温德斌编导并进行美术设计与动作设计、绘景；秦凯摄影；吴大明作曲。 　　影片通过圆、方与三角形各自为政，都认为自己在事物中所起的作用是最大的。但在事实面前，它们认识到离开了对方，自己将一事无成。只有团结起来，才能组成世界上最佳图形。该片在当年即荣获第９届金鸡奖最佳美术片奖提名。

A telephone rings in the dark—three times, pauses, then rings three times again. A fully-clothed figure lights a cigarette before rising from bed, dons a raincoat, then sets out into the night. Another figure emerges from the shadows, lights a cigarette, then discards a crumpled cigarette pack, which the first picks up and carries home. Back in his room, the first man places the refuse on his desk, paces apprehensively about his apartment before he finally removes the inner foil and examines it. After letting what it reveals sink in, he sets it on fire, and a cold look comes over his face... 　　Thus begins The Thief, a 1952 cold war, espionage thriller—unique in that it is completely without dialogue—directed by Russell Rouse, and produced by Clarence Greene, who co-wrote the screenplay. Allan Fields (Ray Milland) is an award-winning nuclear scientist working at the Atomic Energy Commission research laboratory. He is also a spy, photographing top secret documents, then relaying the miniature film canisters back through an elaborate network to enemy agents in Egypt. His signal is the telephone, and his liaison outlines his assignments through instructions on his cigarette refuse, with nary a word spoken. It is a dangerous business, and one that creates many close calls—too close for comfort. When one of his assignments goes awry, the FBI begins to close in, and the race is on to leave the country before he is caught. 　　The Thief has all the trappings of classic noir. Produced at the height of the "Red Scare," the film manages to maintain a constant state of tension, relying heavily on reaction shots and Herschel Burke Gilbert's riveting musical score. The cinematography heightens the effect, utilizing lighting and camera angles to convey the unspoken. Milland, who won an Oscar® for his role in Billy Wilder's The Lost Weekend, carries the part off to perfection, letting the audience read his character's thoughts solely through facial expression and body language. The direction also fools the audience into anticipating dialogue, then cleverly avoiding it. Only the Oscar®-nominated score and sound effects break the silence. 　　This is a fascinating use of visuals to tell a story, and a gripping suspense film, which held my interest throughout, and aside from one sequence where Fields' conscience begins to plague him, the narrative is fairly straight forward, without much in the way of gimmickry. Avoid the back cover text because it gives away the ending, which was the only part that didn't really work for this reviewer. For those interested in cold war-era film noir, this is certainly worth a look, if for no other reason than its uniqueness.

豪门前，男主与重病母亲被抛弃，富家少爷一落千丈。女友背叛，与男反侵占资产还羞辱他们。女反索要损失费不成，又要聚宝盆，母亲护盆哀求，女反却强硬拒绝，母亲被气吐血。男主找药被夺，药被扔进盆，男主伤男反后遭殴打，反派走后，盆中药消失。 另一时空，女帝重病、国家内忧外患，药品从聚宝盆出现，女帝服下恢复，供奉聚宝盆求神灵助国家渡瘟疫难关。男主与女帝纸条交流，得知瘟疫情况，因没钱买药，希望女帝助力自己在大会赢奖励，女帝答应送凤冠。 大会上，反派炫耀抢来的珠宝，男主拿出凤冠震惊全场，赢奖金后将凤冠捐博物馆。反派怀疑，派人盯男主。

20世纪60年代，日本学生运动渐次激烈，学生和政府之间的对抗朝着暴力的方向失控狂奔。某晚，登川直造（笹原茂朱 饰）、丸山国男（山川蜜 饰）等人领导的学生组织在据点内遭到警方搜捕，混乱之中，他们夺下警察的配枪夺路而逃。在经过某个漆黑巷道时，他们将手枪扔在公共厕所的洗脸盆中，被路过于此的公司青年职员铃木（秋山未知污 饰）拾得。厌倦了枯燥呆板的公司氛围以及平庸无望的生活，铃木追上众人，希望加入他们的组织。次日，登川等人的拒捕行动被媒体歪曲成袭击警察的恶性案件。为避风头，他们跟随铃木躲进郊外一所公寓中，日常以吃喝、做爱打发时间，所有外务全由铃木打理。 　　学运的失败和理想的破灭让这群年轻人朝向破灭，纵情享乐。铃木却不愿面对这样的失败……

20世纪60年代，日本学生运动渐次激烈，学生和政府之间的对抗朝着暴力的方向失控狂奔。某晚，登川直造（笹原茂朱 饰）、丸山国男（山川蜜 饰）等人领导的学生组织在据点内遭到警方搜捕，混乱之中，他们夺下警察的配枪夺路而逃。在经过某个漆黑巷道时，他们将手枪扔在公共厕所的洗脸盆中，被路过于此的公司青年职员铃木（秋山未知污 饰）拾得。厌倦了枯燥呆板的公司氛围以及平庸无望的生活，铃木追上众人，希望加入他们的组织。次日，登川等人的拒捕行动被媒体歪曲成袭击警察的恶性案件。为避风头，他们跟随铃木躲进郊外一所公寓中，日常以吃喝、做爱打发时间，所有外务全由铃木打理。 　　学运的失败和理想的破灭让这群年轻人朝向破灭，纵情享乐。铃木却不愿面对这样的失败……

2006年6月在Annecy国际动画电影节上评选出的“动画的世纪·100部作品”第28名。曾获奥斯卡最佳动画短片提名

2006年6月在Annecy国际动画电影节上评选出的“动画的世纪·100部作品”第28名。曾获奥斯卡最佳动画短片提名

1990年代的里约热内卢对伊凡德罗这个充满建立一个犯罪帝国野心的企业家来说是完美的地点。但伊凡德罗的计划遇上了一个劲敌：一个有自我毁灭倾向的联邦警察莫雷洛。莫雷洛将伊凡德罗视为一个够资格的对手。狩猎行动开始了。

联合国非裔黑人女医生安娜莎在非洲执行医疗任务时被一个奴隶贩子绑架了。从这一刻起，她的丈夫会做任何事情来找回她，惩罚恶人，但这并不是一件容易的事。。。

Актуальный для конца восьмидесятых остросоциальный боевик о советской коррупции, расцветшей в благоприятных условиях черноморского побережья и паралича власти. Гангстерская история «из жизни кавказской мафии», где двое главарей враждующих группировок из южного приморского городка борются за сферы влияния. В эту борьбу оказывается, втянута роковая красавица Рита, повторившая на свой лад судьбу Кармен.