广岛原子弹爆炸的时候，矢须子正坐船去看叔叔重松，在濑户内海上淋着了“黑雨”。后来重松夫妇带着矢须子，还有重松的母亲阿金一起回故乡——福山市的小岛居住。村里的人都不同程度地受到了原子弹的伤害。重松把祖先的土地卖掉，跟儿时的好友一起搞鲤鱼养殖。因为据说吃鲤鱼对治疗原子弹后遗症很有效。村里人各有各的烦恼。冈崎家带着一个一听到公共汽车引擎声就发狂的儿子悠一经营小杂货店。池本家放儿女去当酒吧侍者，自己偷偷的干黑活。而重松苦恼的不是自己的身体状况，而是矢须子的婚姻问题，提亲的人听说她见过“闪光”都缩了回去。重松为了解除大家的疑虑，重抄了矢须子的日记，想证明她只是淋了黑雨，而没有直接见到“闪光”——原子弹爆炸。不久，重松的好友相继死去，妻子也得了神经分裂症。而矢须子只好把心灵寄托在那个没听到引擎声时象石雕一样一动不动的悠一身上，但是，不久她也开始掉头发了。

广岛原子弹爆炸的时候，矢须子正坐船去看叔叔重松，在濑户内海上淋着了“黑雨”。后来重松夫妇带着矢须子，还有重松的母亲阿金一起回故乡——福山市的小岛居住。村里的人都不同程度地受到了原子弹的伤害。重松把祖先的土地卖掉，跟儿时的好友一起搞鲤鱼养殖。因为据说吃鲤鱼对治疗原子弹后遗症很有效。村里人各有各的烦恼。冈崎家带着一个一听到公共汽车引擎声就发狂的儿子悠一经营小杂货店。池本家放儿女去当酒吧侍者，自己偷偷的干黑活。而重松苦恼的不是自己的身体状况，而是矢须子的婚姻问题，提亲的人听说她见过“闪光”都缩了回去。重松为了解除大家的疑虑，重抄了矢须子的日记，想证明她只是淋了黑雨，而没有直接见到“闪光”——原子弹爆炸。不久，重松的好友相继死去，妻子也得了神经分裂症。而矢须子只好把心灵寄托在那个没听到引擎声时象石雕一样一动不动的悠一身上，但是，不久她也开始掉头发了。

Very important animation. This reveals the not so politically-correct real views of Nakazawa Keiji, in place of the dumbed down and gentrified Hadashi no Gen. 　　More illustrative of actual views at the time. The manga, which this seems to only be loosely based off, was serialised in 'Manga Panchi' and other Adult-Male-near-Pornographic magazines. Nakazawa only got the chance to tell a censored version of his own story when he met a co-operative editor at Weekly Shonen Jump [Shueisha] in 1971. He got to publish a one shot called Ore wa Mita, before his concept of Hadashi no Gen was greenlighted. When the editor was promoted, his work was not so accepted, and he would spend the rest of serialisation of Hadashi no Gen being flitted around publishers/magazines, including Union and Educational magazines.

Very important animation. This reveals the not so politically-correct real views of Nakazawa Keiji, in place of the dumbed down and gentrified Hadashi no Gen. 　　More illustrative of actual views at the time. The manga, which this seems to only be loosely based off, was serialised in 'Manga Panchi' and other Adult-Male-near-Pornographic magazines. Nakazawa only got the chance to tell a censored version of his own story when he met a co-operative editor at Weekly Shonen Jump [Shueisha] in 1971. He got to publish a one shot called Ore wa Mita, before his concept of Hadashi no Gen was greenlighted. When the editor was promoted, his work was not so accepted, and he would spend the rest of serialisation of Hadashi no Gen being flitted around publishers/magazines, including Union and Educational magazines.

这部影片的动画编排自原创音乐。以图形的运动表现“抽象”与“具象”的对话。影片试图表现它们的共性和相似性，同时也强调了两者关系的两极性。由以色列艺术家Itai Froumin所作。

这部影片的动画编排自原创音乐。以图形的运动表现“抽象”与“具象”的对话。影片试图表现它们的共性和相似性，同时也强调了两者关系的两极性。由以色列艺术家Itai Froumin所作。

讲述了四个小罪犯在1873年在犹他州的冒险和旅行，他们包括赌徒和骗子Stubby Preston，怀孕的妓女小兔子O'Neal，酒鬼Clem，还有一个精神失常的人，名叫Bud，他对死人很着迷。这四个人漫无目的地在犹他州的荒地上寻找食物、水和可以诈骗的人，同时他们被一个名叫查科的墨西哥流氓骚扰，这个土包子发誓要报复这个土包子的性侵犯兔子。

爆炸导致曼尼托巴省一个社区完全停电后，当地居民努力保持冷静和人际关系，黑暗考验着他们的韧性。