Raised by his grandfather to adhere to the ancient laws of China, Mandarin Wu is a strict authoritarian. However, he is a doting father to his beautiful daughter Nang Ping. Nang Ping is to be married to a man of her father's choosing, a man she does not even know. But she falls in love with a dashing British visitor to China, Basil Gregory. Basil informs Nang Ping that he must return to Britain with his family, but she surprises him with the revelation that she carries his child. Wu learns of his daughter's dishonor and lets the ancient laws of China lead him relentlessly toward tragedy.

Chor Yuen was Gu Long before he started filming Gu Long. The director's first wuxia film, made at Shaws' rival Cathay, finds him relishing in a mode of expression that would later become the signature style of the 'martial-arts suspense thriller' mini-genre. Chor grafts the quasi-psychological stylishness of his Cantonese melodrama onto this actioner, laying on thick the atmosphere by dialling up the fog machine and unleashing the colours from his camera's palette. He also stages his fights in modern dance-like choreography, with moves that are more graceful than ferocious and paused poses that are longer on expressive narcissism than continuity of action. Cold Blade is the quiet beginning of an aesthetic.

军阀即将发动战争,军火库是人人急眼的地方.汉奸英雄各个雄起,壁虎功是个传奇的功夫,而壁虎游龙成为了隐形的英雄.

This is a story of a woman, amid in her sorrow, seeking for vengeance... In the town of Osaka, a serial murder targeting the Japanese mafia - kurosawa kai - members has occurred. According to the investigation of the police, the victims are cut in half by a sharp knife, as if they are slaughtered by a man who is a master of swinging his sword. This is done in such a skillful way that everyone can tell it was done by a professional. One of the officers of Kurosawa kai, Aramaki seeks to catch the killer; however, the number of victims rise as his anxiety continues to build up. While according to the report from the hit man hired by the leader of kurosawa kai, a clue floats to the surface - a clue that closely related to "sekiryu" (red dragon)... The reviving of an ominous memory... The truth of the brutal murder of the Asahina family, and the shadow of vengeance... One woman steps forward, before Aramaki is able to comprehend the truth...

Narrated by the incarnate ghost of a deceased real hair donor. In the post-war era, the export of real hair wigs contributed to Asia’s economic development, with Hong Kong as a major hub. In its heyday in the 1960s, ‘Asian real hair’ was popular with wealthy U.S. women, but then the USA imposed an embargo on the product, now classified as ‘communist hair’. This is where the intricate and innovatively realised story begins: Starting with complex economical and sociopolitical contexts, it weaves a thread that runs through various historical and dreamlike staged levels. 　　Hong Kong was and is a space of in-between-ness — between East and West, between communism and capitalism. Perhaps that is why there are so many spooks in the city, one protagonist speculates. Just like the well-travelled ghost, an eternally wandering entity and contemporary witness of an imperial and colonialist past. (源自: Courtisane Festival 2024)

兩年前一樁非法賭檔大屠殺事件，幕後主腦人張龍，失蹤兩年後，突然出現於市內某教堂旁的一條狹窄馬路中。當日霸氣沖天的黑幫坐館竟淪為一名雙目失明右手殘廢的乞丐；同一馬路上，一名年老修女正在與一名外國人及其幼女閒談。此時此地此刻，張龍默然回首自己充滿罪孽嘅一生，一張張被他害死的面孔逐漸湧現在他的腦海中。正在苦海沉思的張龍，突然被一名正在施捨給他的小童帶回現實當中。不知是命運還是巧合，同一條的馬路上，那名小童，修女，及那對外藉父女，所有人與張龍之間竟隱藏着千絲萬縷，錯綜複雜的恩怨情仇和不可告人的秘密。原來幾個看似互不相識的路人，竟不約而同地因張龍的出現而改變了他們的一生。隨着老修女對張龍熱情接待的對話展開，真相逐漸浮現，殺機亦隨着展開。雙眼完全看不見的張龍，不單止看不見所有人的樣子，更看不到前面等待着他的，究極是一個終極的審判還是一個徹底的寬恕？最後張龍能否安全地離開這條命運窄路？

从前线退下来的顾长歌，隐姓埋名八年游历千山万水，八年间广收门徒护国战神，神医圣手，世界首富，镇狱天王等大夏崛起的人才都是他的学生，被封为——万圣龙师

A survivor without modern education, a military robot born for war; thrown together in the ruins after the destruction of civilization, can they become the starting point of a new civilization?

在民国初期，由于社会的动荡，涌现出许许多多心系国家的“先生”。他们或大气磅礴或温文尔雅、或激昂慷慨或知行彳亍，但都深谙“天下兴亡匹夫有责”之理。时代已过、身影犹存。虽然已过近百年，但先生们的形象和思想仍在影响着现代中国人。蔡元培、胡适、马相伯、张伯苓、梅贻琦、竺可桢、晏阳初、陶行知、梁漱溟、陈寅恪。历史影像，情景再现，当事者言，后来者说，今昔穿插，生死辉映。《先生》系列纪录片，力图以先生般的个性制作，映现先生的贴近群伦又卓尔不群，但为现今中国教育，立镜一面，呼喊十声。 　　本片以百年间最富盛名的近当代教育家为主角，揭示中国教育的宏观走向和个性榜样，梳理中国教育百年间的重大事件、观念及变迁缘由，旨在溯源问脉，固本图新。打造中国纪录片的主题品牌，深圳文化的扛鼎之作。