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    爱好难 - 电影

    2021美国喜剧·爱情
    导演:赫尔南·吉门尼斯
    演员:妮娜·杜波夫 欧阳万成 达伦·巴内特
    妮娜·杜波夫、欧阳万成、查尔斯·梅尔顿(《河谷镇》)将主演Netflix浪漫喜剧[爱很难](Love Hard,暂译)。Hernán Jiménez执导,Danny Mackey、Rebecca …
    爱好难
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    好男好难 - 电影

    2028中国大陆剧情·喜剧·爱情
    导演:魏玮
    演员:吴昱翰 于谦
    郝楠仁是一家传媒公司A公司的中层销售干部,过着普通的白领生活,是公司里的老好人,女友周可馨是一名幼儿 园老师。两人恋爱三年,郝楠仁买不起婚房受到娘家人的鄙视,女友的强势也让他抬不起头。 一天,黄总找到郝楠仁,告诉他公司发展遇到了困境,一家新兴的传媒公司B公司对其产生了巨大冲击,女老总梅 丽(绰号“梅超风”)带着B公司一路冲杀,抢占了不少市场份额,眼下又盯上了郝楠仁所在的公司的重要合作伙伴C 公司。C公司正准备开发黄金海岸游乐园第二期,这将是一笔大订单。 黄总告诉郝楠仁,公司只有击败梅的公司才存活下去。而梅神秘莫测,只听说为人冷酷,软硬不吃,幸而对方公司 正为总裁招聘私人助理。黄总许诺郝楠仁,如果能从从B传媒公司打探到关于梅的消息,保准升职加薪。为了能够 买得起婚房,郝楠仁决定接受任务。此外,黄总还指派同事小马哥作为辅助支援郝楠仁。 郝楠仁和众多高手一起竞争,凭借着小马哥的帮助在最后关头取得了总裁助理的职位。 任职后,郝楠仁开始了繁重的工作。一天郝楠仁坐出租车时意外遇到了高中时的学姐,现在的单身妈妈范佳,她的 孩子因而被班里同学取笑没有父亲,说什么也不肯再去学校。范对郝楠仁颇有好感,便软磨硬泡拜托郝楠仁去冒充 自己孩子的父亲,郝楠仁迫于任务无法说出真相,只好勉强答应去帮忙开了一次家长会,令范更加确定郝楠仁喜欢 自己。
    好男好难
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    安菟!安菟! - 动漫

    2018内地偶像·校园·动漫
    演员:留歌 风霁月 白小葭
    围绕留歌,风霁月,白小葭,乐颜,夏行美五个少女在名雅音乐高中邂逅组成女团And2,在期末表演考试顺利完成第一次正式表演并且正式出道,向偶像的梦想共同努力的励志青春偶像的故事。
    安菟!安菟!
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    安菟!安菟! - 动漫

    2018内地音乐·动漫·都市
    演员:留歌 风霁月 白小葭
    围绕留歌,风霁月,白小葭,乐颜,夏行美五个少女在名雅音乐高中邂逅组成女团And2,在期末表演考试顺利完成第一次正式表演并且正式出道,向偶像的梦想共同努力的励志青春偶像的故事。
    安菟!安菟!
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    日子 - 电影

    2020中国台湾剧情·同性
    导演:蔡明亮
    演员:李康生 亚侬弘尚希
    康独自一人住在大房子里,Non住在镇上的一间小公寓里。 他们见面,然后分开,他们的日子像往常一样流逝。
    日子
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    日子 - 电影

    2020中国台湾剧情·同性
    导演:蔡明亮
    演员:李康生 亚侬弘尚希
    康独自一人住在大房子里,Non住在镇上的一间小公寓里。 他们见面,然后分开,他们的日子像往常一样流逝。
    日子
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    日子 - 纪录片

    2011中国大陆纪录片·短片·家庭
    导演:周浩
    片长51分钟,只是记录了冬天四川达州农村,一对老夫妻家长里短的生活。 村里的年轻人都外出打工,这个村的人大都是到广东鲘门去打渔…… 2011年制作,法国剪辑。
    日子
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    日子 - 电影

    2001意大利剧情
    导演:Laura Muscardin
    演员:Thomas Trabacchi Riccardo Salerno Davide Bechini
    Claudio, 35 years old, manager, has been HIV+ for ten years. His life is marked by the medicine he has to take, his monthly medical examination, his humdrum job, and his long-term relationship with Dario. But when he meets Andrea, a sweet and handsome waiter, his certainties shatter.
    日子
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    日子 - 电影

    2001意大利剧情
    导演:Laura Muscardin
    演员:Thomas Trabacchi Riccardo Salerno Davide Bechini
    Claudio, 35 years old, manager, has been HIV+ for ten years. His life is marked by the medicine he has to take, his monthly medical examination, his humdrum job, and his long-term relationship with Dario. But when he meets Andrea, a sweet and handsome waiter, his certainties shatter.
    日子
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    日子 - 电影

    1963南斯拉夫
    导演:Aleksandar Petrovic
    演员:Ljubisa Samardzic Mila Dimitrijevic
    While her husband is away, Nina sets out to combat boredom. The wealthy woman visits an elderly aunt and frequents the stores and boutiques of downtown Belgrade. She spends the day with a handsome stranger who is obviously enamored with Nina, but the two separate at the end of their memorable day when she tells him she is married.   One day of married woman, who did not succeed to determine her place in life. She gets in series of characteristic situations which are discovering her life and faith. Her life is a reflection of her personal solitude. She meets a young man, who has just received a note that his father is dying. They spend one afternoon together, trying to give new shape and sense to picture of life.   Yugoslavian director Aleksandar Petrovic was one of his country's most prominent filmmakers during the 1960s. His best-known films are Tri (Three), which earned the highest award at the Karlovy Vary Film Festival in 1965, and Skupljaci Perja (I Even Met Some Happy Gypsies), which won the Grand Prix at Cannes in 1967. Petrovic got his start as a film critic following graduation from Belgrade University. His writings on cinema made him one of Yugoslavia's most respected film critics during the '50s. He then directed a few documentaries. Petrovic made his feature-film directorial debut with Dvoje (When Love Is Gone) (1961). This and his subsequent film, Dani (Days) (1963), were heavily influenced by French New Wave and heralded the dawning of the "Black Wave" in Yugoslavian cinema. Following the success of Skupljaci Perja, Petrovic began having difficulty with his government. It began when governmental officials took offense with his adaptation of Bulgakov's novel Majstor i Margarita (The Master and Margarita) (1972), calling the film a direct assault against communism. In 1973, Petrovic was forced to leave his post at the Belgrad Film Academy because of the scandal surrounding the film Plastic Jesus, which was made by his protégé, Lazar Stojanovic. Though he would continue on to make two more films, one of them in France, Petrovic's promising career was over.
    日子
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