An emotive anthology by seven of Singapore's most illustrious filmmakers, celebrating SG50 through the lives and stories of Singaporeans. Directed by Eric Khoo, Jack Neo, K. Rajagopal, Royston Tan, Tan Pin Pin, Boo Junfeng, Kelvin Tong.

An emotive anthology by seven of Singapore's most illustrious filmmakers, celebrating SG50 through the lives and stories of Singaporeans. Directed by Eric Khoo, Jack Neo, K. Rajagopal, Royston Tan, Tan Pin Pin, Boo Junfeng, Kelvin Tong.

Nineteen people of varying age, race and sex gather in tight physical proximity, as a compact human mob, when without warning a gushing onslaught of water from both sides of the screen knocks them into one another and down to the ground.

Nineteen people of varying age, race and sex gather in tight physical proximity, as a compact human mob, when without warning a gushing onslaught of water from both sides of the screen knocks them into one another and down to the ground.

该剧讲述了一名老军人无意间发现了战友的阵亡通知书，从而开始艰难寻找与自我救赎，牵扯出几个家庭在50年间的悲欢离合。

该剧讲述了一名老军人无意间发现了战友的阵亡通知书，从而开始艰难寻找与自我救赎，牵扯出几个家庭在50年间的悲欢离合。

This is a brilliant surrealistic film. 　　But also a fully realistic story about a time when the brave avant-guarde artists were trying to explore the unknown landscapes of human possibilities. 　　The contrast between two realities: the poor village and the dadaist artists is shown very smart and brings the possibility of changing the world by the art. 　　Unfortunately, that progressive ideals of making the world better by revealing new areas of imagination, that ruled in the first half of XX century, were crushed by the war. 　　And, the tragedy finishes: the artistic ideals are dead, international art brotherhood also, but, as a real disaster: Yugoslavia is also dead, as a country, but as an artistic vision of nation's brotherhood, too. 　　So, the art falls apart

This is a brilliant surrealistic film. 　　But also a fully realistic story about a time when the brave avant-guarde artists were trying to explore the unknown landscapes of human possibilities. 　　The contrast between two realities: the poor village and the dadaist artists is shown very smart and brings the possibility of changing the world by the art. 　　Unfortunately, that progressive ideals of making the world better by revealing new areas of imagination, that ruled in the first half of XX century, were crushed by the war. 　　And, the tragedy finishes: the artistic ideals are dead, international art brotherhood also, but, as a real disaster: Yugoslavia is also dead, as a country, but as an artistic vision of nation's brotherhood, too. 　　So, the art falls apart