讲述的是热爱表演的小镇青年李晨光，因为崇拜偶像，爱屋及乌，鼓足勇气只身来到影都追求梦想，期间经历了各种挫折和奇葩事件，并一度迷失方向不知何去何从，但最终还是寻回本心成为优秀演员的故事。影片除了演绎李晨光拼搏奋斗的主线经历，还以副线展现了生死相依的兄弟情、绵远醇厚的师长情和唯美真诚的爱情，以此向社会传达了积极向上、乐观善良的正能量。

时漾与傅景川的婚姻本是她多年追求的结果，却因生活琐碎和家庭压力而走向终点。离婚后，时漾意外发现自己怀孕，面临艰难抉择。傅景川得知消息，提出复婚，却被时漾婉拒。然而两人多次偶遇，往日情愫渐渐复燃。傅景川开始反思过往，意识到时漾的重要性。他能否重新赢得时漾的心?这段曾经的爱情，是否还有重新开始的可能?

时漾与傅景川的婚姻本是她多年追求的结果，却因生活琐碎和家庭压力而走向终点。离婚后，时漾意外发现自己怀孕，面临艰难抉择。傅景川得知消息，提出复婚，却被时漾婉拒。然而两人多次偶遇，往日情愫渐渐复燃。傅景川开始反思过往，意识到时漾的重要性。他能否重新赢得时漾的心?这段曾经的爱情，是否还有重新开始的可能?

电影《至暴之年》影片讲述在20世纪80年代的纽约，一名野心勃勃的商人被迫与一家腐败的商业机构打交道的故事。

远离东京的地方小镇，15岁的岩崎银（萩原利久 饰）是一个正就读初三的棒球迷，平日里他经常和辍学的阿敏（影山树生弥 饰）和勇纪（中村圭太郎 饰）混在一起。某天，阿银意外收到了同班同学佐田成美（小川纱良 饰）的告白。令阿敏他们感到奇怪的是，阿银似乎对女孩子根本没半点兴趣。表白落空的成美回到家中，结果被母亲律子（宫地真绪 饰）告知不准升学，随后更被律子男朋友神林（木村知贵 饰）逼迫出卖身体。黑暗无望的家庭，逼迫成美想方设法逃离。与此同时，阿银的性取向被父亲（山本刚史 饰）获知，他也感到无形的压力。当成美决定跑到东京寻找父亲时，阿银亦表达了希望随之而去的想法。 　　两个追求幸福的少男少女，展开了他们15岁的秘密旅行……

远离东京的地方小镇，15岁的岩崎银（萩原利久 饰）是一个正就读初三的棒球迷，平日里他经常和辍学的阿敏（影山树生弥 饰）和勇纪（中村圭太郎 饰）混在一起。某天，阿银意外收到了同班同学佐田成美（小川纱良 饰）的告白。令阿敏他们感到奇怪的是，阿银似乎对女孩子根本没半点兴趣。表白落空的成美回到家中，结果被母亲律子（宫地真绪 饰）告知不准升学，随后更被律子男朋友神林（木村知贵 饰）逼迫出卖身体。黑暗无望的家庭，逼迫成美想方设法逃离。与此同时，阿银的性取向被父亲（山本刚史 饰）获知，他也感到无形的压力。当成美决定跑到东京寻找父亲时，阿银亦表达了希望随之而去的想法。 　　两个追求幸福的少男少女，展开了他们15岁的秘密旅行……

Albert and Bruno are in the red, compulsive consumers, over-indebted, they live between petty schemes for one and a personal life adrift for the other. It is in the associative path, which they both take to get their heads above water, that they will come across young rebellious activists, climate alarmists, lovers of social justice and eco-responsibility. More attracted by beer and free crisps than by their arguments, Albert and Bruno will gradually integrate the movement without conviction, if not that of taking advantage of each action and each rebellion to schem and profit from it. Between ideological or suffered minimalism, between overconsumption and happy sobriety, we face the complex simplicity of our future, the oppositions and paradoxes of our time, in short, everything is fine.

Albert and Bruno are in the red, compulsive consumers, over-indebted, they live between petty schemes for one and a personal life adrift for the other. It is in the associative path, which they both take to get their heads above water, that they will come across young rebellious activists, climate alarmists, lovers of social justice and eco-responsibility. More attracted by beer and free crisps than by their arguments, Albert and Bruno will gradually integrate the movement without conviction, if not that of taking advantage of each action and each rebellion to schem and profit from it. Between ideological or suffered minimalism, between overconsumption and happy sobriety, we face the complex simplicity of our future, the oppositions and paradoxes of our time, in short, everything is fine.

The life of the writers of a television program in Uruguay is affected by the pressures of the military in the year that preceded the military coup of 1973.