Hazal, beautiful young girl is engaged with Kenan, handsome young fisherman. The day before their wedding, Hazal is forced to marry Vural, successful businessman who fall in love with her since the first time he saw her working on his birthday party as a waitress.

Hazal, beautiful young girl is engaged with Kenan, handsome young fisherman. The day before their wedding, Hazal is forced to marry Vural, successful businessman who fall in love with her since the first time he saw her working on his birthday party as a waitress.

杰克·斯伯洛是活跃在加勒比海上的海盗，拥有属于自己的“黑珍珠”号海盗船。巴伯萨是无恶不作的坏蛋，他抢了杰克的“黑珍珠”在加勒比海横行霸道。巴伯萨一伙袭击了罗亚尔港小镇，绑架了总督的女儿伊莉莎白·斯万和铁匠学徒威尔·特纳，杰克偷来英国皇家舰队最快的“拦截号”军舰迅速追去。在打斗中，威尔和杰克发现，巴伯萨和他的海盗们身背咒语，在每一个月光之夜，他们就变成不死骷髅，而伊莉莎白正是解开咒语的关键。

A stray dog named "Pearl" (the owner's forgotten childhood nickname) helps the 34-year-old owner step out of her comfort zone and embrace a broader life, only for a custody battle to ensue when the dog's original owner reappears.

户外广告监测员岳悦（周雨彤 饰）的34岁，被病痛和失意填满：卵巢早衰、重度痛经磨掉精神，与母亲的疏离、职场的倦怠，让她活得像“空心人”。直到一只流浪狗的出现才发生了转机——她叫它“珍珠”，一人一狗的琐碎日常，让她逐渐找回“生活”的实感，而此时“珍珠”的原主人窦胜（屈楚萧 饰）突然出现要讨回狗，因“珍珠”结缘的训犬师陈普哲（陈昊森 饰）若即若离又让她感到不安。岳悦站在人生抉择的岔路口：是退回从前的麻木，还是拼尽全力抓住自己所爱之物？ 　　最终，她能否学会以“珍珠”之名重新养育自己。

为了完成母亲的遗愿，珍珠姐打算在一个月内，也就是自己四十岁生日前找到一个男朋友。这个时候，她的工作也陷入了低潮期，她感觉到了焦虑和失眠的痛苦。…

奎诺和胡安娜是一对辛苦的渔民夫妻，有一个可爱的儿子。在一次出海过程中，他们意外的发现一颗完美的珍珠。也因此憧憬着未来的美好生活，可是事情发展并不像他们期待的那样。 　　费尔南德兹的"生活三部曲"之二。这部杰出的影片是墨西哥电影黄金年代璀灿的一颗珍珠，Gabriel Figueroa优美的黑白摄影在本片中达到了顶峰，影片如诗如画令人难忘。1949年金球奖最佳摄影，1947年威尼斯电影节最佳摄影及最佳影片金狮奖

奎诺和胡安娜是一对辛苦的渔民夫妻，有一个可爱的儿子。在一次出海过程中，他们意外的发现一颗完美的珍珠。也因此憧憬着未来的美好生活，可是事情发展并不像他们期待的那样。 　　费尔南德兹的"生活三部曲"之二。这部杰出的影片是墨西哥电影黄金年代璀灿的一颗珍珠，Gabriel Figueroa优美的黑白摄影在本片中达到了顶峰，影片如诗如画令人难忘。1949年金球奖最佳摄影，1947年威尼斯电影节最佳摄影及最佳影片金狮奖

La Perle (The Pearl), 1929. 35 mm., black and white, 20'. 　　Henri d'Ursel's only film is inspired by surrealism. Its principal protagonist, Georges Hugnet, also wrote the scenario, an adaptation of Feuillade's film serials. 　　Henri d'Ursel was a Belgian film director and writer. He lived in Paris during the 1920s, at the height of the surrealist and avant-garde movements. In 1929 he wrote La Perle, under the pseudonym "Henri d'Arche", based on a story by Georges Hugnet. Returning to Belgium, in 1937 d'Ursel founded Le Prix de l’Image, a precursor to film festivals of experimental cinema. At the outbreak of the second world war, he founded Le Séminaire des Arts, a prestigious Belgian film club, and precursor of the Musée du cinéma de Bruxelles. D'Ursel was a friend of both Charles Dekeukeleire and Henri Storck. He was for 25 years vice-president of the Belgian Royal Film Archive.