Amy Tyler has planned the perfect surprise vacation for her boyfriend Josh Merit. But the real surprise is on her when he breaks things off on their anniversary. Stuck with reservations in her ex-boyfriend's name, Amy's two best friends suggest if Amy can't change the tickets ... why not change the guy?

在地鐵中，一位女士看到一個黑影接近一個小男孩。這時，她回想起自己在同樣年紀的不幸經歷：她與一名兒童罪犯的遭遇。

Hostage negotiator Alan Bender is called to rescue the president from a kidnapping, only to find himself also mediating to save his wife and marriage.

Satinder (Annu Kapoor), a film director with big dreams of working with famous stars, teams up with his friend Amar (Manoj Joshi), a struggling film writer, to find someone who can invest in their new film project. As the story unfolds, it takes us through a whirlwind of confusion, emotional moments, and loads of comedy.

「のんたれ（I AM NON）」は、全10エピソードのドキュメンタリーと、のんが初めて手がけたオリジナル映画「おちをつけなんせ」で構成された作品。ドキュメンタリーパートでは、のんが監督、主演、脚本、演出、衣装、編集、音楽などを担当し、岩手県遠野市で映画作りに奮闘した1年半を映し出す。のんがインスピレーションを受けた桃井かおり、是枝裕和、片渕須直といったクリエイターたちも登場する。

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Documentary about the love-hate relationship between filmmakers and film critics with interviews made at Cannes Film Festival. 　　Cast (in alphabetical order) 　　Woody Allen ... Himself 　　Pedro Almodóvar ... Himself 　　David Cronenberg ... Himself 　　Maria de Medeiros ... Herself 　　Manoel de Oliveira ... Himself 　　Atom Egoyan ... Himself 　　Rubens Ewald Filho ... Himself 　　Nelson Hoineff ... Himself 　　Christophe Honoré ... Himself 　　Serge Kaganski ... Himself 　　Gérard Lefort ... Himself 　　Ken Loach ... Himself 　　Michel Piccoli ... Himself 　　Caetano Veloso ... Himself 　　Wim Wenders ... Himself

Bill Marks（利亚姆·尼森 Liam Neeson 饰）是一名空警，奉命在一架飞往伦敦的飞机上执行安保任务。在飞行途中，他收到一个未知号码发来的短信，发短信的人对他的一切举动了如指掌，并且要求他向一个秘密账户转账1.5亿美元，否则就会每隔20分钟杀死一名航班上的乘客。Bill意识到事态的严重性，在空姐Nancy（米歇尔·道克瑞 Michelle Dockery 饰）、乘客Jen（朱丽安·摩尔 Julianne Moore 饰）的协助下，试图找出这个发短信的人。但是事情的进展却远远超出了他的意料，本来想拯救众人的Bill，却意外导致了几个人的死亡，他也被其他乘客当作一个劫机犯。Bill是否能够力挽狂澜，即拯救机上的乘客，又洗脱自己身上的罪名？

Three characters in the post-industrial outskirts of Taranto share the same condition of exile, unbeknownst to themselves: a young man explores the landscape through a recorder, mapping sounds; a young woman gets lost among woods and nocturnal rituals; a visually-impaired person caresses the leaves of his vegetable garden, which he tends with enthusiasm and dedication. Landscapes suspended between sea and concrete, old military outposts, and dilapidated farmhouses become the setting for a waiting caught between fleeing and staying for good. The film alternates silences, minimal gestures, and acoustic fragments through an editing that interweaves intimacy and allegory, revealing the conflict between attraction and repulsion towards one’s own city. A place that is at once beloved and despised, distant and inevitable, Taranto is the symbol of a broader condition of alienation and belonging. These Things Never Happened But Have Always Been is a poetic and visionary tale that transforms fragility into a potential metamorphosis.