Although flowers have long been at the center of human life, the question of how flowers evolved has long baffled scientists. But now a tantalizing fossil that bloomed during the reign of the dinosaurs has surfaced in China. In First Flower, NOVA probes the controversy ignited by this unique fossil, and pursues the trail through the stunning lost world of China's remote Hengduan Mountains.

Although flowers have long been at the center of human life, the question of how flowers evolved has long baffled scientists. But now a tantalizing fossil that bloomed during the reign of the dinosaurs has surfaced in China. In First Flower, NOVA probes the controversy ignited by this unique fossil, and pursues the trail through the stunning lost world of China's remote Hengduan Mountains.

贝奇（蕾斯拉·德·奥利维拉 Laysla De Oliveira 饰）和哥哥卡尔（艾弗里·维提德 Avery Whitted 饰）驱车行驶在公路上，半途中，已经怀孕的贝奇感到非常的不舒服，于是下车休息，此时听到路边的高草丛里传来孩子的呼救声，循着声音，贝奇和卡尔先后走进了高草丛中，哪知道就此踏入了地狱的大门内。 　　高草丛仿佛一个有生命的恶魔，吞噬着一切误入其中的生命。在高草丛里，贝奇遇见了同样迷失在此的罗斯（帕特里克·威尔森 Patrick Wilson 饰），这个男人虽然仪表堂堂，却散发着危险的气息。贾维斯（哈里森·吉尔伯特森 Harrison Gilbertson 饰）是贝奇的男友，在女友失踪后，他踏上了寻人之路。

Brother and sister are driving through Kansas during their road trip. Suddenly, they hear calls for help coming. They stop to investigate and …

她和他们一样，是家里唯一的孩子，典型的差生，都经常离家出走和社会青年们游离于网吧，当她终于打算回家的时候，殊不知家里早已搬走.....她就成了他们的一员。 　　本片获得中国美术学院林风眠创作金奖， 　　第一届anispark国产原创动画盛典最佳原创剧本 　　芝加哥CineYouth 青年电影节最佳动画短片，并参与第55届芝加哥国际电影节的特别展映。

她和他们一样，是家里唯一的孩子，典型的差生，都经常离家出走和社会青年们游离于网吧，当她终于打算回家的时候，殊不知家里早已搬走.....她就成了他们的一员。 　　本片获得中国美术学院林风眠创作金奖， 　　第一届anispark国产原创动画盛典最佳原创剧本 　　芝加哥CineYouth 青年电影节最佳动画短片，并参与第55届芝加哥国际电影节的特别展映。

Director Arthur Hiller (Love Story, Silver Streak), working from screenwriter Edward Anhalt's (Becket) adaptation, transforms actor-playwright Robert Shaw's The Man in the Glass Booth into a film the Los Angeles Times dubbed, "daring, outrageous, utterly provocative, endlessly ambiguous and strikingly effective." 　　Millionaire Jewish entrepreneur Arthur Goldman (Maximilian Schell) benvolently rules his financial empire from a penthouse apartment overlooking Manhattan. Seemingly at the edge of sanity, Goldman holds forth on everyting from Papal edicts to ex-wives, from baseball to his family's massacre in a Nazi concentration camp. When Goldman remarks on a blue Mercedes continuously parked outside his building, Goldman's captive audience of assistant (Lawrence Pressman) and chauffeur (Henry Brown) dismiss their boss' anxiety as encroaching paranoia. But each of Goldman's passionate, seemingly capricious ravings are transformed into a shocking, inadvertent deposition when Israeli agents capture Goldman and put him on trial as Adolph Dorf, the commandant of the concentration camp where Goldman's family was supposedly exterminated. In a trial scene of unrelenting intensity, Academy Award© winner Schell (Judgement at Nuremberg) crafts what the Detroit Free Press called "a white-hot lead performance," mutating from eccentric Goldman to sociopath Dorf and beyond. The riddle of Dorf's true identity becomes wrapped in an enigma of cunning self-treachery and single-minded obsession. 　　Veteran cinematographer Sam Leavitt enables Hiller to coax a vividly personal and electrifying intelligent dual portrait out of Schell. The Man in the Glass Booth is a timeless drama of surprising intimacy and indefatigable courage, "possessing," declared the Los Angeles Times, "a remarkably resilient sense of lightness for all the profound questions it ponders."

地拉那第二大体育场是一座社会主义遗迹，已过其辉煌的时期，未能与周围世界同步。它处在一种边缘状态，静默而永恒。这部后人类主义电影-诗歌是在扫描整个体育场后使用超过一百万个点云构建的，是与体育场废弃草坪中绽开的多年生野花首次接触的结果。一次通过感官体验重新想象空间的邀请。