Sofía, a young journalist immersed in making an artistic documentary about the Chilean army, goes back to live with her grandmother after a breakdown in a relationship. There she meets María, a woman whose view of the military legacy contrasts with that of her grandmother, reflecting the tensions of a country marked by its history.

Sofía, a young journalist immersed in making an artistic documentary about the Chilean army, goes back to live with her grandmother after a breakdown in a relationship. There she meets María, a woman whose view of the military legacy contrasts with that of her grandmother, reflecting the tensions of a country marked by its history.

这是二十四段每秒二十四格的电影真理，也是馈赠给世人的遗愿纪念。伊朗电影大师阿巴斯在静态摄影与动态影像之间，百转千回、细细探寻，也搭建起两种艺术表现形式间的关联。下起雪来白茫茫一片的林地，炊烟袅袅升起的村屋，鸟儿振翅飞过原野，鹿与牛缓步迁徙横越，世间万物在阿巴斯灵动诗意的凝视中，每一个按下快门瞬间的之前与之后，都随着景框里的窗框树影摇曳，天马行空地流转时光，在影格与影格之间，梳理电影的本质。 　　“电影始于葛里菲斯，止于阿巴斯。”这是法国新浪潮大导演高达对阿巴斯电影美学的赞誉。从摄影出发，拓延影格之间的空隙，《24格》发想自阿巴斯个人收藏的照片，历经三年的时间与伊朗技术团队合作，运用数位影像工具，以3D动画、摆拍的方式，重新想像这些画面的前世今生，与其创造出来的情感触动。摄影与电影之间反覆且亲密的追寻与叩问，一曲温柔而绵长的影像诗。

This short piece by Athina Rachel Tsangari, commissioned for the seventieth edition of the Venice Film Festival in 2013, draws on Jean-Luc Godard’s CONTEMPT and functions as a meditation on the state of cinema, depicting two film projectors contemplating the uncertainty of their future.

This short piece by Athina Rachel Tsangari, commissioned for the seventieth edition of the Venice Film Festival in 2013, draws on Jean-Luc Godard’s CONTEMPT and functions as a meditation on the state of cinema, depicting two film projectors contemplating the uncertainty of their future.

一起下水道的凶案，让刑警队长徐骁和老刑警林国强碰到一起，两人探案手法风格迥异，但因为对真相和正义的共同追求，逐渐弥合了观点上的分歧，结成亦师亦友的老少搭档。但破案的过程并不顺利，在考古学者陈楠的帮助下，他们发现作案的凶手有着某种邪恶的思想，凶手难觅、迷雾难驱，他们虽分歧不断，但仍朝着一致的目标倾力探寻。最终使凶手伏法。

一起下水道的凶案，让刑警队长徐骁和老刑警林国强碰到一起，两人探案手法风格迥异，但因为对真相和正义的共同追求，逐渐弥合了观点上的分歧，结成亦师亦友的老少搭档。但破案的过程并不顺利，在考古学者陈楠的帮助下，他们发现作案的凶手有着某种邪恶的思想，凶手难觅、迷雾难驱，他们虽分歧不断，但仍朝着一致的目标倾力探寻。最终使凶手伏法。

秦曼枝订婚日，酒店化妆间内，贴身保镖陆淮意外现身，二人对峙间激烈拥吻，超越主仆的隐秘情愫就此展开。 一年前，叛逆的秦曼枝深夜逃离秦公馆，秦家保镖紧追不舍，陆淮及时出现化解危机。秦曼枝命陆淮带她去大世界舞厅寻神秘男子，而秦初时处决帮派叛徒后，得知妹妹去向，立刻带人赶往百乐门。 大世界内，秦曼枝成焦点，她与陆淮演戏教训了羞辱者，还结识仗义的头牌歌女周柳。不料舞会突遭枪手袭击，目标直指秦曼枝，陆淮抱起受伤的周柳躲避子弹以引开火力。秦曼枝不满被“舍弃”，周柳却看穿陆淮策略并言语讽刺。 秦初时及时赶到击退杀手，离开时，秦曼枝当众命陆淮独自走回秦公馆。陆淮带伤归来，跪在大雨中领罚，秦曼枝撑伞出现质问他。