Artist Hsu Che-yu (The Making of Crime Scenes, IFFR 2022) blends his digitally animated exploration of the relation between media and memory with an account of Taiwanese terrorist Yung Ru-Men, a bomb maker who idolised Japan’s suicidally-inclined United Red Army. 　　The black-and-white images, presented as still frames, are patchy and unreal, like our memories; both physical places and human figures disintegrate – an oblique and compelling testament, probing unseen acts and murky motivations. 　　 　　源自：https://iffr.com/en/iffr/2023/films/blank-photograph 　　------------- 　　This work is a cooperation with the long-time collaborator, scriptwriter Chen Wan-Yin. 　　A terrorist revisits the seashore where he practiced bomb-making and goes back to his home where he speaks a story about a suicidal scene. 　　In 2003, Yang Ru-Men placed bombs on the city of Taipei more than ten times. Yet, none of the bombs was ignited. Yang’s action was later regarded as a struggle for farmers in the same vein of anti-neoliberalism and his sentence was mitigated. A few years after he was released from jail, his brother committed suicide at home. 　　In this work, Hsu Che-Yu invites Yang Ru-Men to perform at two sites: the seashore and his house. At the seashore where he practiced bomb-making, he reenacts an operation and discusses the self-sacrifice resonance of the Japanese Red Army. In his house, he recalls a memory of a suicidal family member. The artist cooperated with a 3D scanning team—their job is to provide forensic scanning service at crime scenes—to make a digital double of Yang Ru-Men. Hsu made a digital scan of the architectural structure of Yang Ru-Men’s house. With these digital models, the artist reconstructs the bomb maker’s personal memories virtually. 　　源自：http://www.hsucheyu.com/2022/11/blank-photograph.html

Artist Hsu Che-yu (The Making of Crime Scenes, IFFR 2022) blends his digitally animated exploration of the relation between media and memory with an account of Taiwanese terrorist Yung Ru-Men, a bomb maker who idolised Japan’s suicidally-inclined United Red Army. 　　The black-and-white images, presented as still frames, are patchy and unreal, like our memories; both physical places and human figures disintegrate – an oblique and compelling testament, probing unseen acts and murky motivations. 　　 　　源自：https://iffr.com/en/iffr/2023/films/blank-photograph 　　------------- 　　This work is a cooperation with the long-time collaborator, scriptwriter Chen Wan-Yin. 　　A terrorist revisits the seashore where he practiced bomb-making and goes back to his home where he speaks a story about a suicidal scene. 　　In 2003, Yang Ru-Men placed bombs on the city of Taipei more than ten times. Yet, none of the bombs was ignited. Yang’s action was later regarded as a struggle for farmers in the same vein of anti-neoliberalism and his sentence was mitigated. A few years after he was released from jail, his brother committed suicide at home. 　　In this work, Hsu Che-Yu invites Yang Ru-Men to perform at two sites: the seashore and his house. At the seashore where he practiced bomb-making, he reenacts an operation and discusses the self-sacrifice resonance of the Japanese Red Army. In his house, he recalls a memory of a suicidal family member. The artist cooperated with a 3D scanning team—their job is to provide forensic scanning service at crime scenes—to make a digital double of Yang Ru-Men. Hsu made a digital scan of the architectural structure of Yang Ru-Men’s house. With these digital models, the artist reconstructs the bomb maker’s personal memories virtually. 　　源自：http://www.hsucheyu.com/2022/11/blank-photograph.html

Camille, a young candidate for the legislative election, is parachuted into a constituency in Hauts-de-France.

Reena is in love with Sumit. However due to her eccentric nature, Sumit has his reservations about getting married to her. But when Reena proposes the idea of meeting her father, Sumit is unable to say no that leads to a comedy of errors.

As a child Sakura Mamiya mysteriously disappeared in the woods behind her grandma's home. She returned whole and healthy, but since then she has had the power to see ghosts. Now a teenager, she just wishes the ghosts would leave her alone! At school, the desk next to Sakura's has been empty since the start of the school year, then one day her always-absent classmate shows up, and he's far more than what he seems!

Elle est rousse. Elle est écossaise. Elle aime le rugby et la cornemuse. Elle vit à Londres, mais se considère en exil. Elle a un fichu caractère et une sacrée descente au whisky. Elle s’appelle Imogène Mc Carthery… du clan des McLeod !

Nico runs the Nevada motel with his wife Alba, near an Italian country road. boredom looms and so the couple indulges in erotic games. Assathan she, perverted him, to enliven the situation by advertising to the local, Nico hires Marcello, to solve the problem of the profitability of the motel .

Susanne (17) and Robert (18) want to get married, but because Susanne is still under-aged, she needs parental permission. With twin babies and tight finances, the newlyweds soon feel overwhelmed, and dealing with everything makes them forget the love that originally brought them together.

В основу сюжета фильма легла сказка братьев Гримм "Король Дроздобород", в которой принцесса, исполняя волю отца, вышла замуж за нищего музыканта, оказавшегося впоследствии королем. В современном прочтении сказки авторы знакомят зрителя с независимой и строптивой бизнес-леди Дарьей Кравец, которую "затащить в ЗАГС можно только в состоянии комы". Но после встречи в лесу с простым лесником она не может обмануть свое сердце и влюбляется в него, совершенно не подозревая, что её возлюбленный - олигарх.

Lupin, the phantom thief, is dead. At least that is what everyone believes. But rather, a certain incident will drag Lupin back from Hell after his assumed death. For he has been taken completely by surprise by being deceived through a trap called "love," in a string of incidents that began with a heist of 4 million pounds sterling of gold coins.