Liu Hui is a widower whose son lives in America. She insists on living alone in the house she shared with her late husband, a calligrapher, and is surrounded by fond memories. As she gradually joins community activities, she strikes up an acquaintance with the kind and shy building caretaker who faces a quandary over a stray cat. Small moments together reveal loneliness and companionship.

這一天，阿嬋家雞舍的圍籬被風吹垮，雞群四處逃散。然而，60 多歲的阿嬋和 80 多歲的母親有更緊急的事要處理。她們抱著心愛貓咪小乖的遺體，在教會緬甸志工的幫助下，從高雄鄉村趕往市區動物保護處，準備為小乖火化。抵達後卻發現只能進行集體火化，無法帶回骨灰。三人心急如焚，希望能為貓咪小乖找到最好的善終安排。

军阀即将发动战争,军火库是人人急眼的地方.汉奸英雄各个雄起,壁虎功是个传奇的功夫,而壁虎游龙成为了隐形的英雄.

Chor Yuen was Gu Long before he started filming Gu Long. The director's first wuxia film, made at Shaws' rival Cathay, finds him relishing in a mode of expression that would later become the signature style of the 'martial-arts suspense thriller' mini-genre. Chor grafts the quasi-psychological stylishness of his Cantonese melodrama onto this actioner, laying on thick the atmosphere by dialling up the fog machine and unleashing the colours from his camera's palette. He also stages his fights in modern dance-like choreography, with moves that are more graceful than ferocious and paused poses that are longer on expressive narcissism than continuity of action. Cold Blade is the quiet beginning of an aesthetic.

军阀即将发动战争,军火库是人人急眼的地方.汉奸英雄各个雄起,壁虎功是个传奇的功夫,而壁虎游龙成为了隐形的英雄.

無家可歸的啞巴在荒野流浪，遇上一個愛貓成癡的盲人。盲人樂此不疲餵飼村落裡每一隻流浪貓，啞巴從中看到被收養回家的契機…… 　　* 　　* 　　A mute wanderer, homeless and alone, meets a blind man smitten with cats. The man feeds every stray in the valley, offering the mute a chance for home. 　　* 　　* 　　Ένας βουβός περιπλανώμενος, άστεγος και μόνος, συναντά έναν τυφλό άντρα περιτρυγυρισμένο από γάτες. Ο άντρας, που ταΐζει κάθε αδέσποτο στην κοιλάδα, απευθύνει μια πρόσκληση στον πρώτο, προσφέροντας ένα πιθανό σπίτι.

無家可歸的啞巴在荒野流浪，遇上一個愛貓成癡的盲人。盲人樂此不疲餵飼村落裡每一隻流浪貓，啞巴從中看到被收養回家的契機…… 　　* 　　* 　　A mute wanderer, homeless and alone, meets a blind man smitten with cats. The man feeds every stray in the valley, offering the mute a chance for home. 　　* 　　* 　　Ένας βουβός περιπλανώμενος, άστεγος και μόνος, συναντά έναν τυφλό άντρα περιτρυγυρισμένο από γάτες. Ο άντρας, που ταΐζει κάθε αδέσποτο στην κοιλάδα, απευθύνει μια πρόσκληση στον πρώτο, προσφέροντας ένα πιθανό σπίτι.

This is a story of a woman, amid in her sorrow, seeking for vengeance... In the town of Osaka, a serial murder targeting the Japanese mafia - kurosawa kai - members has occurred. According to the investigation of the police, the victims are cut in half by a sharp knife, as if they are slaughtered by a man who is a master of swinging his sword. This is done in such a skillful way that everyone can tell it was done by a professional. One of the officers of Kurosawa kai, Aramaki seeks to catch the killer; however, the number of victims rise as his anxiety continues to build up. While according to the report from the hit man hired by the leader of kurosawa kai, a clue floats to the surface - a clue that closely related to "sekiryu" (red dragon)... The reviving of an ominous memory... The truth of the brutal murder of the Asahina family, and the shadow of vengeance... One woman steps forward, before Aramaki is able to comprehend the truth...

小貓可瑪為了實現電影夢，她決定讓自己親手縫製的布偶當主角，拍攝一部浪漫的愛情停格動畫。她還有機械小天才好友和她一起把房間變成遊樂園，甚至連惡作劇的害羞男孩，與森林裡的神祕大腳雪怪都變成了她的好朋友。不過,當爺爺驚喜拿出夢幻海外之旅的機票，小貓可瑪卻發現自己不能帶上最心愛的布偶們，連布偶們都覺得好傷心！但聰明的可瑪一定能夠想到好方法。 　　20多年前初登場的可瑪貓,這次除了重溫那些熟悉故事,更帶來最新篇章。可瑪貓是曾打造「多摩君」的動畫導演合田經郎，在2003年開啟的停格偶動畫系列，可瑪貓20週年之際，團隊推出了新篇章。充滿手作溫度的布偶，搭配童趣肢體動作的貓言貓語，更是讓她打破語言隔閡，要和大銀幕前的小觀眾變成新朋友。

Narrated by the incarnate ghost of a deceased real hair donor. In the post-war era, the export of real hair wigs contributed to Asia’s economic development, with Hong Kong as a major hub. In its heyday in the 1960s, ‘Asian real hair’ was popular with wealthy U.S. women, but then the USA imposed an embargo on the product, now classified as ‘communist hair’. This is where the intricate and innovatively realised story begins: Starting with complex economical and sociopolitical contexts, it weaves a thread that runs through various historical and dreamlike staged levels. 　　Hong Kong was and is a space of in-between-ness — between East and West, between communism and capitalism. Perhaps that is why there are so many spooks in the city, one protagonist speculates. Just like the well-travelled ghost, an eternally wandering entity and contemporary witness of an imperial and colonialist past. (源自: Courtisane Festival 2024)