독거노인의 집에 홀로 낙오된 어린 바퀴벌레. 고군분투하며 살아가지만, 가장 힘든 것은 외로움이다. 그런 어느 날, 바퀴벌레는 노인이 가진 외로움이 자신과 같은 것임을 깨닫게 된다. 존재조차 들켜서는 안되지만, 바퀴벌레는 노인과 밥을 함께 먹고 싶다고 생각하기 시작한다.

A young girl without friends is always alone. One day, the dandelion puffs she was holding were blown to someone's house by the wind. 　　A child who discovers a dandelion shows her friends but is ignored. So, she copes with her loneliness by befriending a black cat she meets behind a house. Plants are interesting in their ambivalence because they can be as beautiful as flowers and ugly as mold simultaneously. Still, the film focuses on plants’ passive ability to sway in the wind. Just as windows are portals through which cats can reach inside and outside worlds, spores are the connection between life and death. Humans who know how to pay attention to items as small as spores give them soil, water, and sunlight. Humans need not face but the ability to offer their bodies to the wind, like plants, the main character. It’s a story that focuses on a life of growth, a whole development within a city. (LEE Bora)

보증금이 없어 오래된 여관에 살고 있는 우리는 집을 구해야 한다. 행복주택에 지원하려 하지만 불행을 입증해야만 내 몸 뉘일 방을 구할 수 있는 자신의 처지가 서글프기만 하다.

Mojori, an aspiring rapper, is caught up in his dreams. But reality catches up just as quickly—his girlfriend Harin finds out he’s buried himself in three million won of debt to film a music video. The voices of neighborhood gangsters come creeping in. With nowhere to hide, Mojori slips out the window and flees.

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暂无英文版的简介，请添加内容帮助我们完善数据库。

Ji-young, a contract worker, clears out her belongings on her last day at work. Just before leaving, Tae-young from the HR team asks her to return her employee ID. Reluctant to give it up, Ji-young hesitates, but the company insists that the ID must be used by the next employee. In the end, she leaves the office with only trivial items, feeling a sense of lingering regret. However, at the bus stop, an urgent matter forces her to return to the company. Without her ID, she finds herself locked out and stuck at the entrance. Fortunately, with the help of a new female employee who is set to take her place, Ji-young manages to re-enter the building. Standing at the crossroads between departure and a new beginning, Ji-young confronts the complex emotions of transition.

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