身寄りのない子供を戦争用の兵器として育てる学校に通う少女たち。 　　人を殺すための授業、誰が死んでも悲しむことさえままならない日常。 　　ここは不条理で、常に死と隣り合わせの日々が、「当たり前」な世界。 　　「どうしてみんな平気なの？」 　　自分の境遇を受け入れられずにいる14才のシーナはある夜、血まみれの小さな女の子・ミミと出会う―― 　　どんな現実が訪れようとも、生きていく。 　　これはそんな少女たちが見つける、あどけない願いの物語。

陈殊怎么也没想到年纪轻轻的自己就得了胃癌，医生告诉他只剩下三个月的时间了，这一击打的陈殊心头一震，他以前的人生都过得太过循规蹈矩，什么都是听父母的，但是父母好像并不爱自己，就连今天看病父母都没有了，所以陈殊决定剩下的三个月时间他要做自己，不要再讨好任何人。

金大尉在战争中下半身瘫痪，被送回后方。妻子惠景鼓励丈夫重新站起来，并精心护理他的生活。在避难地大丘，他们遇到秉善、英善兄妹。兄妹俩帮助惠景建立新的生活。不久，妹妹英善嘱托惠景继续社会公益事业，自己留下所有积蓄自杀了。战事恢复，金大尉夫妇回到汉城，开始了救助战争未亡人的工作。

这是关于生命在地球上如何奋力征服和生存的史诗故事。今天，地球上有 2000 万个物种，但我们所看到的只是时间的剪影——99% 的地球居民已经消失在久远的过去。这些王朝的崛起和衰落的故事令人惊叹。与 Industrial Light & Magic 合作，这部开创性的自然纪录片使用最新的技术和科学方法让灭绝已久的生物在荧幕上复活，揭示了我们星球上令人难以置信的生命故事。

母亲、奶奶、死亡权利活动家，三重身份在身的雅克利娜·亨克尔在74岁时公开宣布想以安乐死结束生命，这一决定引起了家人的剧烈争论和社会舆论的关注。雅克利娜没有身患绝症，而是感到生活了无生趣，面对日渐衰老的自己，她希望有尊严地离世。她的儿子带着摄像机和母亲进行了一场开诚布公的对话，关于自由、尊严和牵绊。

第二次世界大戰時期，正在服兵役的朝倉惠一在孫女舞的帶領下來到了澳大利亞距離悉尼向西320公里的名叫Cowra的一個小鎮上。 　　64年前在這裡發生的事情。還有未能到達的戰友的回憶。 　　——昭和19年1月。所屬夏九八五三部隊的兵長朝倉惠一與上級嘉納二郎伍長共同在新不列顛島與聯合國軍戰鬥。戰況不斷惡化。食物儲備也漸漸耗盡，戰友也不斷失散。某日，在不得不連續逃竄幾十天的這兩人面前，出現了一隻聯合國軍的海軍部隊。 　　當時，日本政府聲稱沒有被俘虜的日本兵。也就是說，一旦被俘虜就成為了“戰死”，對其家人也宣佈已經死亡。 　　“活著就不受俘虜的侮辱。死了也不留下罪禍的污名。” 　　——惠一的腦海中掠過傳授的“戰場訓誡”。這之後將有什麼樣的苦難在等待他去承受，將會有怎樣的酷刑來處置他呢。 　　惠一請求還不如將他處死，但這個請求並沒有被聽取，就這樣他被帶到了澳大利亞。 　　到達了Cowra的第12俘虜收容所之後，惠一的眼前出現了意外的景象。 　　在盡興玩耍棒球，麻將，花紙牌的日本俘虜們。有充裕的三餐，還有過分的自由。 　　被俘虜而焦慮得消瘦的自己，這種樣子可以嗎。忍辱偷生卻恬不知恥地生活下去可以麼，還是乾脆地自我了斷呢——不斷問自己沒有答案的問題的惠一，就像幾個月前激戰的謊言一樣，只有時間在不斷流逝。 　　某日，名叫黑木立的軍曹作為俘虜來到了這裡。 　　“活著就不受俘虜的侮辱。死了也不留下罪禍的污名。” 　　——黑木立高聲呼喊起了惠一在和平的日子中開始遺忘的“戰場訓誡”。 　　自己現在應做些什麼呢？ 　　到此為止安穩的日子也慢慢地開始變化了。 　　然後，在1944年8月一個滿月的夜裡——

Memories of Argentina in the early 1950s bring a man back (in his mind) to his neighborhood, his family, and their hardware store. Alth ough the barrio was filled with people both for and against Juan Perón who was in office as President at this time, the bonds of friendship were stronger than political differences. This view, and the view held throughout the film is that of the man as a young child. Newsreel clips and scenes of Evita Perón's funeral insert an adult perspective, though there is still an element of indecision throughout the film as to which perspective should hold. 　　"Espérame mucho" ("Keep Waiting For Me") is an Argentinian film released in 1983 and based on a short story by Isidoro Blaisten. The action takes place in 1950 and the viewer is able to get a feel for the time from the very first scenes, which consist of TV reporting typical for countries under a centralized economy. The story is told in the first person, in a memoir fashion, with a neat transition between the introductory words of the narrator ” I am 41 years old. In 1950, I was in fourth grade” and the actual story observed through his eyes as a child. 　　Juancito (played by the eleven year old Federico Olivera) is the main protagonist of the story. He is a regular boy who does his lessons under his mother’s supervision while awaiting impatiently for six o’clock so he can hear the story of his favorite hero on the radio -- Tarzan. A lot of political turmoil is happening in Argentina at that time and it causes the young boy to wonder why his mother is referring to his uncle as “A Quixote” instead of ” A revolutionary”, as he sees him. In the later scenes, it becomes clear that the boy compares his uncle with his father -- admiring his uncle for his courage and disapproving of his father who “never speaks up” and always follows the demands of his wife. And Juancito is not afraid to say that to his father’s face, using the words “everyone bosses you around”. At the same time, he relates more to his uncle who sometimes joined the boys in their football games “We loved it when my uncle Migel got the ball. He’d forget politics and play like a child. We all envied him.” 　　Juansito is in love with a girl and the scene in which he gives her a present made my him is one of the most heart warming scenes I have seen in a film. Yet, he soon finds out how unfair life can be…. Generally speaking, the film has some quite touching scenes which alternately brought tears to my eyes or a smile to my face. 　　The cast did an incredible job in the film. Throughout the story, told through the eyes of Juancito, the viewer can appreciate the similarities, differences and beliefs of people from various social classes in Argentina during 1950. The abundance of documentary cadres contributes to the educational value of the film. It accurately portrays the history and the epoch in which the action is set. I believe that everyone who sees this film once will have gained a knowledge and a wisdom - because even as the years change, we today still share the same joys and fears as did the people in 1950. 　　Espérame mucho has some of the most powerful ending phrases that I have seen in any coming of age film. I could not resist quoting them in my review as I believe they represent its core message and will lead to a desire for you to see it: 　　“looking back on those days, the affection of these people, their faces and smiles, I feel the weight of these 30 years. When I left Tarzan, defender of the meek and justice, a wound opened up, for me and for many others and it hasn’t healed yet. The many things that happened buried the enthusiasm …. I am 41 years old. With time, I discovered why Tarzan wasn’t enough ….and I lost my childhood innocence “ 　　When released in 1983, in the last few months of the military rule in Argentina, Esperame Mucho was subject to severe censorship by the regime. After the regime ended, the film was delivered without cuts in its various television displays. 　　I would not hesitate to recommend this film - not only to the fans of the coming of age genre, but to anyone who is interested in watching a high quality cinema production. Despite being produced in 1983, Esperame mucho is a film from which many of today’s filmmakers may learn. 　　The Sky Kid

Band of Brothers - Individual Disc #6 "We Stand Alone Together: The Men of Easy Company & The Making of Band of Brothers" 　　Over a period of two years, Mark Cowen and his crew travelled to 30 U.S. and ten European cities, to interview the veterans of Easy Co. The stories, told by the veterans themselves, create a history of the Second World War from the point of view of this heroic company of men, made famous in the mini-series Band of Brothers.

东西两德合并后，东部瞬间没落。失去工作的青年也失去了生活的目标。随着外籍移民的不断涌入，矛盾日益扩大，仇恨在蔓延。九十年代初期，多个城市爆发了新纳粹主导的排外骚乱活动。本片的背景正是那个时候的罗斯托克。 　　这部近期的德语高分影片获今年的德国电影奖多项提名，并获得最佳男配角奖。

故事描述一位女子雅德蕾德威尔森和她的先生盖博，带着两个孩子一起到夏天度假住的海滨房子，打算度过一个恬静的夏天。　　但一段过去难以启口的伤痛却如鬼魅般出现在眼前，接二连三的怪异巧合也相继发生，对于家人即将遭遇不幸事件的强烈预感，让雅德蕾德恐惧到达临界点。　　当他们和朋友泰勒斯一家共度一个令人紧绷的海边聚会后，雅德蕾德和先生及孩子们回到度假小屋休息，却在进入黑夜的房子前，看见令人毛骨悚然的四个人影，正手牵手站立在他们的车道上…