탈북 17년 차 라디오 진행자 봄희. 하지만 '북한말'을 못 한다는 이유로 정체성을 의심받는다. 반대로 남한 사람들은 북한말을 배우며 가볍게 소비하고, 그녀는 점점 더 낯선 자신을 마주한다. 끝없는 질문 속에서, 그녀는 누구도 묻지 않는 하루를 꿈꾼다.

We don't have an overview translated in English. Help us expand our database by adding one.

We don't have an overview translated in English. Help us expand our database by adding one.

현지인의 이야기를 담아내고, 동네의 맛을 오롯이 느끼는 길바닥 먹큐멘터리

The narrator writes a letter to the ghost of his grandfather wondering if his recurring childhood nightmare of rusted metallic image is related to the family history. After running a scrap metal factory in Tokyo during World War II, his grandfather ended up in Cheonggyecheon of Seoul where rundown small scale metal workshops still exist amidst the gentrifying city. Drawing clues from fragments of dreams and myths relating to the metal, the film reveals the secret alchemy of third world modernity in Cheonggyecheon where these obsolete hand labors still survive. The film attempts to reveal how we shape the metal through techniques such as sand casting and milling machines, only to find out that metals had already shaped us into beings of an industrial society instead.

暂无英文版的简介，请添加内容帮助我们完善数据库。

We don't have an overview translated in English. Help us expand our database by adding one.

Mother’s household ledgers contain a lifetime of arduous years. While her memory fades as she grows older, the details of her daily life, meticulously recorded in the household ledgers for 48 years since 1969, remain as traces of her existence. Director Seong Seungtaek discovered these ledgers among his elderly parents’ belongings when they moved in together after 30 years apart. Carefully examining those records, which are both precious documentation of his family history and his mother’s intimate diary, the director creates another important historical document. As Mother’s Household Ledger gradually intertwines the family story with modern Korean history and their shared memories, our hearts are profoundly stirred. The mother wrote down the passage of time, and the son now illuminates the world imbued with that time.