The story of Sim, a two-time Olympic gold medallist wrestler who has spent his life grappling with the ground. Haunted by a monstrous floor, he reminisces, preaches and worries.

The movie revolves around young composer Yeonji who lands a dream job at the prestigious Forte Studio. 　　Her joy over the position soon fades when she starts working at its isolated HQ due to the eerie atmosphere and odd behavior of her new colleagues. 　　Fiercely ambitious and competitive, she also discovers that her new boss only wants to use her as a ghostwriter rather than letting her shine in her own light.

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暂无英文版的简介，请添加内容帮助我们完善数据库。

In Mecca of Korean indie music scene, Hong-Dae street, indie musicians have been kicked out from their ground. Nowhere to perform. They seek an opportunity to correlate with Doo-ri-ban, a noodle restaurant, facing a difficult situation just like them.

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We don't have an overview translated in English. Help us expand our database by adding one.

This film is made of footage shot on the rooftop of my friend’s house at Kathmandu, Nepal. Lazimpat is the name of the street where the house is located. It’s a portrait of people, sunshine, flowers, and etc.

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This expanded cinema explores the hypnotic grip of film and questions its role in shaping our memories and perceptions long after the credits roll. 　　In Undercurrent’s first-ever expanded cinema piece, performer-director HeeSue Kwon reimagines the filmic experience. The projector extends itself beyond a mechanical device: it transforms into a living entity, reanimating the collective memories of its audience. Through Kwon’s live manipulation of flickers and intervals, the cinematic apparatus gains autonomy, continuously looping and coming alive. 　　Using a reverse diffusion model, Melting Fire Iceman employs AI to portray the fluid, shifting nature of cinema’s core memories. Early films, drawn from online repositories and the Korean Film Archive, are dissolved and reimagined by AI, seemingly in an infinite cycle of rebirth. In this mesmerising process, the boundaries between memory, spectatorship and the cinematic experience are redefined.