking on the role of an MC, since her debut. On this live talk-show, Seulgi will invite guests and fans to a comfortable space, and talk about many different topics, having a concept of 'having fun'.

春与鸟的相互依存，就好像地球与太阳的运转一样永恒不变，看似简单自然的生活，却因为年轻的不定性与好奇心，驱使而成无可抑制的剧烈冲击。有时候感情就像自己硬拉着风筝的线，让手上的伤痕越割越深一样。

春与鸟的相互依存，就好像地球与太阳的运转一样永恒不变，看似简单自然的生活，却因为年轻的不定性与好奇心，驱使而成无可抑制的剧烈冲击。有时候感情就像自己硬拉着风筝的线，让手上的伤痕越割越深一样。

杨豆豆把母亲给的钱借给好友林大卫投资，结果投资失败。为了圆这个谎，他租下美斯特对面的厕所，拉上马浮云成立了一家手机软件公司。梦想成为时装设计师的余娅，刚刚遭受失恋和失业的双重打击，又倒霉地遇上马浮云这个“过分靠谱”的 IT 怪咖男青年，导致她面试美斯特公司时迟到失败。为了有个容身之处，余娅勉强加入 3Y 手机软件小公司做前台，没想到后来反客为主，心甘情愿地留了下来，成了这里的核心人物。马浮云开发出一个个“不靠谱”的离奇软件，几个年轻人为了实现“上市”的梦想努力拼搏，期间闹出了不少笑话。余娅帮助马浮云克服了因初恋邓莎带来的心理障碍，马浮云也把余娅从糟糕的极品家庭中解救出来。渐渐地，这对冤家似的男女不知不觉地相爱了。美斯特公司的设计总监安敏是个热衷相亲的“白骨精”，她早就为自己设定好了择偶的高标准模板，却意外地陷入了青涩男孩杨豆豆设下的“圈套”。

杨豆豆为摆脱富二代头衔，与马浮云、林大卫成立3Y软件公司。梦想成为美斯特公司设计师的余娅阴差阳错地进入3Y公司，并与杨豆豆一同借宿在马浮云的老洋房里。而园区餐厅的抠门老板奥斯卡王也成为众人无话不谈的对象。为梦想打拼的过程中，杨豆豆陷入与美斯特时装总监安敏的情感纠结，马浮云也坠入了单恋美斯特员工邓莎的情网，奥斯卡王在对安敏的助理Vivan情深意切的同时，也和好兄弟林大卫建立了情同手足的友谊。3Y公司因研发了多款奇葩APP产品使得业绩逐步有了起色，而余娅也觉得她对马浮云的感觉渐渐超出了友情。3Y公司在一幕又一幕笑料百出的闹剧中，迈向成功的大门，然而随着时间的推移，几对年轻男女之间的感情却变得愈发扑朔迷离 。

The turn of October'56 meant for Poland the end of the ommunist totalitarism in this most terrible orm. The Stalinist ice-bound life started to melt. Repression abated and the new political faction, led by Wladyslaw Gomolka and welcomed with hope, took power. The prisoners, including primate Stefan Wyszynski, were set free, "Tygodnik Powszechny" weekly magazine was reissued, ZHP[Polish Scouing Association] was reactivated, and marshal Rokossowski together with other Soviet officers of the Polish People's Army left to Moscow. The barriers of censorship weakended. The press and radio beganpresenting the picture of the world unlke the propaganda fiction and thus closer to reality. Inaccessible books, such as translations of world literature and works of contemporary Polish autors, appeard of the shelves of the bookshops and libraries. Socialist realism in its "early fifties" form was part of history now. Jazz was heard in background, western action fims and unknown Polish documetaries-short reportages which surprised with their realism of presenting dark sides of life-were projected on the screen for the first time. These films were called the "black series". 　　Being the manifesto to the young Polish cinema, these documentaries were mostly created by oung graduates of the film schools: the All-Union State Institute of Cinematography in Moscow-Jerzy Hoffman, Edward Skorzewski and Jerzy Ziarnik, and the National Film School in lodz-Kazimierz Karabasz, Wladyslaw Slesicki, Bohdan Kosinski and Wlodzimierz Borowik who soon became the leading documentary filmmakers of the Documentary Film Studio in Warsaw. Fascinated with Italian Neo-Realism and disgusted with the lies of the Socialist realistic cinema, they jumped at the opportunity given to them by the Octaber thaw. Negative, yet common phenomena, such as hooliganism, prostitution or alcoholism, which were considered indecent up to that time, became the subject matter of these documentaries. The cameras looked behind the facades of the restored buildings exposed in the propaganda films to show the people were still liing in half-destroyed houses, as if the war ended a while ago. 　　DVD 1: 　　01. "Uwaga Chuligani !"[LOOK OUT,HOOLIGANS!] (1955) r. Jerzy Hoffman, Edward Skorzewski 　　02. "Dzieci oskarzaja" [THE CHILDREN ACCUSE] (1956) r. Jerzy Hoffman, Edward Skorzewski 　　03. "Gdzie diabel mowi dobranoc" [WHERE THE DEVIL SAYS GOODNIGHT] (1956) r. Kazimierz Karabasz, Wladyslaw Slesicki 　　04. "Ludzie z pustego obszaru"[POPLE FROM ANEMPTY ZONE] (1957) r. Kazimierz Karabasz, Wladyslaw Slesicki 　　05. "Paragraf zero" [ARTICLE ZERO] (1957) r. Wlodzimierz Borowik 　　06. "Skalna ziemia" [ROCKY SOIL] (1956) r. Wlodzimierz Borowik 　　07. "Miasteczko"[LITTLE TOWN] (1956) r. Jerzy Ziarnik 　　08. "Warszawa 1956"[WARSAW '56] (1956) r. Jerzy Bossak, Jaroslaw Brzozowski 　　09. "Miejsce zamieszkania" [PLACE OF RESIDENCE] (1957) r. Maksymilian Wroclawski 　　DVD 2: 　　01. "Czy jesteS wSrod nich?"[ARE YOU AMONG THEM?] (1954) r. Jerzy Hoffman, Edward Skorzewski 　　02. "Lubelska starowka"[THE LUBLIN OLD OWN] (1956) r. Bohdan Kosinski 　　03. "Miasto na wyspach" [THE CITY OF ISLANDS] (1958) r. Jerzy Dmowski, Bohdan Kosinski 　　04. "Z PowiSla"[FROM POWISLE] (1958) r. Kazimierz Karabasz 　　05. "Wielki wiec. Dodatek nadzwyczajny PKF" [GREAT GATHERING 1956] (1956), prod. WFD 　　06. "VIII Plenum. Dodatek nadzwyczajny PKF" (1956) prod. WFD 　　07. "Sopot 1957"[SOPOT '57] (1957) r. Jerzy Hoffman, Edward Skorzewski 　　08. "Rozmowy jazzowe" [JAZZ TALKS] (1957) r. Andrzej Brzozowski 　　09. "Rozbijemy zabawe" [BREAK UP THE DANCE] (1957) r. Roman Polanski 　　10. "STS 58" [STS '58] (1959) r. Agnieszka Osiecka 　　11. "Dzien bez slonca" [A DAY WITHOUT THE SUN] (1959) r. Kazimierz Karabasz, Wladyslaw Slesicki 　　12. "Wyspa wielkiej nadziei" (1957) r. Bohdan Poreba

The turn of October'56 meant for Poland the end of the ommunist totalitarism in this most terrible orm. The Stalinist ice-bound life started to melt. Repression abated and the new political faction, led by Wladyslaw Gomolka and welcomed with hope, took power. The prisoners, including primate Stefan Wyszynski, were set free, "Tygodnik Powszechny" weekly magazine was reissued, ZHP[Polish Scouing Association] was reactivated, and marshal Rokossowski together with other Soviet officers of the Polish People's Army left to Moscow. The barriers of censorship weakended. The press and radio beganpresenting the picture of the world unlke the propaganda fiction and thus closer to reality. Inaccessible books, such as translations of world literature and works of contemporary Polish autors, appeard of the shelves of the bookshops and libraries. Socialist realism in its "early fifties" form was part of history now. Jazz was heard in background, western action fims and unknown Polish documetaries-short reportages which surprised with their realism of presenting dark sides of life-were projected on the screen for the first time. These films were called the "black series". 　　Being the manifesto to the young Polish cinema, these documentaries were mostly created by oung graduates of the film schools: the All-Union State Institute of Cinematography in Moscow-Jerzy Hoffman, Edward Skorzewski and Jerzy Ziarnik, and the National Film School in lodz-Kazimierz Karabasz, Wladyslaw Slesicki, Bohdan Kosinski and Wlodzimierz Borowik who soon became the leading documentary filmmakers of the Documentary Film Studio in Warsaw. Fascinated with Italian Neo-Realism and disgusted with the lies of the Socialist realistic cinema, they jumped at the opportunity given to them by the Octaber thaw. Negative, yet common phenomena, such as hooliganism, prostitution or alcoholism, which were considered indecent up to that time, became the subject matter of these documentaries. The cameras looked behind the facades of the restored buildings exposed in the propaganda films to show the people were still liing in half-destroyed houses, as if the war ended a while ago. 　　DVD 1: 　　01. "Uwaga Chuligani !"[LOOK OUT,HOOLIGANS!] (1955) r. Jerzy Hoffman, Edward Skorzewski 　　02. "Dzieci oskarzaja" [THE CHILDREN ACCUSE] (1956) r. Jerzy Hoffman, Edward Skorzewski 　　03. "Gdzie diabel mowi dobranoc" [WHERE THE DEVIL SAYS GOODNIGHT] (1956) r. Kazimierz Karabasz, Wladyslaw Slesicki 　　04. "Ludzie z pustego obszaru"[POPLE FROM ANEMPTY ZONE] (1957) r. Kazimierz Karabasz, Wladyslaw Slesicki 　　05. "Paragraf zero" [ARTICLE ZERO] (1957) r. Wlodzimierz Borowik 　　06. "Skalna ziemia" [ROCKY SOIL] (1956) r. Wlodzimierz Borowik 　　07. "Miasteczko"[LITTLE TOWN] (1956) r. Jerzy Ziarnik 　　08. "Warszawa 1956"[WARSAW '56] (1956) r. Jerzy Bossak, Jaroslaw Brzozowski 　　09. "Miejsce zamieszkania" [PLACE OF RESIDENCE] (1957) r. Maksymilian Wroclawski 　　DVD 2: 　　01. "Czy jesteS wSrod nich?"[ARE YOU AMONG THEM?] (1954) r. Jerzy Hoffman, Edward Skorzewski 　　02. "Lubelska starowka"[THE LUBLIN OLD OWN] (1956) r. Bohdan Kosinski 　　03. "Miasto na wyspach" [THE CITY OF ISLANDS] (1958) r. Jerzy Dmowski, Bohdan Kosinski 　　04. "Z PowiSla"[FROM POWISLE] (1958) r. Kazimierz Karabasz 　　05. "Wielki wiec. Dodatek nadzwyczajny PKF" [GREAT GATHERING 1956] (1956), prod. WFD 　　06. "VIII Plenum. Dodatek nadzwyczajny PKF" (1956) prod. WFD 　　07. "Sopot 1957"[SOPOT '57] (1957) r. Jerzy Hoffman, Edward Skorzewski 　　08. "Rozmowy jazzowe" [JAZZ TALKS] (1957) r. Andrzej Brzozowski 　　09. "Rozbijemy zabawe" [BREAK UP THE DANCE] (1957) r. Roman Polanski 　　10. "STS 58" [STS '58] (1959) r. Agnieszka Osiecka 　　11. "Dzien bez slonca" [A DAY WITHOUT THE SUN] (1959) r. Kazimierz Karabasz, Wladyslaw Slesicki 　　12. "Wyspa wielkiej nadziei" (1957) r. Bohdan Poreba

立哥和阿果是感情十分要好的兄弟，两人出生于贫苦的家庭之中，母亲又身患重病，日子过得十分艰辛。兄弟两人都是社工，但个性迥异，行事风格亦大相径庭。立哥为人成熟稳重，在叛逆青年中十分有威信，当他手下的阿九等人得知立哥的母亲急需一笔钱来治病时，便铤而走险，不惜打劫为立哥筹钱。立哥自然拒绝了阿九的好意，于是阿九便想将赃款物归原主，却在此过程中落入法网，而立哥的母亲亦因为不治不幸去世，悲痛之中，立哥辞去了工作。 　　彤和基仔是Tinky的好友，两人想要做变性手术，却苦于囊中羞涩，于是一干好友们便聚在一起替两人出谋划策。某日，Tinky在厕所中发现了龙嫂遗落下来的钻戒，鬼使神差之下，她拿走了钻戒，却引来了杀身之祸。

立哥和阿果是感情十分要好的兄弟，两人出生于贫苦的家庭之中，母亲又身患重病，日子过得十分艰辛。兄弟两人都是社工，但个性迥异，行事风格亦大相径庭。立哥为人成熟稳重，在叛逆青年中十分有威信，当他手下的阿九等人得知立哥的母亲急需一笔钱来治病时，便铤而走险，不惜打劫为立哥筹钱。立哥自然拒绝了阿九的好意，于是阿九便想将赃款物归原主，却在此过程中落入法网，而立哥的母亲亦因为不治不幸去世，悲痛之中，立哥辞去了工作。 　　彤和基仔是Tinky的好友，两人想要做变性手术，却苦于囊中羞涩，于是一干好友们便聚在一起替两人出谋划策。某日，Tinky在厕所中发现了龙嫂遗落下来的钻戒，鬼使神差之下，她拿走了钻戒，却引来了杀身之祸。